Roy Colt & Winchester Jack

While this comic Spaghetti Western was nowhere near as bad as its low reputation amidst the director’s canon would seem to suggest, it can’t possibly hold a candle to Sergio Leone’s classic THE GOOD, THE BAD AND THE UGLY (1966) – and it would be puerile for anyone to attempt comparisons of this sort!

It’s the last of Bava’s three such genre efforts but, actually, the first I’ve watched; I used to think that he was constrained within the number of relatively low-brow peplums he made, but even those showed greater commitment – and vigor during the action sequences. Here we get plenty of brawling and shooting, to be sure, but the handling throughout is decidedly sloppy…as if Bava, rather than be inspired by these traditionally ‘big’ moments, wanted to get such genre requirements out of the way!

That said, despite utilizing a wide variety of locations in its plot about two rival outlaw gangs’ quest for gold, these don’t seem to have stimulated the director’s trademark compositional skills; even worse, the comedy element comes across as heavy-handed most of the time, resulting in a flat and drawn-out film (even if it runs for a mere 85 minutes)!

Brett Halsey (from Bava’s FOUR TIMES THAT NIGHT [1969]) and Charles Southwood don’t exactly generate fireworks in the title roles and, in fact, the best in the cast are Marilu' Tolo as Winchester’s spirited (and shrewd) Indian girl and Teodoro Corra' as The Reverend, the atypically buffoonish baddie – a Russian émigré who still can’t get over the cold of his native land. Isa Miranda (who would work again with Bava when he treaded more familiar ground in BAY OF BLOOD [1971]) appears as the brothel Madame in what is perhaps the most slapsticky and forced set-piece in the entire film.

Hardly memorable in itself, there are still a few mild highlights in this reasonably agreeable, innocuous yet patchy genre offering: the spastic gunman at the beginning, the obviously fake snake which menaces Winchester (reminiscent of the one in Fritz Lang’s THE Indian TOMB [1959]), the exploding villain, and the final shot with the heroes’ feet up in the air as they engage in yet another fisticuff. Piero Umiliani’s lively score certainly contributes to the film’s characteristically light touch.

If this film is judged only on its own merits, without reference to other entirely unrelated entries in the Mario Bava lexicon, it holds its own as light-hearted entertainment. Unlike most Italian comic westerns, this one holds the interest largely due to its three central players' well rendered characters and exploits. The cinematography is also far better than many others in the genre.

Charles Southwood is perfect as the scruffy, irrepressible Jack, in contrast to the stolid, lachrymose-faced Roy (Halsey)and both of them can be relied upon to out-cheat the other when they aren't busy beating the tar out of each other to show their mutual affection. Southwood is really quite outstanding and should have been in a lot more films.

Marilu Tolo is very effective here (much more than she is in most of her roles) as the feisty and very resourceful Indian prostitute who is determined to coerce someone into marrying her, preferably Jack or Roy. Don't miss the sequence when she hooks up with Southwood and forces him at gunpoint to take a bath before becoming a "client." Under protest, Southwood descends to the cellar and has to break the ice on the water before stripping off his smelly long-johns to take the plunge. By the shrunken state of his retracted genitals, the water is cold indeed. The shotgun pointed at him by the comely Tolo probably helped, too. Now there's a touch you would never have seen in an American-made western.

Silly and funny Western about two drifters carry out several adventures , saloon brawls and resolve conflicts among nasty robbers that want to take a treasure . This is a serviceable comic spaghetti western which doesn't take itself too seriously . This good natured comic spaghetti packs diverting elements , tongue-in-cheek , thrills , shootouts , fighting , explosions , and results to be quite entertaining but middling . It is set California, the 1870s . Roy Colt (Brett Halsey) and Winchester Jack (Charles Southwood) are outlaws and although they are good friends , they cannot get along peacefully . Meantime , a beautiful Indian (Marilú Tolo) helps both drifters and plays both sides against each other . They take on a sadistic priest-turned-crime boss , nicknamed The Reverend (Teodoro Corrà) , and his hoodlums , who attempt to rob a valuable treasure . Roy then decides that he has enough of being an outlaw and leaves the bunch in search of a good , honest job as a sheriff in nearby Carson City . Roy , Winchester and his cohorts foil the planned robbery to keep the treasure for themselves . Our two not so upright heroes rob the robbers but, needless to say, get distracted by the gorgeous Indian girl .

Comical Spaghetti Western about a simple and plain plot , as two outlaws compete with each other over a treasure map , being realized in Terence Hill/Bud Spencer style and considered to be rip-off of the Trinidad and Bambino westerns . The film is plenty of fistfight between Brett Halsey and Charles Southwood over who will take the treasure and who will become sole leader of their band . This is a slightly funny film with entertaining as well as bewildering events , giggles , craziness , twists and lots and fun . In ¨Roy Colt and Winchester Jack¨ there are pursuits , stagecoach attacks , crossfire , saloon brawls , cutthroats gunslingers and many others things . This bemusing movie is packed with tongue-in-cheek , slapstick , a steady stream of gags , lively situations abound , sheer belly laughs , crazy humor , too much fun and to be perfect for youngsters . It's a middle-budget film with ordinary actors , technicians , decent production values and poor results . There is plenty of action in the movie , guaranteeing some fights , shoot'em up or stunts every few minutes . Mediocre Western All'Italiana made in laughable style with a screenplay written by Mario Di Nardo , including amusing dialogue , silly situations , plot twists and turns . Filmmaker Mario Bava often uses disconcerting and surrealist situations to give us a passable movie plenty of funny happenings as well as absurd incidents ; and that , at least , kept me entertained for the almost half an hour of duration . The cast and support cast are passable . As sympathetic acting by starring trio : Brett Halsey , Charles Southwood and Marilù Tolo as a young Native American woman . Furthermore , there appears ordinary secondaries of Spaghetti Western , such as : Guido Lollobrigida or Lee Burton , Bruno Corazzari , Federico Boido or Rick Boyd and Franco Pesce , among others .

Roy Colt and Winchester Jack was regularly directed by Mario Bava . This was one of the films on which Mario Bava's son, Lamberto Bava , began his career as his father's assistant ; Lamberto would latter become a director himself , winning a successful career . Mario was the main creator of Italian ¨Giallo¨ genre , Bava ("Blood and Black Lace", ¨House of exorcism¨ , Black Sabbath¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental representatives . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Bava directed all kinds of genres such as , Sci-Fi : ¨Planet of Vampires¨ , Peplum : "Hercules in the Center of the Earth" , ¨Battle of Marathon¨ , Historical : "Erik the Conqueror" , "Viking Massacre" and Western : "The Road to Fort Alamo" , ¨Ringo from Nebraska" and this ¨Roy Colt and Winchester Jack¨.

Typical Italian western, made at the time when producers wanted to cash in on the success of Sergio Leone's IL BUONO, IL BRUTTO, IL CATTIVO. Plot about three gunslingers (Halsey, Southwood and Corrà) is clearly a rip-off and nowhere as funny or clever as the Eastwood western; too often it resorts to low-brow comedy. Some typical directorial touches, nice photo-graphy (by Antonio Rinaldi) makes film worth watching for Bava completists. Nice score by Piero Umiliani.

The outlaws Roy Colt (Brett Halsey) and Winchester Jack (Charles Southwood) are frequently fist fighting, disputing who the boss of their gang is. Roy Colt decides to leave the gang and find a honest job; he saves the crippled banker Samuel (Giogio Gargiullo) from a hit man and the old man hires Roy to work with him. Meanwhile Winchester Jack rescues the Indian girl Manila (Marilú Tolo) that is arrested by two bounty hunters; she stays with him, charging to have sex with Winchester. When the bandit Reverend (Teodoro Corrà) finds that Samuel owns a treasure map, he teams up with Winchester Jack and they steal the map from Samuel. But Roy Colt is assigned sheriff by Samuel to chase Reverend and his henchmen and retrieve the treasure. Roy Colt betrays Reverend first and Winchester Jack later, while Manila leaves Winchester Jack to stay with Roy Colt, in a greedy mouse-and cat game of betrayals while hunting the hidden treasure.

The comedy "Roy Colt & Winchester Jack" is a parody of the western movies that is silly most of the times but has at least three hilarious scenes: when Manila asks Winchester Jack to marry her or pay ten dollars to have sex; when the clients sees who is dancing in the cabaret; and when the cuckold Winchester Jack sees Manila with Roy Colt and the cactus forms a pair of horns ("cornuto") in his head. This movie entertains and maybe fans of western genre might like it more than I did. I prefer Mario Bava's works in the horror and thriller genres. My vote is five.

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