Il cervello che non voleva morire

The opening credits bear the title THE BRAIN THAT WOULDN'T DIE. Some 80 minutes later, the same film is strangely billed as THE HEAD THAT WOULDN'T DIE in the end credits. That gives you an idea of how much effort went into this '60s schlockfest.

But that doesn't mean it's not worth watching if you're in the right mood. Jason Evers (who would later lend his considerable talents to such memorable efforts as A PIECE OF THE ACTION and A MAN CALLED GANNON) stars as a wacky doc who thinks it'd be just super to keep his fiancée's head alive in his laboratory after her untimely decapitation in a car accident. He's understandably not content marrying a head, so he seeks out an appropriate (though not necessarily willing!) body donor.

Much of the "action" takes place in the mad doc's basement lab (likely marking one of the final times the traditionally cheesy horror film lab set was put to use). Jan Compton (Virginia Leith), or Jan in the Pan as she's called, spends an awful lot of time yapping and whining. Another IMDb reviewer wasn't far off when he likened her to THE HEAD THAT WOULDN'T SHUT UP! Can you blame her? She's understandably not content to live this sort of life. But what's really holding her interest (and mine... there, I admitted it) is the doctor's other monstrous creation, which keeps trying to pound its from behind its single-doored prison. Will our hero find a body for his woman? Are the authorities on to him? Why am I enjoying this so much? Those are just some of the questions you'll find yourself asking.

THE BRAIN THAT WOULDN'T DIE comes to us in the tradition of PLAN 9 FROM OUTER SPACE and THE BEAST OF YUCCA FLATS, though it's not quite on par with those films in terms of "so bad it's good" appeal. As incredible as it sounds, the picture is legitimately able to hold the viewer's interest with its outrageous plot and suspense built up over the creature behind the door. Sure it goes on a bit too long and sure there are dull moments, but what did you expect?

Admit it. If you haven't seen this one, at least part of you wants to. It's probably that part that yearns for pure, unadulterated stupidity from grown men and women from time to time. So indulge that inner glutton with THE BRAIN THAT WOULD'T DIE.

This is wonderful over-the-top entertainment for fans of sleaze cinema. Some people apparently don't like this film because everyone in it is evil. Thankfully, that is true. There's nothing more boring than all those nice, bland heroes and heroines. Yecchh!! Our cast here is totally over-the-top "bad". Leslie Daniels in particular as the doctor's Igor-like sidekick puts on his best (or should I say worst?) Richard III impression, complete with withered hand and drawn out Shakespearean rant. A classic ham! And there's cheesecake for everyone with busty babes bursting out from every corner (as long as the doctor has to find a new body to crown his girlfriend's head on... well, who wouldn't pick the creme de la creme?). There's even a fabulous (meee-owww!) cat fight between two strippers that probably levitated a lot of audiences back in 1960. And ... RE-ANIMATOR fans will love the similarities of the angst-ridden head in the tray trying to seize a little power. So, how can anyone say this film is bad in a bad way? You want "good", go watch DONOVAN's BRAIN, a very competent but forgettable little film made several years earlier. This film is a like a mad, campy Halloween party. Leave your attitude behind, and try to enjoy it!

Come on you guys. Lighten up. This film doesn't belong on the Bottom 100 List. Where's your sense of humor? Try to experience it in the spirit in which it was made. Take it with a grain of salt. It's a very funny movie. Unintentionally maybe, but still pretty hilarious. I run it sometimes when I need a really good laugh.

With all the "teasecake" in Brain (shot in 1959 but released in 1963), the locations (a loner wandering through strip clubs, swimsuit contests, a model's studio, in a convertible following and picking up women on the street) and the wolfish emphasis on full-length shots of near-naked stacked women, the movie has the sensibility and style of the men's magazines of that time (with symbolic titles like Rogue, Knave, Dude, Bachelor, Caper, etc.). It's surprising that it hasn't been remade and updated, even if only for the cable or home video market, like Not of This Earth, Little Shop of Horrors, How To Make A Monster and other B programmers. Sure it's a cheap little film but that's the fun of it.

We might call "The Brain That Wouldn't Die" a B-movie, but it actually wasn't too bad. Granted, the concept was pretty outlandish, but the movie is worth seeing (if only for sci-fi fetishists). The plot of course has Dr. Bill Cortner (Herb Evers) keeping lover Jan Compton's (Virginia Leith) decapitated head alive. The head befriends a monster (Eddie Carmel) in the closet.

Sound far-fetched? It is, but the movie's pretty cool. And I remember that Diane Arbus titled one of her photos "Jewish Giant Visiting His Parents in Brooklyn", and I think that it was Eddie Carmel in that photo. The things that we see in life...