Aggiungi una trama nella tua linguaWhen car trouble strands a honeymooning couple in a small Southern European village, an aristocratic family in the area reaches out to help them with sinister consequences.When car trouble strands a honeymooning couple in a small Southern European village, an aristocratic family in the area reaches out to help them with sinister consequences.When car trouble strands a honeymooning couple in a small Southern European village, an aristocratic family in the area reaches out to help them with sinister consequences.
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- BlooperWhen the newlyweds arrive at the hotel, they get caught in a sudden downpour. Water can be seen on their shoulders and on their hats, as well as on the wooden porch as they ring the doorbell. They are however bone dry when they step into the reception, despite the innkeeper remarking that they are soaked through.
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Dr. Ravna: [referring to Marianne] I will not say that she has not changed in any way, Mr. Harcourt. She has, as you may put it, grown up. Tasted the more sophisticated, more exotic fruits of... life.
Gerald Harcourt: [realizing that she has been initiated into vampirism] Oh, my God!
Dr. Ravna: [officiouly] God is hardly involved, Mr. Harcourt.
- Versioni alternativeRetitled "Kiss of Evil" for American TV, and considerably tampered with. Bloody scenes are cut: e.g., when Herr Zimmer cauterizes his wrist after Tanya bites him, and the pre-credits scene in which blood gushes from the coffin of Zimmer's daughter after he plunges a shovel into it (even her scream is cut from that scene). A couple of the cuts result in scenes that don't make sense any more: in the cut-for-TV version, we never do find out what Marianne sees behind the curtain, a sight which makes her scream. And when Harcourt frees his hands after being clawed by Tanya, the TV version has him escape by running across the room untouched by the vampires, who just watch him get away. As originally filmed, Harcourt, after freeing his hands, immediately smears the blood on his chest into a cross-shaped pattern: the vampires now *can't* touch him. The cut running time was made up for by the addition of scenes of a family (middle-aged husband and wife; teenage daughter) who fret and argue about the influence of the vampiric Ravna clan, but never interact with anybody else in the movie. The married couple are inserted into the pre-credits graveyard scene in place of a couple of old crones. Even the final scene of the tampered-with version features this family, instead of the original cast! The theme of the family's scenes is the social disruption the vampires bring to town: specifically, women get uppity. The wife becomes the breadwinner (by sewing the vampire clan's white robes!) as the husband's business suffers, and she browbeats him about it. The daughter disses her boyfriend in favor of Carl Ravna. Carl, unseen in these scenes, has given her a music box which plays the same hypnotic tune that he plays on the piano elsewhere in the movie. The final scene has the men magnanimously forgiving the women, who meekly apologize as they all head off to church.
- ConnessioniEdited into Cynful Movies: Kiss of the Vampire (2019)
- Colonne sonoreVampire Rhapsody
Performed by James Bernard
Honeymooners Gerald (de Souza) and Marianne Harcourt (Daniel) stop over in a remote Bavarian village and fall prey to a suspicious family headed by Dr. Ravna (Willman).
Planned as a Dracula sequel by Hammer Films, Kiss of the Vampire eventually followed in the vein of Brides of Dracula by bringing vampires into a social situation without the famous Count as the figurehead. With no Christopher Lee, Peter Cushing, Terence Fisher or Freddie Francis involved, it does on the outside seem it should be a lesser Hammer Horror picture. Thankfully that isn't the case at all.
There's some wooden acting, less than great effects work in the finale and a lack of blood for the gore hounds, but this is still a wonderful Hammer picture. Ripe with atmosphere, beaming with glorious Gothic set design and beautifully photographed, it's a film begging to be discovered by the vampire faithful.
Essentially a reworking of Edward G. Ulmer's The Black Cat (1934), the narrative follows the familiar vampiric formula so beloved by horror film makers, especially the house of Hammer, which is no bad thing really since they do it so well. In fact it should be noted that the finale to this one is a departure from the norm and is rather exciting, if just a little abrupt in the context of plotting.
A bevy of beauties adorn the frames while suave aristocrat type gentlemen glide around the Ravna abode, this is very much a film rich in that Hammer style. Ignore claims of it being slow, for this is considerate to setting up the characters, and ignore the butchered American TV version, for Kiss of the Vampire is a treat for like minded Hammerphiles. 7.5/10
- hitchcockthelegend
- 8 mag 2013
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El beso del vampiro
- Luoghi delle riprese
- Black Park, Iver Heath, Buckinghamshire, Inghilterra, Regno Unito(Forest Exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 28 minuti
- Proporzioni
- 1.85 : 1
- 1.66 : 1