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6,1/10
897
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaEmil goes to Berlin to see his grandmother with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money. It is up to him and... Leggi tuttoEmil goes to Berlin to see his grandmother with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money. It is up to him and a group of children to save the day.Emil goes to Berlin to see his grandmother with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money. It is up to him and a group of children to save the day.
- Regia
- Sceneggiatura
- Star
Eva Ingeborg Scholz
- Frau Tischbein
- (as Eva-Ingeborg Scholz)
Viktor Hospach
- Kioskbesitzer
- (non citato nei titoli originali)
Recensioni in evidenza
I stumbled on this entry and was glad I did! I recall watching this when it was broadcast on "Disney's Wonderful World of Color" in September 1966 when I was five and have never seen it since. I recall the Berlin locations and being fascinated by the entire enterprise. Maybe I would have a different opinion if I saw it now, but I recalled liking it as a kid.
First saw this in a movie theater when I was 11 years old and just saw it again this week on Turner Classic Movies. It made a big impression on me when I was a kid and I'm pleased the experience stood up. Understand that this is completely a kids movie. The characters are very broad and actually quite cartoonish (though the same could be said for Quentin Tarantino movies). Gender stereotypes are consistent with the period. The plot is wildly implausible, like many children's books, but who cares?
So what did I like about it so much? All the main actors had charisma to spare and the minor actors were quirky and more than a little unusual. Bryan Russell and Walter Slezak are particular favorites. Though I hardly understood World War II as a child I now appreciate seeing Berlin less than 20 years after that war ended. And the attitudes towards Germany at this time. The photography is vividly colorful and flattering to Berlin. The bouncy score is happy-making and infectious. Mostly, I loved the sense of ebullient, delirious adventure and camaraderie among the detectives. Really echoes my idea of the limitless adventure of childhood at its best. Bravo!
So what did I like about it so much? All the main actors had charisma to spare and the minor actors were quirky and more than a little unusual. Bryan Russell and Walter Slezak are particular favorites. Though I hardly understood World War II as a child I now appreciate seeing Berlin less than 20 years after that war ended. And the attitudes towards Germany at this time. The photography is vividly colorful and flattering to Berlin. The bouncy score is happy-making and infectious. Mostly, I loved the sense of ebullient, delirious adventure and camaraderie among the detectives. Really echoes my idea of the limitless adventure of childhood at its best. Bravo!
Back when I was in school taking high school Spanish, this book in a Spanish translation was a text used in my course. We read it for about a third of the semester. Of course it was called Emilio Y Los Detectivos.
So of course I had to go see Emil and the Detectives when it was out in the theater and I found it to be a very good Disney production of the story. To make it cinematically viable parts of the story were emphasized and others were not.
Walter Slezak looked like he was having a great old time playing the master criminal who just can't get good help. Young Bryan Russell is on a train to Berlin to visit his grandmother and he had a sum of money which unfortunately attracts the attention of Heinz Schubert one of two lugnuts who are Slezak's henchmen. Slezak, Schubert, and Peter Ehrlich are planning a bank robbery, a tunnel job. Slezak is understandably upset that Schubert would risk arrest for a petty theft and thereby put the bank job in jeopardy.
But it's no petty theft to Russell who falls in with a gang of Berlin street urchins headed by Roger Mobley. Since this is a Disney film, I think you can guess the rest of it. The kids deal with the crooks in their own unique way.
I remember it was a fun movie and I did so enjoy Walter Slezak in the role of the master criminal done in by kids. I do so hope TCM runs this at some point.
So of course I had to go see Emil and the Detectives when it was out in the theater and I found it to be a very good Disney production of the story. To make it cinematically viable parts of the story were emphasized and others were not.
Walter Slezak looked like he was having a great old time playing the master criminal who just can't get good help. Young Bryan Russell is on a train to Berlin to visit his grandmother and he had a sum of money which unfortunately attracts the attention of Heinz Schubert one of two lugnuts who are Slezak's henchmen. Slezak, Schubert, and Peter Ehrlich are planning a bank robbery, a tunnel job. Slezak is understandably upset that Schubert would risk arrest for a petty theft and thereby put the bank job in jeopardy.
But it's no petty theft to Russell who falls in with a gang of Berlin street urchins headed by Roger Mobley. Since this is a Disney film, I think you can guess the rest of it. The kids deal with the crooks in their own unique way.
I remember it was a fun movie and I did so enjoy Walter Slezak in the role of the master criminal done in by kids. I do so hope TCM runs this at some point.
A respectable and watchable film.
I do feel 'Emil and the Detectives' could've been bigger and better, there's a load of good ingredients there. With that said, it is still a film that has its pluses. One is how it looks, with cool shots of 1960s Berlin. Another is the humour which is pretty solid.
The cast is where it gets underwhelming, not in terms of the actors but just in regards to the characters and their respective developments. Heinz Schubert, Walter Slezak and Peter Ehrlich are suitable choices to portray Grundeis, The Baron and Müller. However, they never really get out of second gear. I personally wanted more from the trio.
Then you have the child actors, for which there are many - probably too many as none of them, aside from Emil (Bryan Russell) and Gustav (Roger Mobley), get much development or even serious screen time.
As for the premise, it's entertaining. Like with what I've already noted, it's all just a bit safe and mild. It definitely could've been greater. I still had a fun enough time with this, though.
I do feel 'Emil and the Detectives' could've been bigger and better, there's a load of good ingredients there. With that said, it is still a film that has its pluses. One is how it looks, with cool shots of 1960s Berlin. Another is the humour which is pretty solid.
The cast is where it gets underwhelming, not in terms of the actors but just in regards to the characters and their respective developments. Heinz Schubert, Walter Slezak and Peter Ehrlich are suitable choices to portray Grundeis, The Baron and Müller. However, they never really get out of second gear. I personally wanted more from the trio.
Then you have the child actors, for which there are many - probably too many as none of them, aside from Emil (Bryan Russell) and Gustav (Roger Mobley), get much development or even serious screen time.
As for the premise, it's entertaining. Like with what I've already noted, it's all just a bit safe and mild. It definitely could've been greater. I still had a fun enough time with this, though.
I wasn't too sure at the beginning but it got better and better. If you like Home Alone you should like this. Classic Disney comedy.
Lo sapevi?
- QuizWalter Slezak who plays Baron, the mastermind, had a long career in films, dating back to European silent films in 1922.
- BlooperThe seats are numbered on the bus Emil takes from Neustadt to Berlin. At 0:04:38 the number 13 is on the back of Emil's seat. At 0:04:54 the number 1 is on the toddler's seat in front of Emil. At 0:05:13 the numbers 1 and 2 are on the empty window seat immediately behind the driver and the aisle seat to its right where August Grundeis is initially seated. Apparently, the toddler's side of its interaction with Emil were shot in the front of the bus.
- ConnessioniEdited into Disneyland: Emil and the Detectives: Part 1 (1966)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Emil and the Detectives
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 39min(99 min)
- Proporzioni
- 1.37 : 1
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