Santa Claus

I saw this film numerous times in the late 60's/early 70's whenever it reared it's head like a reindeer with rabies every November-December as a Saturday matinée kiddie show.It was always stiff competition for THE CHRSTMAS THAT ALMOST WASN'T (oops-can I SAY "Christmas"?), perhaps the greatest,most iconic Christmas-season film of all time.But that's another review.

At the time,I marveled that the on-screen tint of SANTA CLAUS was almost "pink and white", so much had the color of the sprocket-torn prints changed color.

The film is kinda creepy! I thought so then--and still do, actually. I was highly entertained then, as I still am! It's amusing in a "retarted-elf" sort of way. By the way,the image quality looks much better on the DVD I have now than it did in the theater, circa 1969-74.

If you are expecting maybe "the lost RANKIN-BASS Christmas special-forget it! If you want FELLINI DOES Christmas--read on...

By nature, the dubbing on these foreign films (the original version here was in Spanish)always makes them seem "surreal". This adds to the films inherent oddness. It is also pretty scary in that a "mishevious demon" (as described in the original US trailer) spends the entire film trying to turn decent kids "evil". One particularly nightmarish scene has a young "latch-key" boy wishing he had parents for Christmas-suddenly the "port-a-family" emerges out of giant "Christmas presents-of-the-mind" until he realizes he's just daydreaming! See this,Christmas lovers--and if you're a stoner, save your stash--this film will make you think you're hallucinating...without drugs!

Every once and again, a producer takes a simple, appealing little idea and runs amok with it. The middle-1970s were largely the official stumbling block for "childrens movies" designed to offer gentle, non-hip entertainment. Now, even Disney-produced films can have touches of low humor and things that parents of the 1950s would take exception to.

However, in 1959, there was still time for an unsophisticated storyline. The best years of Rankin-Bass lay ahead, and -- down in Mexico -- work was being completed on a slightly outre' Christmas film.

SANTA CLAUS emerges in the 1990s as a "party film," simply on the merits of some of the more bizarre elements, which include the fabled Jolly Old Elf spying on unaware children with a sophisticated, wiggly telescope eye, a minor demon tormenting Santa with a toy missile launcher, and far more elfin magic than is good for you.

In his castle (literally) in the clouds, Santa and a gaggle of "typical" children (a Mexican boy, a somewhat Germanic girl and an all-American cowboy Norte Americano) are busily getting the good on the unwary children of the world. In spite of a minor flaw with his mobile spy eye, Santo deftly homes in on a little girl who has no means to get that doll she's been wanting.

You realize, of course, that she'll get it...

In the meantime, down in suburban Heck, the devil sends wicked, somewhat able Pitch to Earth to stonewall Santa's Christmas dealings. Pitch is essentially warned that he'd better not screw this job up. At this point, I think we all see where all this is heading.

Santo arrives on Earth in a vaguely sci-fi sleigh. He bedevils a couple of nasty boys who heckle the waif, and we see her tormented with guilt as Pitch tries to engineer her stealing of a doll.

Of course, she instinctively does the right thing, which leaves Pitch at loose ends. Having been a wee bit short of the task of corrupting a 5 year-old child, he turns on Santa. There follow a few extremely humiliating scenes of the demon trying to do something significant.

Santa wins, Pitch loses.

How do you analyze a film like this? It plays exclusively on a "feel good" emotional level, with no sophistication in plot or execution. For the very young, it will probably play well (a public domain video version was market in the U.S. some years ago). For the older viewers, I'd suggest the Mystery Science Theater 3000 version, which mercilessly homes in on each and every bizarre or particularly weak point.

Put this on the VCR on Christmas day, and let people gather round the boob tube. Have them gawk at the crazy, silly wonder at this Mexican produced version of St. Nick, and fun will seep in like vodka spiced egg-nog!

Santa lives in space with little kids and a senile magician (Mrs. Claus probably filed for divorce decades ago!) He uses listening devices (made up of applainces and human organs. I am not kidding!!!) to spy on children on earth. he also pauses to watch a frightening puppet show, a Mexican glamour gal go shopping, etc. etc. Then we meet Santa's enemy- Pitch. Pitch is a prissy devil who dances alot, complains of stomach cramps, and uses wild hand gestures when he talks. Pitch has to destroy Christmas or Satan will make his ulcer worse!

The plot gets crazier when Santa moonlights as a bartender, children have dreams that look like cheaply rendered LSD trips (with nagging dolls, parents that arrive in coffin-like boxes) I am not making any

of this up. This is possibly the strangest Christmas movie ever made. Box up that CD of old Chrsitmas caroles. This Christmas, this loopy wonder should be on your TV.

All right I recently got a chance to rent this and watch Santa Claus conquers the martains. Although the children were much more sadistic in SCCTM, I would have to say that Santa Claus was a much worse movie. As a spanish assignment in Spanish 5 we all had to watch it. I'll tell you, usually when we watch a movie we are all just talking and eating food, but not for this movie. Everyone just kept there jaw open wondering what the evil Mr. Pitch was going to do next. Would Merlin help Santa Claus!?! or would his robot reindeer come and save the day? I would suggest renting it because it is the biggest piece of rubbish I have ever seen and I love it for that. :D

Santa Claus (1959)

* (out of 4)

Insane Mexican movie has one of the worst reputations out there but I didn't find it nearly as bad as many would make it. The film has Santa Claus (Jose Elias Moreno) trying to deliver toys on Christmas Eve but he's being interrupted by a Devil but have no fear because Santa is friends with Merlin the Magician. One does need to remember that the figure of Santa is viewed differently from country to country so I think it's a tad bit unfair to criticize this movie just because he doesn't come off under the American tradition. With that said, one would really have to scratch their heads as to why the producers would think that having Santa battle the Devil would make a good holiday movie. You'd also have to wonder why on Earth K. Gordon Murray would want to buy the rights but I guess his investment paid off as this sucker did become a major staple around Christmas time for many years and today even more people are checking it out each year. The movie is certainly insane from start to finish because there's never really any explanation for what's going on. I'm still trying to figure out why Merlin and Santa are friends and why the reindeer's are fake and need to be started by cranking a key. I also have to wonder why they show Santa working out with a weight-reducing machine so that he can fit down a chimney. We also get to see the Devil make children throw some rocks at Santa but I have to admit this was pretty funny. The movie gets off to a pretty weird start as we see children from various countries singing various songs. You can tell these kids weren't actors as most of them are constantly looking around for their direction. This movie has surreal moments, creepy moments, funny moments and some rather smart moments (the magic key) and this is what makes this movie so watchable even though the production is quite horrid.