Un uomo chiamato Charro

Charro is not an inventive movie by any means but it is quite entertaining. It's a standard western about a man defending a town from outlaws without any unexpected twists. This movie only includes one Elvis song which might be good for some and disappointing for others. As for Elvis himself he's a perfectly serviceable actor and has a pretty good screen presence. He might not have the range but the has the charisma necessary to carry a movie. The movies he makes from what I've seen so far are better than I thought they would be and so I will probably watch more of them in the future.

Elvis Presley plays Jesse Wade who tries to leave a gang of thieves led by Victor French. Jesse's neck is branded in order to frame him for stealing a Mexican war cannon. Jesse becomes sheriff as one of the gang is arrested. The bad guys now threaten the town with cannon fire until the leaders little brother is released from jail. Elvis sings only the title song under the credits. This is a different Elvis, with beard and a hat hung low over his eyes. Well known critic, Leonard Maltin, calls this a BOMB! Produced, directed and written by Charles Marquis Warren, this flick is better than the bad rap it has received. Also in the cast are Ina Balin, Solomom Sturgess, and Lynn Kellogg.

So I bought a new box set of Elvis movies. In it was "Charro." I thought it looked refreshing to see Elvis play a more serious role instead of the usual musical. I did some research and found this generally to be poorly received. Well I watched the film anyway. . .

I honestly was expecting this to be utter garbage. The first five minutes went by. I thought it was pretty good so far - I was wondering when it would start to suck. 20 minutes go by. I was being drawn into the plot and finding the action riveting and exciting, with a nice musical score, too (Still isn't bad yet).

Then I get to the climax - - - Original and intense. What was so bad about it? The acting was solid, it had a good script, and I found it a very pleasurable experience. Is it just the general bias towards any Elvis film after the '50s or is it because it's not some hoity toity British trash? I say, if you're a fan of westerns and/or Elvis. You should certainly give this movie a chance.

*** / **** stars.

Definately his best film. This film proves that Elvis could act. It's quite refreshing to see a film like this after some of those PATHETIC films like Paradise, Hawaiian Style, or Clambake. I give this movie five stars. Even if you're not an Elvis fan, I reccomend this movie. It's not your typical Elvis movie, and Elvis only sings in the opening credit. With the late Ina Balin and the late Victor French as the bad guy, this movie has a strong supporting cast.

Elvis Presley plays an ex-gunman who has decided to reform. His decision is not well-received by his old gang. They beat him up, and enforce a grisly revenge - they "brand" him, to give him a scar identical to a man WANTED in two countries (Mexico and the USA). The "branding" is, possibly, the most gruesome scene you'll see in a Elvis movie.

This film has a classic Western Plot: Elvis is the representation of the Law - Badman gone good, friend of the Sheriff, and rival for a woman (Ina Balin). Elvis has imprisoned the brother of the Badman (Solomon Sturges, son of Preston). Head Badman Victor French is big brother to the jailed one. Mr. French has a deadly cannon - he says, "Release my brother, or I will blow up your town!" This movie is too rough-around-the-edges to be extraordinary; and, it doesn't tread on much new ground. It does, however, create a world of its own; if you let yourself into this world, you will be entertained for the run of the film. In that way, it's like many westerns - and as good as several "classic" John Wayne films.

Again, this is a rough-around-the-edges film - my vote for the roughest edges are: The background music is too hokey and repetitive; and, I found the Sheriff's wife's betrayal too abrupt to be believable - it is interesting in that it shows the relationship between Elvis and the Sheriff is stronger than the relationship between the Sheriff and his wife; although Elvis' first intent is to meet the Badman's demands by releasing the prisoner, he decides to honor the Sheriff's wishes.

The title song is very good; appropriately, there are no additional songs. The performances are fine - I would taken a little more time creating this film; still, everything about it ranges from adequate to professional. It sounds like an apology (because Elvis Presley made so many awful films), but I enjoyed "Charro!"

******* Charro! (1969) Charles Marquis Warren ~ Elvis Presley, Ina Balin, Victor French