A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.A un detective della polizia nero deve indagare su un omicidio in una città a tendenza razzista del sud degli Stati Uniti.
- Vincitore di 5 Oscar
- 23 vittorie e 16 candidature totali
William Watson
- McNeil
- (as William C. Watson)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Trama
Lo sapevi?
- QuizSidney Poitier insisted that the movie be filmed in the North because of an incident in which he and Harry Belafonte were almost killed by Ku Klux Klansmen during a visit to Mississippi. That's why Sparta, IL, was chosen for location filming. Nevertheless, the filmmakers and actors did venture briefly into Tennessee for the outdoor scenes at the cotton plantation, because there was no similar cotton plantation in Illinois that could be used. Poitier slept with a gun under his pillow during production in Tennessee. He did receive threats from local racist thugs, so the shoot was cut short and production returned to Illinois.
- BlooperThe police chase Harvey Oberst through the yellow leaves of an autumn forest, clearly indicating that it is not the middle of summer, as claimed in the movie.
- Citazioni
Gillespie: Virgil? That's a funny name for a nigger boy that comes from Philadelphia. What do they call you up there?
Virgil Tibbs: They call me MISTER TIBBS!
- Curiosità sui creditiNo uppercase ("capital") letters are used in the opening and closing credits, including the film's title, cast and characters, crew and job titles, and company credits.
- Versioni alternativeThe 2001 MGM and 2002 United Artists opening fanfares and closing 2001 MGM logo originally appeared in the 2008 DVD and Blu-ray prints. But in the Criterion Blu-ray and Kino Lorber 4K release, the MGM logos were plastered with the 2012 variants.
- ConnessioniFeatured in Film Review: Film Review (1967)
- Colonne sonoreIn the Heat of the Night
Music by Quincy Jones (uncredited)
Lyrics by Alan Bergman (uncredited) and Marilyn Bergman (uncredited)
Sung by Ray Charles
Recensione in evidenza
IN THE HEAT OF THE NIGHT is a well-crafted murder mystery with a twist. Sidney Poitier is a big city detective wrongfully arrested by a racist small police detachment after the brutal murder of the town's would-be financial savior. Once the matter is resolved and Poitier released, he finds himself aiding his former captors, including Police Chief Rod Steiger, in their quest to get to the bottom of the crime.
An Academy Award winner for Best Picture, IN THE HEAT OF THE NIGHT works on so many levels. It's a solid, unpredictable whodunit with beautiful cinematography and crisp direction from Norman Jewison. All the actors are on top of their games, particularly Steiger, whose not-entirely-likable chief gradually looks past his prejudices to warm up to Poitier. Poitier is his usual superb self, once again maintaining his vast dignity as the target of bigotry, much like he did in THE DEFIANT ONES.
And like THE DEFIANT ONES, a key theme in IN THE HEAT OF THE NIGHT is racism. In fact the racism on display here is so fierce and perverse that it's almost hard to believe (though I'm sure it didn't stretch a thing). You can't help but feel an emotional attachment to Poitier as he's subjected to taunts, attempted attacks, and off-color remarks from those who either don't realize the power of their words or don't care. Poitier proves again why he is perhaps the finest African-American actor ever to grace the screen.
IN THE HEAT OF THE NIGHT is one of those movies that, while not perfect, is impossible to dislike. It's classic, though still relevant, entertainment.
An Academy Award winner for Best Picture, IN THE HEAT OF THE NIGHT works on so many levels. It's a solid, unpredictable whodunit with beautiful cinematography and crisp direction from Norman Jewison. All the actors are on top of their games, particularly Steiger, whose not-entirely-likable chief gradually looks past his prejudices to warm up to Poitier. Poitier is his usual superb self, once again maintaining his vast dignity as the target of bigotry, much like he did in THE DEFIANT ONES.
And like THE DEFIANT ONES, a key theme in IN THE HEAT OF THE NIGHT is racism. In fact the racism on display here is so fierce and perverse that it's almost hard to believe (though I'm sure it didn't stretch a thing). You can't help but feel an emotional attachment to Poitier as he's subjected to taunts, attempted attacks, and off-color remarks from those who either don't realize the power of their words or don't care. Poitier proves again why he is perhaps the finest African-American actor ever to grace the screen.
IN THE HEAT OF THE NIGHT is one of those movies that, while not perfect, is impossible to dislike. It's classic, though still relevant, entertainment.
- ReelCheese
- 2 dic 2006
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- In the Heat of the Night
- Luoghi delle riprese
- Sparta, Illinois, Stati Uniti(Sparta, Mississippi)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 27.669 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.85 : 1
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What is the Hindi language plot outline for La calda notte dell'ispettore Tibbs (1967)?
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