Un pezzo grosso

Sir Ernest Pease is sucked out of an aeroplane and captured by the Germans, and promptly interred at a POW camp. Naturally he refuses to give the Germans any information, and carrying his surly approach into his bunking quarters doesn't endear him to his fellow prisoners. But word comes thru from the hierarchy that Pease is so important on account of his scientific knowledge, he must escape at all costs. Thus this odd group of people must unite to get the old curmudgeon free.

Written by the men behind some of Norman Wisdom's most well known offerings {Henry Blyth & Jack Davies} and starring such British comedy luminaries like James Robertson Justice, Leslie "Hello" Phillips, Stanley Baxter, John Le Mesurier and Eric Sykes. Well it isn't rocket science to work out what type of film you are in for. Competently made at Beaconsfield Studio for Independent Artists,Very Important Person is practically a goofy version of the Great Escape {made two years later I hasten to add}. The Germans are of course portrayed as clueless dunderheads, and the British prisoners get by with a stiff upper lip and using humour as ultra sharp defence mechanisms.

So nothing new here for those that have sat thru many a 50s and 60s British war comedy, but the cast and writing is so engaging it's easy to forgive the familiarity of it all. Carried easily by the broad presence of James R Justice as Pease {fans of the Doctor franchise will love him here}, it's a film that knows it's a simple piece. It exists purely to induce a giggle, maybe even stir a bit of pride, and with its ending-actually has something to say as regards its main character. It's real light stuff that isn't the least bit dramatic {as some on line reviewers have suggested}, kind of like like a light wafer biscuit, you know it's a snack and that's really all you need to make you temporarily fulfilled. 6.5/10

Very Important Person is a well-written, and enjoyable British comedy that really belongs with other classic 1950s films. 1935 - 1962s British Comedies are my absolutely favourite genre as they hold their charm and wit even now and Very Important Person has a great deal of the essentially British humour in tough straights.

The plot of the genius scientist - JRJ - who ends up in a POW camp and must escape at all costs is a good vehicle to hang some nice character acting from Stanley Baxter and let Leslie Philips do his bounder at play act.

There are a ton of recognisable faces from John Le Mesurier to Eric Sykes, and the terrific part actor Richard Wattis, who everyone in Britain would recognise but few can name, all making the time fly by to perfection.

Above all, there's James Robertson Justice. Justice ironically nearly always played characters that looked and sounded true Tory but was the child of two of Britain's better Socialists (They did a lot in educational reform). He, himself, stood for parliament in Scotland as a Labour MP. Thank goodness he lost! His curmudgeon, which he had already perfected as Sir Lancelott Spratt in the Doctor series, is at its best here; he takes rude to a comic art form - and we love him for it.

Ken Annakin directs, and given that his list include Battle of the Bulge and Those Magnificent Men in their FLying Machines and Monte Carlo or Bust you know you're in excellent hands.

All in all, this is very reminiscent in style to The Wooden Horse but with laughs, a classic of its style and one that will still bring a wry smile to the face.

John Robertson Justice , the head of some very hush-hush research group during the war, needs to get a look at some German fortifications from the air. Things go pear-shaped and he's captured and sent to a Naval P.OW. camp. There, being John Robertson Justice, he convinces everyone he is a German spy, until orders come from Britain: he's got to be gotten back to Britain. Being John Robertson Justice, he handles it all himself.

Usually Justice is the terrifying authority figure in a comedy fronted by some one else. Here, with the lead role, he's about eighty percent of the show, and a very good show it is, with his usual comedy persona in full bloom. It's a fine mixture of comedy and thriller, with Justice being annoyingly right at all times.... we hope.

With John Le Meseurier, Norman Bird and Leslie Phillips as his stooge

A funny film which has maintained its humour since being made in 1961. James Robertson Justice is excellent as an morose and unfriendly POW who must be helped to escape back to England. Well made and with some excellent exchanges between James Robertson and the other POWs.

I've seen a few James Robertson Justice/Leslie Phillips/Stanley Baxter films recently (thanks, Amazon Rental!), such as THE FAST LADY and FATHER CAME TOO, and compared with such absurd and dated fluff this works well. The 'This is Your Life' framing device is simple but neat; Annakin keeps thing moving, without allowing any of his cast to go over the top, even James R-J's role has more depth and less bluster than usual; various comedy stalwarts (Eric Sykes, Richard Wattis, John Le Mesurier) do their thing in ways that make sense in plot terms; Baxter's dual role is brilliantly handled, with tiny adjustments in gait and expression making it quite clear which is which when they appear in the same scenes. Even Leslie Phillips (with the possible exception of Kenneth Connor the most annoying of all the British comic actors of the 50s & 60s) brings something to the party this time. In some ways it stands up better than 'serious' POW stuff like THE WOODEN HORSE.