Assassinio al terzo piano

A clever, well-acted thriller with enough plot twists to leave you reeling, and an ending you will not believe. From a dull beginning to an exhaustingly clever ending, it will hold you spellbound, confused, engrossed and tense. Should be re-released, but not re-made.

Stylish, offbeat American variation on the classic French thriller DIABOLIQUE, which also featured Simone Signoret in the lead. Signoret is equally effective here, and a young James Caan and Katharine Ross are also impressive as the bewildered young couple whose seemingly mindless game-playing takes a deadly turn for the worse when the mystical Signoret enters their lives. Director Curtis Harrington(who also had a hand in the script) has added some exciting and effective new touches to this first-rate suspense tale.

Crafty little thriller about a wealthy, bored young couple (James Caan and Katharine Ross) who resort to playing kinky games for kicks. The games turn deadly though when mysterious stranger Simone Signoret insinuates herself into their lives. After a rather slow start, Games soon segues into an exciting, serpentine mystery that seems way ahead of its time for 1967. Although modern audiences have become too adept at sniffing out clues and predicting twist-endings, this film is still very effective at keeping its audience guessing. Rarely shown on tv, but if you do have the opportunity to see it...do!

Peculiar thriller begins quite promisingly, but takes a curious, dispiriting turn somewhere along the way and never recoups its glory. Upscale New York couple James Caan and Katharine Ross--who enjoy warped versions of penny-arcade games and mischievous pranks--invite fragile saleswoman Simone Signoret to stay with them, which culminates in a crime. Director Curtis Harrington, who was also involved with the script, sets up an initially delicious puzzle involving the decadent rich, but allows the intricacies of the character-development to unravel in the second act. Caan and Ross appear to be very much in love--and Ross herself seems to be a pretty smart cookie--rendering a plot-twist late in the proceedings unconvincing. William Fraker's cinematography is stylish, though the action rarely ventures outdoors and one becomes acutely aware of the low-budget underpinnings (the film also has a mysteriously European feel, causing the alleged New York location to seem irrelevant--and a mismatch with the material). Good acting only takes it so far. **1/2 from ****

Simone Signoret does a great job. that is the first verdict and for a fan of French cinema , it is not a surprise. the film has a rare virtue for horrors - it is fascinating. more than scary or spectacular. using not an original idea, it is example of beautiful precision for each detail. and the play with old themes has the entire story great. a film about a visit and an eccentric family. about fears and trust and games. nothing special. but the balance between pieces, the acting, the music, the use of ambiguity as basic tool are pillars for an American movie who respects traditional European recipes. a film who could be interesting for many viewers. because not the story itself is the axis but the art of each actor. and, sure, the nuances who builds the role of Simone Signoret.