VALUTAZIONE IMDb
7,5/10
2531
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree men go hunting rabbits during a hot day. Heat and talking about events happened in the past make them angry, until they go totally crazy.Three men go hunting rabbits during a hot day. Heat and talking about events happened in the past make them angry, until they go totally crazy.Three men go hunting rabbits during a hot day. Heat and talking about events happened in the past make them angry, until they go totally crazy.
- Premi
- 7 vittorie e 2 candidature
José María Prada
- Luis
- (as Jose Maria Prada)
Emilio Gutiérrez Caba
- Enrique
- (as Emilio G. Caba)
Fernando Sánchez Polack
- Juan
- (as Fernando Sanchez Polack)
Violeta García
- Carmen
- (as Violeta Garcia)
María Sánchez Aroca
- La Madre de Juan
- (as Maria Sanchez Aroca)
Trama
Lo sapevi?
- QuizThe initial title, "La caza del conejo" ("the rabbit hunt") was changed by the Francoist censors, as "conejo" in Spanish is also a slang term for the woman's sexual organs.
- ConnessioniFeatured in Huellas de un espíritu (1998)
- Colonne sonoreTu loca juventud
Written by Tomás de la Huerta (as Huerta) and José Luis Navarro (as Navarro)
Performed by Federico Cabo
Recensione in evidenza
Although I own practically half of his filmography, I have only watched three Carlos Saura (whom I saw in the flesh at the 2012 European Film Awards which were held over here in Malta!) movies so far – WEEPING FOR A BANDIT (1964; featuring a cameo from Luis Buñuel), ANTONIETA (1982; co-written by Jean-Claude Carrière) and BUÑUEL AND KING SOLOMON'S TABLE (2001); however, being aware that it was going to be Saura's 82nd birthday presently, I decided it was high time I watched a handful more. The film under review – a slow-burning but powerful anti-Fascist allegory that is all the more remarkable for being made under Spanish dictator Franco's regime! – is the one which made his name, having won him (among others) the Best Director prize at that year's Berlin Film Festival.
The plot deals with three Spanish Civil War veterans who return – after many years and with a younger relative – to their old battleground (a skeleton of one Loyalist is proudly exhibited in a nearby shed) ostensibly to hunt rabbits but, during the course of the hot, tedious day spent in alcoholic consumption and hidden agendas, old wounds and prejudices are fatally rekindled. Acting as their trapper and cook are the crippled poacher (of the landowner in the group) and his adolescent niece: their 'disdainful' status is reflected in the disease that is already decimating the rabbit population and the landowner taking on a much younger mistress after his wife left him. From the small, uniformly fine cast, award-winning Jose' Maria Prado (a familiar face from several Art-house and Euro-Cult movies) – playing the envious, trigger-happy, Sci-Fi nut of the group is a particular stand-out.
Being an animal lover, I was wary that the obligatory hunting and trapping sequences were going to be the whole show here: luckily, it was not the case but when these do come on (gleefully participated in by the landowner's black dog and ironically set to light-headed Spanish pop ditties blasting from a portable radio), they are certainly harrowing to watch: a ferret violently taunts a cowering rabbit in his hole out into the open where the hunters lie in wait for it; the same dutiful ferret is soon deliberately dispatched by the self-made businessman of the group; and, most memorably, a rabbit defiantly stops its flight for a few seconds amid a hail of bullets before being blasted off in a cloud of fur and dust.
The plot deals with three Spanish Civil War veterans who return – after many years and with a younger relative – to their old battleground (a skeleton of one Loyalist is proudly exhibited in a nearby shed) ostensibly to hunt rabbits but, during the course of the hot, tedious day spent in alcoholic consumption and hidden agendas, old wounds and prejudices are fatally rekindled. Acting as their trapper and cook are the crippled poacher (of the landowner in the group) and his adolescent niece: their 'disdainful' status is reflected in the disease that is already decimating the rabbit population and the landowner taking on a much younger mistress after his wife left him. From the small, uniformly fine cast, award-winning Jose' Maria Prado (a familiar face from several Art-house and Euro-Cult movies) – playing the envious, trigger-happy, Sci-Fi nut of the group is a particular stand-out.
Being an animal lover, I was wary that the obligatory hunting and trapping sequences were going to be the whole show here: luckily, it was not the case but when these do come on (gleefully participated in by the landowner's black dog and ironically set to light-headed Spanish pop ditties blasting from a portable radio), they are certainly harrowing to watch: a ferret violently taunts a cowering rabbit in his hole out into the open where the hunters lie in wait for it; the same dutiful ferret is soon deliberately dispatched by the self-made businessman of the group; and, most memorably, a rabbit defiantly stops its flight for a few seconds amid a hail of bullets before being blasted off in a cloud of fur and dust.
- Bunuel1976
- 4 gen 2014
- Permalink
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 124 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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