Un'artista di striptease francese desidera disperatamente diventare madre. Quando il suo ragazzo riluttante suggerisce che il suo migliore amico la metta incinta, i sentimenti si complicano ... Leggi tuttoUn'artista di striptease francese desidera disperatamente diventare madre. Quando il suo ragazzo riluttante suggerisce che il suo migliore amico la metta incinta, i sentimenti si complicano quando lei accetta.Un'artista di striptease francese desidera disperatamente diventare madre. Quando il suo ragazzo riluttante suggerisce che il suo migliore amico la metta incinta, i sentimenti si complicano quando lei accetta.
- Premi
- 2 vittorie e 2 candidature
- Angela
- (as Karina)
- Émile Récamier
- (as Brialy)
- Alfred Lubitsch
- (as Belmondo)
- Faux Aveugle #2
- (non citato nei titoli originali)
- Prostitute 3
- (non citato nei titoli originali)
- Magazine Girl
- (non citato nei titoli originali)
- Angela's Friend
- (non citato nei titoli originali)
- Bar Owner
- (non citato nei titoli originali)
- Woman in Bar
- (non citato nei titoli originali)
- Suzanne
- (non citato nei titoli originali)
- Prostitute 2
- (non citato nei titoli originali)
- Prostitute 1
- (non citato nei titoli originali)
- Faux Aveugle #1
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizJean-Luc Godard's first film in color.
- BlooperWhen Angela first meets Alfred on the street, the red and blue armband he wears changes from his right to his left arm between the start and end of the scene
- Citazioni
Alfred Lubitsch: Answer yes, and I owe you 100 francs. Answer no, and you owe me 100, okay?
Bar Owner: Okay.
Alfred Lubitsch: Here's the question: Can you loan me 100 francs?
- ConnessioniEdited into Bande-annonce de 'Une femme est une femme' (1961)
I've never thought Anna Karina was a great actress, but she is a good one, plus has the added benefit of a natural beauty and presence on-camera that really makes a star a star. She is a one-of-a-kind performer, and her lilting, flitting style fits remarkably well with Godard's roving camera in this light-headed, light-hearted story about a young girl working as a stripper who desperately wants to have a baby with her boyfriend Emile (Jean-Claude Brialy).
But the thing that sets the film apart from others in this mostly trite genre is Godard's unique style: the use of on-screen graphics to give insights into the character's motives, the all-too-sly speaking directly to the camera, the stop-start of the film's scoring, the accentuation of moments and dialogue by music which is extremely well-done. I loved the scene where Karina and Brialy, "not speaking", speak to each other with book notes, concluding in "all women to the firing squad". His conception of the Zodiac club is hilarious; it might be the tamest strip club in world history (it looks like a little Italian restaurant). And Godard is an absolute genius at writing small talk that sounds interesting and funny. It is a rare gift, and he doesn't get enough credit for it. In a genre like romantic comedy, where the subject matter is so trivial, to be able to sustain an entire motion picture just on small talk is no small accomplishment.
I highly recommend this picture for fans of good romantic comedy-it might be the best ever of this type. "A Woman Is A Woman" may be lightweight as Godard's films go, but it's exceptional as well. 3 *** out of 4
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- A Woman Is a Woman
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 160.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 100.665 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.213 USD
- 18 mag 2003
- Lordo in tutto il mondo
- 101.747 USD
- Tempo di esecuzione1 ora 25 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1