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IMDbPro

Satanik

  • 1968
  • VM14
  • 1h 26min
VALUTAZIONE IMDb
4,7/10
488
LA TUA VALUTAZIONE
Magda Konopka in Satanik (1968)
GialloCrimeDramaSci-FiThriller

Aggiungi una trama nella tua linguaA withered old hag turns into a beautiful young woman after drinking a youth formula.A withered old hag turns into a beautiful young woman after drinking a youth formula.A withered old hag turns into a beautiful young woman after drinking a youth formula.

  • Regia
    • Piero Vivarelli
  • Sceneggiatura
    • Eduardo Manzanos
    • Piero Vivarelli
    • Luciano Secchi
  • Star
    • Magda Konopka
    • Julio Peña
    • Umberto Raho
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    488
    LA TUA VALUTAZIONE
    • Regia
      • Piero Vivarelli
    • Sceneggiatura
      • Eduardo Manzanos
      • Piero Vivarelli
      • Luciano Secchi
    • Star
      • Magda Konopka
      • Julio Peña
      • Umberto Raho
    • 14Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto24

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    + 17
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    Interpreti principali23

    Modifica
    Magda Konopka
    Magda Konopka
    • Dr. Marnie Bannister, 'Satanik'
    Julio Peña
    Julio Peña
    • Inspector Trent
    Umberto Raho
    Umberto Raho
    • George Van Donen
    Luigi Montini
    • Dodo La Roche
    Armando Calvo
    Armando Calvo
    • Commissioner Gonzalez
    Mimma Ippoliti
    • Stella Dexter
    Isarco Ravaioli
    • Max Bermuda
    Nerio Bernardi
    Nerio Bernardi
    • Professor Greaves
    Pino Polidori
    • Albert
    • (as Joe Atlanta)
    Antonio Pica
    Antonio Pica
    • Louis La Roche
    Piero Vivarelli
    • Commissaire Le Duc
    Gaetano Quartararo
    • Ortega
    Mirella Pamphili
    Mirella Pamphili
    • La ballerina di flamenco che prova quando il locale è chiuso
    Gustavo Simeone
    • Il portiere giovane
    Giancarlo Prete
    Giancarlo Prete
    • Scagnozzo di Dodo con cravatta arancione
    Pedro Fenollar
    • Young Man in Bar
    Luis de Tejada
    • Older Man in Bar
    Guido Barlocci
    • Croupier
    • (non citato nei titoli originali)
    • Regia
      • Piero Vivarelli
    • Sceneggiatura
      • Eduardo Manzanos
      • Piero Vivarelli
      • Luciano Secchi
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

    4,7488
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    Recensioni in evidenza

    5Uriah43

    Had a Nice Late-60's Atmosphere

    A brilliant scientist by the name of "Professor Greaves" (Nerio Bernardi) has just invented a serum that rejuvenates cells and reverses the aging process. His assistant, "Dr. Marny Bannister" (Magda Konopka) desperately wants the formula due to the fact that she is scarred and ugly. However, Professor Greaves is cautious and wants to do more research before even attempting to try it out on a human being. Dr. Bannister then kills Professor Greaves and ingests the serum which turns her into the young and beautiful woman she always wanted to be. But there are two important factors which Dr. Bannister failed to take into account. First, the formula unleashes savage and primordial desires into whoever takes it. The second factor is that the serum wears off after a period of time and the person reverts back to their previous form. What follows is a murderous rampage by Dr. Bannister who is not averse to using her beauty to further her evil desires. Although it was originally filmed in Italian, the English dubbing was very noticeable. Also quite noticeable was the fact that a scene or two was cut rather abruptly. This gave the film a kind of choppy feel. Still, Magda Konopka looked great and the film had a nice late-60's atmosphere to it. All things considered I give it an average rating.
    3rundbauchdodo

    Cool idea, lacklustre movie

    This Spanish-Italian co-production tells an interesting and weird story about Dr. Bannister, a woman that not only has the best years behind her, but also has a scarred face that makes her look like a freak. But in Madrid, a professor she knows has conducted some experiments on animals with a substance which regenerates cells. The experiments were successful, but the animals became aggressive. Because the professor won't allow Dr. Bannister to be the first human guinea pig, she kills him and consumes the substance. She becomes a beautiful young woman, but also a vicious killer when it comes to keep her secret a secret.

    The plot of the film is great fun, but Piero Vivarelli had not enough skills and money to make a cool movie out of it. Also, the film becomes boring after a good start and doesn't manage to regain a fast pace even though the film's running time doesn't exceed 83 minutes. And as the setting changes to Swiss city Geneva for the last third of the film, it sometimes even looks like a vacation movie as we see how beautiful Geneva is (which it is indeed - but it doesn't help to push the plot forward...). So, with a more talented director, better actors and a bigger budget, "Satanik" could have become an obscure Italian classic. But, as it is, it's just a lacklustre and boring crime film that isn't really worth looking for. Rating: 3 out of 10.
    3macabro357

    Mediocre female version of Diabolik, anyone?

    Deformed, aged female scientist kills fellow scientist in order to steal formulae for rejuvenating cells and reversing the aging process. She takes it and turns into the beautiful, evil Satanik (Magda Konopka) who goes around, seducing and murdering wealthy businessmen.

    She dresses very stylishly in late-60s mod clothes and manipulates those around her, looking a lot like the late Marisa Mell from the DIABOLIK film. Coincidence??

    However, in spite of all this, it's amateurish and sloppy without the James Bond pop-art gadgetry that DIABOLIK had had. Even the Madrid and Lake Geneva filming locations don't make up for this.

    The soundtrack is by Manuel Parada & Roberto Pregadio and it isn't bad at all, consisting of lush orchestration with a little fuzz guitar used as an embellishment. Perfect for one of those European Loungecore CDs that came out in the 90s.

    The Retromedia DVD also uses a substandard grainy color print that's in poor shape, with an explanation at the beginning saying that this was due to the age of the film. Bull ! They either didn't bother looking for a better source or they couldn't find one at all. There are only a few stills of Magda and that's it.

    Sloppy & poor all around, this one gets a 3 out of 10.
    7rwagn

    Sinister Cinema print is the one to watch

    Many of the other reviewers cite the suspect quality of this release on Retromedia. I just purchased this title from Sinister Cinema and the print quality is very good. The color is not as vivid as one would prefer but is not washed out in the least. Considering the movie is almost 40 years old the color of the print is really quite fine. The print has no jump cuts or jarring splices, the audio and video are in perfect sync and the print runs a full 84 minutes.My rating is specifically for overall print quality. As with most other reviewers, I found the movie a bit tedious but I'm glad that I watched it and own a copy. Kudos to Sinister Cinema as they are a consistent class act in regards to making hard to find titles available in the best possible presentation. Their Krimi releases are especially outstanding!
    3nikmaack

    Trashy, Silly, Low Budget, Nudie Flick

    They call this film "euro trash horror".

    Well, it's not horror. The film takes place in Europe, so yes, it's "euro". Trash? Ah yes, it's trash all right.

    You know you're in for a great movie when, right at the beginning, the DVD gives you text on the screen apologizing for the quality of the print you're about to watch. Expect crackles, odd jarring cuts, and for the movie not to fit the screen. Plus there's the sound -- at first I thought I was watching a dubbed film. Then, watching the lips carefully, I realized that, no, it's that the sound quality is embarrassingly bad and out of synch.

    The plot itself is fairly goofy -- an old, disfigured woman named Dr Bannister kills a scientist for his youth formula. I'm not giving much away because when you see the "old woman" it's pretty obvious she's under a layer of thick, badly applied make-up. Anyone with a lick of sense, seeing the fake old age, knows what's coming next.

    Yes, the "old crone" is miraculously transformed into a beautiful young woman -- complete with face make-up and a long wig of hair! Zounds!

    When I say the old woman is disfigured, I mean she has cornflakes glued to her face. The film makes no attempt to explain how the cornflakes got there. For that matter, there is no attempt to explain anything at all relating to any of the characters. They're never developed beyond the level of finger puppets.

    The two policemen pursuing our anti-heroine just wander about, apparently baffled by the simplest clues. The murdered scientist was working on a youth serum, the old woman has disappeared, and we keep running into a young woman -- how do these pieces fit together?! What does it all mean?! One of the cops sweats a lot and pats his face with a cloth. The other smokes a pipe. That's pretty much all we get, character-wise.

    Dr Bannister (the crone, now a beauty) goes around wearing odd costumes and then taking them off so we can see her flesh. She has affairs with men. She gets in a catfight with a young woman in a nightgown. She goes to Geneva so we can see the lake there. She water- skis a bit, then takes off her wet suit to reveal a strange bead-curtain bikini. She takes off her clothes again in a strange ninja costume striptease.

    The ending? Well, without giving anything away, it's just a bizarre, tacked on conclusion that makes about as little sense as the rest of the picture. It's the sort of thing a writer comes up with when the director wakes him up at 4 AM and says, "Quick! We need an ending for our movie! What happens next?"

    The writer mumbles something half awake, and the director runs with it.

    What's good about this movie? Some of the music is campy and fun. That classic 60s organ music that's so corny it's enough to make you laugh out loud. There are some odd seduction scenes, bizarre dialogue, goofy moments.

    It's very close to being so bad it's good. I did manage to watch it from start to finish without gouging out my eyes or sobbing. I guess that's praise, of sorts.'

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    Trama

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    Lo sapevi?

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    • Quiz
      Pupi Avati, who worked on a film as an assistant director, declared that watching Piero Vivarelli at work taught him how to not direct a movie.
    • Connessioni
      Featured in Late Movie 18: Satanik (1980)

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    Dettagli

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    • Data di uscita
      • 18 aprile 1968 (Italia)
    • Paesi di origine
      • Italia
      • Spagna
    • Lingua
      • Italiano
    • Celebre anche come
      • Öldüren Kadin
    • Luoghi delle riprese
      • Madrid, Spagna
    • Aziende produttrici
      • Rodiacines
      • Copercines, Cooperativa Cinematográfica
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 26 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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