Inferno nella stratosfera

I thoroughly enjoyed this film. It is certainly paced slower than modern sci-fi movies, but the action moved along at a good pace nonetheless. The backgrounds, matte work, color and special effects were very impressive.

The one conceivable flaw was that there were no stand out actors or personal relationships (no love interest as there was in the original Godzilla). This may have been intentional as the story meant to emphasize a global effort against a ruthless and cruel invader.) I would rate this on the upper scale of Toho's scifi efforts (anotehr under-rated, under-viewed film would be "H-Men").

If you are a kaiju fan you will not be disappointed.

Pint-size aliens from the planet Natal are bent on conquering the Earth in this colorful space opera from the heyday of Toho Studios. Second in a trilogy of space-themed movies directed by the inimitable Ishiro Honda (the other two being "The Mysterians" and "Gorath") this is pure mindless fun.

The special effects may seem dated now, but for the time they were first-rate, much better than your average sci-fi and far superior to any of the monster films Toho cranked out from the mid-60s onward. This was definitely not done on the cheap: The sets are well thought-out, the astronomical backgrounds detailed and quite convincing.

Eiji Tsuburaya's intricate miniature work is amazing as always. The voyage to the Moon, the fight on the lunar surface, and the final showdown (with souped-up X-15s squaring off against alien saucers and a huge mother ship) are elaborately staged and exciting.

Which is why it's easy to forgive the occasional cheesy bits. For instance, when the beautiful SPIP rockets are taking off for the Moon, Honda illustrates the effects of high-G by having one of the crewmen put his hands on either side of his face and *pull* the flesh back. I also suspect they were running out of funds (the film's only 74 minutes long) when it came time to shoot the scene where the alien mother ship tears up downtown Tokyo with a gravity-reversing ray. Although it's a clever effect, apparently achieved by building the models on top of compressed air jets, the sequence feels too short. Plus the miniatures just don't look quite as detailed or realistic, when compared to other Toho films of the era.

My biggest complaint: In the one scene where you actually meet the aliens in the flesh (sort of) they're in spacesuits which make them look like midget Michelin Men and they sound like a bunch of squeaky dog toys. When a crowd of them "menaces" the heroine, there's not a ray gun in the bunch; all they can can do is shuffle, wave their arms and squeak. Not very intimidating, to say the least. (If anything, they're hilariously reminiscent of that roomful of sex-crazed Cub Scouts in Woody Allen's "Everything You Always Wanted To Know About Sex".)

But the good far outweighs the not-so-good in this romp. In a theater, in its original Tohoscope (Toho Studios' equivalent of Cinemascope), it must have been something to see.

(Update: In 2007, an outfit called Monsters in Motion released "Uchu Daisenso" on DVD -- in letterbox, in the original Japanese with English subtitles -- as part of their "Toho Masters" series. With its companion piece "Gorath" available from MiM, and Tokyo Shock's gorgeous edition of "The Mysterians", Honda's entire space trilogy is now obtainable in the original, unedited widescreen versions.)

Aliens are causing havok on Earth. So a bunch of astronauts are sent to the moon to war with these little funny midget aliens. Just a big battle from beginning to end, with the aliens sucking up Tokyo at the end (man is that cool). It is basically like a Japanese Independence Day except not nearly as intense or violent

I saw this film in 1960 playing with "The Time Machine" as a double feature. Though not as rich in story line as "The Mysterians" this film really takes off when the two Speep earthships go to the moon to battle a base set up by the planet Matal who also fly "Mysterian" style flying saucers. On the moon the action really starts with marvelous raygun battles between the enemy and earth forces. The earth forces possess a marvelous heat ray cannon as well as smaller but potent raygun rifles. Later in the film, the earth forces battle invading flying saucers and a mother ship with X-15 styled fighter craft equipped with heat ray guns. The finale with the mother ship's ray gun destroying Toyko is done quite well.

For the time this film was made, the special effects are quite good. Considering my nickname is ray-gun 3, this is a ten star IMDb vote scale film in that department. I think the best scene in the film is on the moon where one of the crew stays behind with his ray rifle destroying flying saucers so the earth force can get away in their Speep spaceship. This scene is one of the best piece of special effects I have scene in this type of movie. A thought to remember is the film was made 17 to 18 years before "Star Wars". An outstanding accomplishment by Toho studios.

Battle in Outer Space brings back some happy memories. I recall seeing this movie at the local Strand Theatre. I was (10) years old at the time and it was such a revelation to see an outer space film in "Color". In those days most Saturday afternoon Sci-Fi was in B/W. True, there were a few high dollar efforts like War of the Worlds and Forbidden Planet but for the money, or lack there of, this "B" films brilliant colors & special effects (loved those jitter-bugging saucers)held its own with the big boys. I recently bought a Japanese DVD version at eBay, with English subtitles, and believe me it's just not the same as the dubbed English version. Forget the bad lip-sink, that "Voice of Doom" from the Natal Moon base is not nearly as ominous in Japanese. Glad to see others remember this little "B" gem too. Hope to see it properly released in DVD soon.