Johnny Yuma

A decent Spaghetti Western with a sympathetic starring, Mark Damon, versus an extremely villainess Femme Fatale, Rosalba Neri. It deals with a mean, greedy woman callled Samantha Felton : Rosalba Neri, who kills his wealthy hubby to take his inheritance. But the husband left his ownerships to a nephew, the resourceful Johnny Yuma : Mark Damon. Then the widow and her brother hire a hit man : Lawrence Dobkin, to kill him.

Above average Spaghetti Western with noisy action, thrills, fights , violence, crosses and double-crosses. It is an exciting Maccaroni Western with brawls at a saloon and breathtaking duels at a village, brief dosis of humor and surprising bursts of violence. Mark Damon performs a young gunslinger who unexpectedly inherites from his uncle and ultimately forms a steadily alliance with another gunfighter well interpreted by Lawrence Dobkin. At the beginning his long career Damon starred as an extra for US movies , and subsequently acting secondary characters and as main starring in Roger Corman films . Mark , then emigrated to Italy where played ordinary genres as Peplum and Westerns , as he interpreted : A train for Durango , Cry for revenge, Requiescant , Johnny Oro and this Johnny Yuma . Soon after , he moved into other film genres and playing good guys or bad guys in adventure movies as Lions of St Petesburg , Normand Sword , 100 knights , and Long Live Robin Hood , these parts often exploited his athletic physique and strong skills . Many years later , Mark Damon abandoned the interpretation and became a successful cinema producer by financing big hits . Here Rosalba Neri steals the show, she chews the scenary by playing a really baddie woman who will stop at nothing to get his purports. If the starring trío: Mark Damon, Rosalba Neri, Lawrence Dobkin are pretty good , the remaining support cast is acceptable , though unknown , I miss the agreable familiar secondary faces regular to Spaghetti Western sub-genre .

Special mention for the brilliant musical score, adding enjoyable leitmotif, in Ennio Morricone style by Nora Orlandi, including catching songs. As well as sunny and colorful cinematography by Mario Capriotti, shot in Elios Studios, Rome, Lacio and exteriors in similar lanscapes to Sergio Leone's Fistful of dollars, including Finca El Romeral, Cortijo El Sotillo, Almeria, Andalucia, Spain. The motion picture was well and originally directed by Romolo Guerrieri. This filmmaker was a good craftsman, directing various films about Italian sub-genres and exploitation films, such as : Post-nuke Sci-Fi : The Last Warrior, Poliziottesco or Italian Crime : Young, violent, dangerous, City under siege, Ring of death and Ravioli Western : 10000 Dollari per un massacre, Seven guns for Timothy, and Johnny Yuma. Rating 7/10, better than average. Well worth watching. The picture will appeal to Spaghetti Western fans.

This is one of several of American actor Mark Damon's European ventures; he worked in various genres (such as historical epics and horror films) but also did a number of Spaghetti Westerns – including Sergio Corbucci's light-hearted RINGO AND HIS GOLDEN PISTOL(1966; originally bearing the similar title JOHNNY ORO) and the politicized KILL AND PRAY (1967), where he actually played the villain; even so, I don't feel he exudes the ruggedness which is part and parcel of this stylized subgenre!

Despite interesting credentials (incidentally, the widescreen German print on the budget DVD I rented omits the opening titles completely…so that the sequence where they ought to be merely shows Johnny Yuma wandering aimlessly on his horse!) – director Guerrieri, co-scriptwriter Fernando Di Leo – this is a minor genre effort, hindered more than anything else by a not very compelling plot line (drifter Damon battles sultry aunt Rosalba Neri and her gunman lover Lawrence Dobkin for an inheritance); unsurprisingly, the latter ends up befriending the hero and is ultimately himself deceived by the femme fatale.

The film is undecided whether it wants to be serious or approach the genre with tongue-in-cheek (hinted at by the presence of a greedy Mexican bum who aids Damon throughout) – though sentimentality over the murder of a child who has harbored the wounded hero (as often happens in this type of film, the latter receives a thorough beating only to re-emerge a stronger person for the finale) suggests something deeper may have been intended. The Mexican pueblo in which the tale unfolds supplies the requisite Western atmosphere, but also proves the ideal setting for the climactic gunfight. The score by Nora Orlando isn't bad and, yet, the lyrics to the title song seem to have been hastily scribbled down – having little to do with the action proper of the film!

The likeable mark Damon stars in this ok western that is mildly entertaining, especially in the latter half, however, I found it quite plodding at times with too much emphasis on comedy with the side kick, which distracts from an interesting storyline. Still, it has some good shootouts, and the voluptuous and deadly Rosalba Neri steals every scene she is in. The title song is good, reminds of that John Leyton song ( Johnny remember me).

This film essentially begins with a married woman by the name of "Samantha Felton" (Rosalba Neri) arraigning to have her wealthy husband killed in order to inherit his sizeable ranch and fortune. The problem, however, is that her husband had recently written to his nephew "Johnny Yuma" (Mark Damon) who has agreed to give up his life as a gunslinger in order to work on the ranch and eventually inherit a part of it on some future day. Not at all content with that idea, Samantha reaches out to another gunslinger by the name of "Linus Jerome Carradine" (Lawrence Dobkin) to help her out in that regard. But what she doesn't realize is that both Johnny and Linus have previously met under somewhat amicable circumstances, and both share a healthy respect for one another--and this complicates things to a certain degree. Now, rather than reveal any more, I will just say that this was an interesting film due in large part to the involvement of several different characters with their own individual agendas. That being said, while it may not be the best Spaghetti Western ever produced, it's certainly worth a watch and I have rated it accordingly. Slightly above average.

I wanted to like this a lot more than I did. From the title song on I felt like it was trying hard to find it's place within this competitive genre, but was misguided. All the ingredients are here for this to be a fantastic Spaghetti Western, but I think it took itself too seriously. There is some basic comic relief with his best friend and the score is OK, but makes the movie feel more like an American Western than it's Italian compadres. The lead female villain is pretty fantastic, but overall I think there are better movies within the genre. If you are into watching gun fights there is a pretty solid one that lasts quite awhile near the end of the movie.