Cage of Evil

Los Angeles police detective Ron Foster is assigned to a diamond heist. He falls in love with the heister's girl friend, Patricia Blair, who helped set up the job. Never mind, she's a perfectly nice girl, and there are also the diamonds, as Foster finds himself trapped in this brightly-lit noir.

It's one of almost thirty films directed by Edward L. Cahn over a three-year period, so if you're looking for a masterpiece, this ain't it. What you have is the bones of a good story, some performers who do their best with nonsense, and a behind-the-screen crew that could have managed something pretty good, were they given time and money: camera man Maury Gertsman, Grant Whytock supervising the editing. But with the studio system collapsing, people needed work, and when B-producer Robert Kent came a-calling, a man without a job could hardly say no. So everyone worked for a couple of weeks, and then went scrounging for the next dead-end job.

In CAGE OF EVIL, police detective Scott Harper (Ron Foster) investigates a big diamond heist that also includes a murder. As Harper delves deeper into the case, he becomes romantically involved with Holly Taylor (Patricia Blair) the girlfriend of one of the thieves.

Meanwhile, Harper is passed over for a promotion causing him to rethink his career path. He's ultimately presented with a choice that could hurl him headlong into darkness.

This is a solid crime drama with a noir-ish edge. For lovers of hard-boiled detective stories...

Ten years earlier this programmer would likely have been a noir. As is, it's a pretty good little crime drama. Detective Harper is a violence prone cop, probably why he doesn't get promoted. And being a cop appears his whole life; that is, until he meets spider woman Holly who's connected to a jewel heist that Harper's investigating. Well, one thing leads to another, and soon he's caring more about her than solving the crime. Still, he's a sharp cookie in covering his tracks, especially now that he's got Holly and a bead on the jewels, and maybe a new carefree life away from an unappreciative detective bureau.

The principals do pretty well in their roles, while I couldn't help noticing a resemblance between actor Foster and the better known Tony Curtis. The screenplay does a pretty good job tracking Harper's absorption into the cage of evil. However, veteran budget director Cahn adds little to the filming. One story change I think would have deepened things is that of giving Harper a home life, maybe a wife. That way his down-spiral would have had a tragic dimension as well as being an unfortunate tale of woe.

Anyway, the flick's better than I expected without being anything special.

Disgruntled cop Ron Foster, passed over for promotion one time too many, is seduced by B-girl Patricia Blair into a diamond theft scheme. And then things go downhill! Considering the general run of director Cahn's many B-pix of the 1950s and early 1960s, this one is rather above average. The look is more standard b/w TV of the late 50s than film noir, but the two leads are very good and put some life into it. There is more outdoor shooting than usual, and the ending adheres to the Production Code of the day.

Pretty good little "B" crime movie. Granted the plot was nothing new but movies are still being made with the same story. Ted Knight was a riot. It seemed like he tried to steal every scene he was in (which wasn't that many). I like the narration, it made the story seem better. I guess this film would be a good candidate for MSTK but certainly wasn't awful. Our hero/antihero? was a little stiff and his slang didn't quite jibe with his stiff suits and clean cut demeanor. It was funny watching "squares" cut loose though. Recommended time filler but not a whole lot of action. Gotta watch out for that plumber though.