VALUTAZIONE IMDb
6,3/10
2474
LA TUA VALUTAZIONE
Il ribelle messicano Pancho Villa guidò la rivoluzione aiutato da un aviatore americano imprigionato in Messico.Il ribelle messicano Pancho Villa guidò la rivoluzione aiutato da un aviatore americano imprigionato in Messico.Il ribelle messicano Pancho Villa guidò la rivoluzione aiutato da un aviatore americano imprigionato in Messico.
- Regia
- Sceneggiatura
- Star
Maria Grazia Buccella
- Fina
- (as Grazia Buccella)
Robert Carricart
- Don Luis
- (as Bob Carricart)
Andrés Monreal
- Capt. Herrera
- (as Andres Monreal)
José María Prada
- Major
- (as Jose Maria Prada)
Regina de Julián
- Lupita
- (as Regina de Julian)
Antoñito Ruiz
- Juan
- (as Antonio Ruiz)
Francisco Arduras
- Villista
- (non citato nei titoli originali)
Recensioni in evidenza
Villa Rides is directed by Buzz Kulik and adapted to screenplay by Robert Towne and Sam Peckinpah from the biography of Pancho Villa written by William Douglas Lansford. It stars Yul Brynner, Robert Mitchum, Charles Bronson, Herbert Lom, Maria Grazia Buccella, Robert Viharo and Frank Wolff. Music is scored by Maurice Jarre and cinematography by Jack Hildyard.
Film is a fictionalised telling of a period in Pancho Villa's (Brynner) life, primarily his famous involvement in the Mexican Revolution at the start of the 20th Century.
The film that should have been a Peckinpah classic!? Maybe? There is no doubting that had Peckinpah been allowed to direct his own screenplay we would have got a far better, more brutal, Pancho Villa film. In fact if we just had Peckinpah's original screenplay intact and someone like Robert Aldrich to direct, then that surely would have given us a mean and moody biography of one José Doroteo Arango Arámbula (AKA: Francisco Villa or Pancho Villa)? Film history tells us that star Yul Brynner was most displeased with the portrayal of Villa as written on Bloody Sam's page. Brynner wanted, and got eventually, his Villa to be an heroic Robin Hood type man of the people, a romanticised revolutionary as it were. Not the driven bastardo prone to acts of horror and sneak tactics that Peckinpah envisaged for the film.
La Cucaracha.
Brynner laughably cited Peckinpah's lack of Mexican knowledge as reason for getting him off the film, laughable because Peckinpah was married to a Mexican and visited the country regularly! So Peckinpah was off, sold his screenplay to the producers, which was remodelled considerably by Robert Towne & Brynner, and he took much of the ideas from the writing for Villa Rides to craft his masterpiece a year later, The Wild Bunch. In to the director's chair came Buzz Kulik and Brynner got to don a toupee and portray Villa the way he wanted. Although, thankfully, Peckinpah's edginess does manage to flit in and out of the finished product.
Viva Villa! You can't fight for the revolution if you are dead.
What remains for viewing is far better than some would have you believe. True, it's no Western/War classic, some of the politico posturings fail to make a mark because they are not expanded on, and one yearns at times for some Peckinpah grit, grue and grim machinations. There's also casting issues, for although I actually don't mind Brynner as Villa because he attacks the role with fanciful relish, he is generally miscast, while Mitchum manages to get by on laconic charm rather than have a character worthy of putting effort into. But if you can forgive the obvious missteps then it's a good two hours of rip-snorting entertainment.
It's always a question of money with you Gringo.
Kulik (Sergeant Ryker) keeps things lively and proves adept at action directing. The battles scenes are high on quality, particularly for the engagement at Conejos, where stunt men and horses are flung around the place, explosions puncture the air, the artillery on show resplendent as it deals out damage. Hundreds of costumed extras cut a swathe through each other, a plane and a train impact greatly on proceedings, while potent scenes involving the bad things that men do add fuel to the loud expressive fire. Jarre's score is fabulous, Latino flavours mix with high energy thunder to bounce off the burning sun with aural pleasure, while Hildyard keeps the Spanish locales vibrant in colours. Then there's Bronson stealing the movie with his portrayal of Rodolfo Fierro, a man who enjoys killing and tormenting the enemy, with dark humour also etched into his make-up.
Fanciful, fun and fiery, with flaws enough for sure, but still a good time to be had for the genre faithful. 7/10
Film is a fictionalised telling of a period in Pancho Villa's (Brynner) life, primarily his famous involvement in the Mexican Revolution at the start of the 20th Century.
The film that should have been a Peckinpah classic!? Maybe? There is no doubting that had Peckinpah been allowed to direct his own screenplay we would have got a far better, more brutal, Pancho Villa film. In fact if we just had Peckinpah's original screenplay intact and someone like Robert Aldrich to direct, then that surely would have given us a mean and moody biography of one José Doroteo Arango Arámbula (AKA: Francisco Villa or Pancho Villa)? Film history tells us that star Yul Brynner was most displeased with the portrayal of Villa as written on Bloody Sam's page. Brynner wanted, and got eventually, his Villa to be an heroic Robin Hood type man of the people, a romanticised revolutionary as it were. Not the driven bastardo prone to acts of horror and sneak tactics that Peckinpah envisaged for the film.
La Cucaracha.
Brynner laughably cited Peckinpah's lack of Mexican knowledge as reason for getting him off the film, laughable because Peckinpah was married to a Mexican and visited the country regularly! So Peckinpah was off, sold his screenplay to the producers, which was remodelled considerably by Robert Towne & Brynner, and he took much of the ideas from the writing for Villa Rides to craft his masterpiece a year later, The Wild Bunch. In to the director's chair came Buzz Kulik and Brynner got to don a toupee and portray Villa the way he wanted. Although, thankfully, Peckinpah's edginess does manage to flit in and out of the finished product.
Viva Villa! You can't fight for the revolution if you are dead.
What remains for viewing is far better than some would have you believe. True, it's no Western/War classic, some of the politico posturings fail to make a mark because they are not expanded on, and one yearns at times for some Peckinpah grit, grue and grim machinations. There's also casting issues, for although I actually don't mind Brynner as Villa because he attacks the role with fanciful relish, he is generally miscast, while Mitchum manages to get by on laconic charm rather than have a character worthy of putting effort into. But if you can forgive the obvious missteps then it's a good two hours of rip-snorting entertainment.
It's always a question of money with you Gringo.
Kulik (Sergeant Ryker) keeps things lively and proves adept at action directing. The battles scenes are high on quality, particularly for the engagement at Conejos, where stunt men and horses are flung around the place, explosions puncture the air, the artillery on show resplendent as it deals out damage. Hundreds of costumed extras cut a swathe through each other, a plane and a train impact greatly on proceedings, while potent scenes involving the bad things that men do add fuel to the loud expressive fire. Jarre's score is fabulous, Latino flavours mix with high energy thunder to bounce off the burning sun with aural pleasure, while Hildyard keeps the Spanish locales vibrant in colours. Then there's Bronson stealing the movie with his portrayal of Rodolfo Fierro, a man who enjoys killing and tormenting the enemy, with dark humour also etched into his make-up.
Fanciful, fun and fiery, with flaws enough for sure, but still a good time to be had for the genre faithful. 7/10
So far I haven't seen one film about Pancho Villa that got it right and Villa Rides is definitely one of them. Perhaps the proposed biographical film that Johnny Depp will star in might do Villa some justice.
Yul Brynner and Robert Mitchum co-star in Villa Rides with Brynner in the title role. Mitchum plays your typical soldier of fortune although in his case he's a pilot of fortune. He's a pilot of one of those new fangled airplanes and it is through his eyes we see the story of the film unfold.
A damaged aircraft delays Mitchum in Mexico after making a delivery and before he knows it, he's hip deep in the revolution that is going on in Mexico. At this point in his career Villa is one of several guerrilla chiefs supporting the new republic and the presidency of the idealistic Francisco Madero played here by Alexander Knox. Madero himself was a strange and fascinating character, one day he might get a biographical film study of his tragic life.
The Mexican Revolution of the teen years saw the country give way to anarchy with Villa eventually becoming one of several generalissimos controlling a piece of Mexican turf. As Villa operated in the extreme north of the country it was his bad fortune to later on raid into the USA and get Woodrow Wilson to send our army after him.
Here at the beginning Villa though after Mitchum talks his way into not being shot by his forces, Brynner sees the value of Mitchum's airplane as a weapon of war. He puts one of his aides Charles Bronson to ride herd on Mitchum and the two of them don't get along at all.
According to Lee Server's book on Mitchum they didn't get along all that well during the filming. Another Mitchum, brother John Mitchum wrote in his memoirs that Bronson was a very reserved sort who guarded his privacy strictly. They apparently had no problem on the set of Bronson's film Breakheart Pass which John Mitchum had a small part.
Mitchum and Brynner got along however which was not always the case with Brynner. Yul Brynner was a man of some mystery who liked it that way, he was and could be standoffish with fellow players, but apparently he and Mitchum worked well together in their only joint film.
The film was shot in Spain and I have to say the battle sequences were very well staged. They are the best part of Villa Rides.
A good, but not a great film. I do have to wonder that when Black Jack Pershing came into Mexico later on after the action of this film concluded, might not Mitchum be in a real jackpot fighting against the American army at that point.
Yul Brynner and Robert Mitchum co-star in Villa Rides with Brynner in the title role. Mitchum plays your typical soldier of fortune although in his case he's a pilot of fortune. He's a pilot of one of those new fangled airplanes and it is through his eyes we see the story of the film unfold.
A damaged aircraft delays Mitchum in Mexico after making a delivery and before he knows it, he's hip deep in the revolution that is going on in Mexico. At this point in his career Villa is one of several guerrilla chiefs supporting the new republic and the presidency of the idealistic Francisco Madero played here by Alexander Knox. Madero himself was a strange and fascinating character, one day he might get a biographical film study of his tragic life.
The Mexican Revolution of the teen years saw the country give way to anarchy with Villa eventually becoming one of several generalissimos controlling a piece of Mexican turf. As Villa operated in the extreme north of the country it was his bad fortune to later on raid into the USA and get Woodrow Wilson to send our army after him.
Here at the beginning Villa though after Mitchum talks his way into not being shot by his forces, Brynner sees the value of Mitchum's airplane as a weapon of war. He puts one of his aides Charles Bronson to ride herd on Mitchum and the two of them don't get along at all.
According to Lee Server's book on Mitchum they didn't get along all that well during the filming. Another Mitchum, brother John Mitchum wrote in his memoirs that Bronson was a very reserved sort who guarded his privacy strictly. They apparently had no problem on the set of Bronson's film Breakheart Pass which John Mitchum had a small part.
Mitchum and Brynner got along however which was not always the case with Brynner. Yul Brynner was a man of some mystery who liked it that way, he was and could be standoffish with fellow players, but apparently he and Mitchum worked well together in their only joint film.
The film was shot in Spain and I have to say the battle sequences were very well staged. They are the best part of Villa Rides.
A good, but not a great film. I do have to wonder that when Black Jack Pershing came into Mexico later on after the action of this film concluded, might not Mitchum be in a real jackpot fighting against the American army at that point.
Mexican bandit and revolutionary Pancho Villa has been portrayed in films before, most notably by Wallace Beery in 1934's "Viva Villa!". Beery bore an uncanny resemblance to the real Pancho Villa, and by all accounts his portrayal is historically quite accurate, although the movie itself isn't. While overall this film is better than Beery's, the miscasting of Yul Brynner as Villa is difficult to overcome, and Robert Mitchum's sleepwalking through his role as an American soldier of fortune caught up in the Mexican revolution doesn't help, either. The two best performances in the film are Charles Bronson as Villa's right-hand man and chief executioner Rodolfo Fierro (Bronson accurately plays him as a man who can murder dozens of people with almost no thought about it; the real Fierro was even more of a butcher than he's shown to be here, and is known to have personally murdered hundreds of people) and Herbert Lom as the murderous Gen. Victoriano Huerta, and although Lom plays him as a sophisticated James Bond-ish Eurotrash villain than the semi-literate Indian and psychopathic killer that Huerta really was, it's still an effective job. The action set pieces are extremely well done and exciting, especially a rebel charge through a marsh against a heavily fortified federale position and, as has been previously mentioned, the film's soundtrack is truly outstanding. So even though Brynner may not be anyone's idea of Pancho Villa, the movie overall is worth a watch.
"Villa Rides" is the tale of the legendary Pancho Villa, key player in the Mexican Revolution who was a bandit, to be sure, but also undeniably a true leader deeply committed to his cause. However, the tale mostly focuses on Lee Arnold (Robert Mitchum), the American pilot who is captured by Villa's forces and eventually, reluctantly becomes caught up in their mission. Yul Brynner, sporting a full head of hair for once, is thought by some to be miscast as Villa, but in any event this reviewer does feel that his screen presence is still powerful. Mitchum, admittedly, isn't at his best and in fact looks rather disinterested throughout this thing, which is not good considering how much screen time is given to his character. Herbert Lom does well in the key role of a dubious Mexican general, and Maria Grazia Buccella is appealing and lovely in the underwritten role of Lee's love interest. The performer here who truly stands out is Charles Bronson, sporting his familiar moustache for the first time here, as Villa's associate Fierro, and the actor does capture this person's essential ruthlessness, although in real life Fierro was supposed to be an even more bloodthirsty individual. Also appearing are Bronson's wife Jill Ireland, in the first of the films that they did together, although she doesn't show up until near the end, as well as Robert Viharo, Frank Wolff, Alexander Knox, Fernando Rey, and John Ireland in a brief, uncredited bit. The screenplay is courtesy of Robert Towne and Sam Peckinpah, but it never really gives us much insight into Villa. There are some great moments of well staged action, but overall the pacing is a little sluggish. TV veteran Buzz Kuliks' direction is basically competent, although one has to wonder what might have been had Peckinpah been allowed to direct his own original screenplay, which wouldn't have romanticized Villa quite so much. Undeniably effective is the photography of some beautiful scenery and Maurice Jarres' eclectic score. This film does have its moments, such as Lee lobbing bombs as he flies his plane, but it could and should have been more interesting. As it is, it's decent entertainment but it doesn't ever quite take off. Six out of 10.
"Villa Rides" is the most accurate film depicting the life of the infamous mexican bandit, Pancho Villa. It's also filled with an all-star cast. Yul Brenner plays Villa to perfection (many other actors including Telly Savalas have played the role, but not as good as Brenner). Charles Bronson is equally good as Villa's sidekick who spends his free time humiliating and shooting mexicans. Robert Mitchum plays a pilot who gets involved in Villa's revolution. There is a constant pace of action and good dialogue ("Go outside and die. Where are your manners?" is what Bronson says to a mexican after the mexican tries to force himself on a young girl. Bronson shoots him and kicks him out the door). The buzzing noise Mitchum's airplane makes becomes annoying throughout the film (the director's name is Buzz) and the actor who plays the mexican villain seems to be more of a Woody Allen-type character than a vicious, sadistic tyrant. He makes up for that in his final scene. Classic stuff! The film is very rare and hard to find. If you get it, you're lucky.
Lo sapevi?
- QuizAccording to producer Norbert Saada's interview in the documentary "Once Upon A Time Sergio Leone", Italian director Sergio Leone was offered to direct, but turned it down because he did not like the casting of Yul Brynner in the title role.
- BlooperNear the end of the movie they show a street scene that is supposed to be El Paso Texas but on the side of a building it advertises the Oklahoma Wigwam the newspaper from the book and movie Cimarron.
- Citazioni
[repeated lines]
Rodolfo Fierro: Who cooked this?
Ramirez: Me, Jefe.
Rodolfo Fierro: No, you didn't!
Ramirez: No, I didn't.
Rodolfo Fierro: COOK IT!
- ConnessioniFeatured in Kain's Quest: The Stone Killer (2015)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.640.000 USD
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