Aggiungi una trama nella tua linguaA dozen rock groups are shown playing in the final five nights of shows leading up the closing of Fillmore West on July 4, 1971.A dozen rock groups are shown playing in the final five nights of shows leading up the closing of Fillmore West on July 4, 1971.A dozen rock groups are shown playing in the final five nights of shows leading up the closing of Fillmore West on July 4, 1971.
Marty Balin
- Performers
- (as The Jefferson Airplane)
Elvin Bishop
- Themselves
- (as The Elvin Bishop Group)
Ed Bogas
- Performers
- (as Lamb)
Mike Carabello
- Performers
- (as Santana)
Jack Casady
- Performers
- (as Hot Tuna)
John Chambers
- Performers
- (as The Elvin Bishop Group)
John Cipollina
- Performers
- (as Quicksilver Messenger Service)
John Dawson
- Performers
- (as The New Riders of the Purple Sage)
Bill Douglass
- Performers
- (as Lamb)
Spencer Dryden
- Performers
- (as The New Riders of the Purple Sage)
Gary Duncan
- Performers
- (as Quicksilver Messenger Service)
Larry Fields
- Performers
- (as Cold Blood)
David Freiberg
- Performers
- (as Quicksilver Messenger Service)
Jerry Garcia
- Performers
- (as The New Riders of the Purple Sage)
Keith Godchaux
- Performers
- (as The Grateful Dead)
Grateful Dead
- Themselves
- (as The Grateful Dead)
Recensioni in evidenza
An excellent in your face documentary about 60's rock promoter Bill Graham that chronicles the last days of his Fillmore West which he closed in 1971 along with the Fillmore East a while later. FILLMORE gives us a no nonsense look at the music business after the nirvana of the 1960's had evaporated. The musical groups that flourished in the open San Francisco atmosphere and elsewhere during the mid to late 60's, became "authoritarian", corrupted by power bought with success and money. When love of music became secondary to egos and business interests, Graham decided to get out of the business. And so after watching the daily drudgery of Graham having to deal with prima Donnas, the threat of cancellations and broken agreements, it's easy to see why he wanted out. On the other hand, when talented musicians like Boz Scaggs, Carlos Santana, Elvin Bishop and Jerry Garcia take the stage to do their thing, it's easy to see why he got into the business in the first place.
8Nozz
The music of the Fillmore West closing concert is interspersed with a bit of documentary about Bill Graham. The music isn't reproduced too well (if I can judge by my cable-tv reception), and there is evidently a split screen that is lost (or more irritatingly, almost lost) in the video version. But Bill Graham is fascinating, there are some unjustly-forgotten musical groups such as Cold Blood, and we're reminded that once upon a time Jefferson Airplane did harmonies and Santana was a group, not a guru.
Considering so few films exist of this era, this is a must see and I too indeed hope it makes it to DVD. I am at this point searching out a VHS copy. I have the vinyl soundtrack and I enjoy hearing many of the tracks often. Real footage of the workings of a Bill Graham presentation, with the Dead, Quicksilver, Santana, etc is a unique experience.And to see Bill Graham in action. Worth the experience. He was one in a billion. Attending this particular event, most would have died and gone to heaven to be within a bongs smoke cloud whisper of the Fillmore East on this 3 day event. The closing of the Fillmore East in NYC. Luckily here in the Bay Area the Fillmore West still goes on strong.
Truth be told. I saw this as a young teenager when it came out and on PBS once a few years ago. I would love to see it again. The feeling of the era is there and the music stands up well against memory. The Hot Tuna alone is superb. All in all a long hairs dream come true and in the film Garcia, Jorma and Jack and Bill Graham all look forever young. To be there once again in film would do everyone a fine solid.
Truth be told. I saw this as a young teenager when it came out and on PBS once a few years ago. I would love to see it again. The feeling of the era is there and the music stands up well against memory. The Hot Tuna alone is superb. All in all a long hairs dream come true and in the film Garcia, Jorma and Jack and Bill Graham all look forever young. To be there once again in film would do everyone a fine solid.
This movie is a precious time-capsule that is, unfortunately, out of print on home video. The terrific performances from the likes of Boz Scaggs, Santana, Jefferson Airplane and particularly the Grateful Dead each at their respective peaks, would be reason enough to celebrate this film... But they almost pale in comparison to the portrait of the magnetic pioneering rock impresario Bill Graham and his immortal magical San Fransiscan rock palace, the Fillmore West.
In 1971, Graham decided the time had come to close the doors to the fabled concert hall (and it's NYC counterpart, The Fillmore East) due to what he candidly describes as the egos of the performers having run amuck. This now-rarely seen documentary gives us a glimpse into the hassles and headaches (and joy) Graham experiences while trying to put together the lineup of acts for this final week of shows at the Fillmore. Footage of Graham doing dances to accommodate the needs of this performer or meet the demands of that agent illustrate his sense of disillusionment with the "business" in fascinating detail.
While the split screen techniques applied here are derivative of the ground breaking work by Mike Wadleigh and company on the Woodstock film project, the subject matter in Fillmore is sufficient to set this movie apart from most other such films of the time. The only question remains is, who owns the rights to this film and why hasn't it been mastered in wide screen for DVD and home video yet?
In 1971, Graham decided the time had come to close the doors to the fabled concert hall (and it's NYC counterpart, The Fillmore East) due to what he candidly describes as the egos of the performers having run amuck. This now-rarely seen documentary gives us a glimpse into the hassles and headaches (and joy) Graham experiences while trying to put together the lineup of acts for this final week of shows at the Fillmore. Footage of Graham doing dances to accommodate the needs of this performer or meet the demands of that agent illustrate his sense of disillusionment with the "business" in fascinating detail.
While the split screen techniques applied here are derivative of the ground breaking work by Mike Wadleigh and company on the Woodstock film project, the subject matter in Fillmore is sufficient to set this movie apart from most other such films of the time. The only question remains is, who owns the rights to this film and why hasn't it been mastered in wide screen for DVD and home video yet?
I was really pumped to see this one, but as I sat through one hour and 45 minutes of "The Bill Graham Show", my mood slowly deflated. If you have a Bill Graham fetish or you love Bill Graham, you will love this movie. If not, well...
The problems include way, way, way too much Bill Graham. Over 50% of this movie is him. More music and less Bill, please. Also, shot selection of the band's performances is horrendous. I don't know if they were intentionally trying to be artsy, or they were covering up terrible camera work. For example, during It's a Beautiful Day, we see unrelated cover shots instead of the gorgeous female lead singer. During Jefferson Airplane, we see exterior shots from an outdoor festival. During Santana, we see Carlos for about 1 minute out of 15 because they're too busy showing the keyboard player's hands for 5 minutes. Last, but not least, the two songs they chose for the Dead were the lamest two songs they did during this era - Casey Jones & Johnny Be Good. I love the Dead, but that just killed it for me.
Bright spots include Hot Tuna (with Papa John Creach), Quicksilver, Elvin Bishop, and especially Santana. If you're a Santana fan, you should definitely watch this movie.
The problems include way, way, way too much Bill Graham. Over 50% of this movie is him. More music and less Bill, please. Also, shot selection of the band's performances is horrendous. I don't know if they were intentionally trying to be artsy, or they were covering up terrible camera work. For example, during It's a Beautiful Day, we see unrelated cover shots instead of the gorgeous female lead singer. During Jefferson Airplane, we see exterior shots from an outdoor festival. During Santana, we see Carlos for about 1 minute out of 15 because they're too busy showing the keyboard player's hands for 5 minutes. Last, but not least, the two songs they chose for the Dead were the lamest two songs they did during this era - Casey Jones & Johnny Be Good. I love the Dead, but that just killed it for me.
Bright spots include Hot Tuna (with Papa John Creach), Quicksilver, Elvin Bishop, and especially Santana. If you're a Santana fan, you should definitely watch this movie.
Lo sapevi?
- Versioni alternativeDue to licensing issues, the Rhino DVD release omits the Boz Scaggs performance of "I'll Be Long Gone"
- ConnessioniReferenced in Z Channel: A Magnificent Obsession (2004)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Fillmore: El palacio del rock San Francisco
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 156.504 USD
- Tempo di esecuzione1 ora 45 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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