Un tipo lunatico

I never did get around to seeing Moon Pilot back when it was in theaters when I was a lad. Looking at it now, I'm sure glad I didn't waste the money.

By 1962 the NASA Program for sending someone to the moon was launched and the public generally familiar with it. I can't believe that even the Disney Studios could have worked within the parameters that were known to the public, even for this innocuous comedy.

Tom Tryon before Otto Preminger tried to make him a major star in The Cardinal was a Disney contract player and best known for the Texas John Slaughter films on television. Instead of going through the exacting selection process to be an astronaut, Tryon gets to be the first man to go to the Moon because the chimpanzee who had made the trip previously had stuck a fork in him, causing him to jump and make General Brian Keith think he volunteered.

But that isn't all for our intrepid astronaut, this mysterious woman with a French accent played by Dany Saval keeps trying to contact him to make sure a special coat of paint is used on the space ship. Otherwise Tryon will exhibit the same behavior as the chimpanzee. And that wouldn't be good because Saval's getting a thing for him.

Saval's not an American, but she isn't French either. She's from a faraway planet called Beta Lyrae and Tryon's attempts to at first shake her involve the Air Force as personified by Keith and the Federal Security Agency as typified by Edmond O'Brien. Due to reasons of national security these two keep working at cross purposes and of course neither are solving anything.

I have to hand it to Keith and O'Brien. Both these veterans realized this film was a turkey and then they proceeded to enjoy it the best they could with one of the great blustering contests of all time. You have to be your own judge to determine which one you think is overacting more. Please note that the euphemism Federal Security Agency was used for the FBI. No one, least of all at Disney Studio was going to make fun of them in 1962.

Moon Pilot was one of the least successful of Disney films, it certainly hasn't aged well. All of the cast did better things, even at the Magic Kingdom.

While the technical aspects of this "space age" comedy from the early 1960's are understandably dated, the major problem with watching "Moon Pilot" now lies in its slow pacing. Virtually every scene runs longer than it should and the conversations within each scene are too often marked by needless pauses and languid delivery. The result is a 70-minute story that's been s-t-r-e-t-c-h-e-d into a 98-minute movie.

Tom Tryon seems an unusual choice for the title role. His dark, brooding, sexually-ambiguous looks would qualify him to play "Heathcliff" but "Moon Pilot" is virtually his only foray into farcical comedy. However, his innately serious quality helps him to anchor the movie more securely than would a Dick Van Dyke or a Dean Jones, but he really doesn't shine in this kind of material. His image as a juicy slab of "beefcake" remains intact, however, since even this family-oriented Disney comedy finds an excuse to strip him down to his boxer shorts in order to display his hairy chest in two separate scenes.

Wry satire skewing the government, the military, and the space program at a time when there wasn't that many films taking aim at those agencies. This was the Kennedy era after all, and Disney didn't make that many satires. Tom Tyron ("Texas John Slaughter")is good as the astronaut but French actress Dany Saval ("Boeing, Boeing") makes the film worth watching. The support actors fail to bring the script alive (good actors but dry direction lets them sway in the wind). Tommy Kirk appears in a very small, but adult role.

As the director of many films for the Disney Studios, both comedic and dramatic, James Neilson never livened up; his name in the credits usually means a picture with a steady, sometimes leaden pace. "Moon Pilot" is no exception, and one can only imagine family audiences from 1962 dozing through the movie's more sluggish sections. Tom Tryon was a good casting choice for the part of an Air Force captain chosen to orbit around the moon, yet his hot-tempered superiors on the ground (Edmond O'Brien and the usually-reliable Brian Keith) do nothing but bark at him and at each other. Dany Saval twinkles like a manic pixie playing a flirtatious young woman who may be a spy--maybe not. For the Disney faithful, there's also a monkey clowning around. Production values solid, theme song "Seven Moons" very sweet, though this is still an awfully slow rocket-ride into space. *1/2 from ****

This is the first movie I ever went to see alone at the tender age of 8. It played the Paramount Theater in my hometown of Syracuse, NY. I went over the Easter holiday with money I had received from an uncle. I was so mesmerized by it I sat through it at least six times until my mother came down the aisle @ 9 at night calling for me. My lifelong love of the movies began here and so the picture holds a special place for me. That said, I watched this again recently, and despite its out of date science and themes, it still holds up because of the many solid performances and the sincerity behind its production. I was also amazed to see a very young Sally Field as one of the beatniks in the line up. Still great fun.