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IMDbPro

L'innocente

  • 1976
  • VM14
  • 2h 9min
VALUTAZIONE IMDb
7,4/10
4627
LA TUA VALUTAZIONE
Laura Antonelli, Giancarlo Giannini, and Jennifer O'Neill in L'innocente (1976)
DramaRomance

Tullio Hermil è un aristocratico sciovinista che ostenta la sua amante a sua moglie, ma quando crede che sua moglie sia stata infedele si innamora di nuovo di lei e cerca di riconquistarla.Tullio Hermil è un aristocratico sciovinista che ostenta la sua amante a sua moglie, ma quando crede che sua moglie sia stata infedele si innamora di nuovo di lei e cerca di riconquistarla.Tullio Hermil è un aristocratico sciovinista che ostenta la sua amante a sua moglie, ma quando crede che sua moglie sia stata infedele si innamora di nuovo di lei e cerca di riconquistarla.

  • Regia
    • Luchino Visconti
  • Sceneggiatura
    • Gabriele D'Annunzio
    • Suso Cecchi D'Amico
    • Enrico Medioli
  • Star
    • Giancarlo Giannini
    • Laura Antonelli
    • Rina Morelli
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    4627
    LA TUA VALUTAZIONE
    • Regia
      • Luchino Visconti
    • Sceneggiatura
      • Gabriele D'Annunzio
      • Suso Cecchi D'Amico
      • Enrico Medioli
    • Star
      • Giancarlo Giannini
      • Laura Antonelli
      • Rina Morelli
    • 16Recensioni degli utenti
    • 52Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    The Innocent trailer
    Trailer 0:43
    The Innocent trailer

    Foto58

    Visualizza poster
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    Interpreti principali24

    Modifica
    Giancarlo Giannini
    Giancarlo Giannini
    • Tullio Hermil
    Laura Antonelli
    Laura Antonelli
    • Giuliana Hermil
    Rina Morelli
    Rina Morelli
    • Tullio's Mother
    Massimo Girotti
    Massimo Girotti
    • Count Stefano Egano
    Didier Haudepin
    • Federico Hermil
    Marie Dubois
    Marie Dubois
    • The Princess
    Roberta Paladini
    Roberta Paladini
    • Miss Elviretta
    Claude Mann
    Claude Mann
    • The Prince
    Marc Porel
    Marc Porel
    • Filippo d'Arborio
    Jennifer O'Neill
    Jennifer O'Neill
    • Teresa Raffo
    Philippe Hersent
    Elvira Cortese
    Elvira Cortese
    Siria Betti
    Enzo Musumeci Greco
    • Maestro d'armi
    Alessandra Vazzoler
    Alessandra Vazzoler
    Marina Pierro
    Marina Pierro
    • Maria
    Vittorio Zarfati
    Vittorio Zarfati
    • Dr. Milani
    Alessandro Consorti
    • Regia
      • Luchino Visconti
    • Sceneggiatura
      • Gabriele D'Annunzio
      • Suso Cecchi D'Amico
      • Enrico Medioli
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti16

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    Recensioni in evidenza

    10RanchoTuVu

    upper class romance

    A wealthy and arrogant aristocrat openly has an affair with another woman, thus driving his wife to start her own affair with a writer that leads to a pregnancy and baby. Giancarlo Giannini is magnificent in a role that instills in the viewer zero sympathy and outright hostility. The film heads into what can only be described as one of the most memorably tragic conclusions since Shakespeare, and is also one of the most beautifully filmed and costumed movies ever, with sumptuous deep red wallpapered rooms with velvet curtains. Wealth and position can cut both ways, with Giannini's role going down into a dark and bankrupt morality that in the end is like a swamp.
    6gavin6942

    O'Neill Somehow Doesn't Ruin It

    Tullio Hermil (Giancarlo Giannini) is a chauvinist aristocrat who flaunts his mistress (Jennifer O'Neill) to his wife (Laura Antonelli), but when he believes she has been unfaithful he becomes enamored of her again.

    This movie is notable for being the last film made by Italian director Luchino Visconti, perhaps best known for "The Leopard". This time around he has really brought himself up to the 1970s and is not shy with the sensuality. Even the film's promo art seems to highlight the nudity, which is odd.

    What strikes me about the movie is the casting of Jennifer O'Neill. I suspect that it was largely due to her look. She was a weak actress in "Rio Lobo", but seems to recover here (helped by the dubbing). She would go on to appear in "Scanners"... anyone who has worked with Visconti, Hawks and Cronenberg deserves some respect.
    10davidtraversa-1

    One of the most refined films I had ever watched.

    Could we qualify a movie as Ardent? I think so, at least I do when remembering this film. Maybe it's because of the smoldering story it tells, maybe because of the passionate characters temperament, maybe because of the gleaming beauty of the surroundings, the extremely luxurious interiors of upper class old noblesse, with their incredibly gorgeous 'Fin de Siecle' gowns and jewels and objects and music... What a superb film!

    Jennifer O'Neil devastatingly beautiful and seductive as the self-assured, selfish, spoiled, ambitious, self-seeking lover, as much as Laura Antonelli as the opposite side of the coin but in a lower key, as the humble and insecure, betrayed, embittered, resentful wife, but also devastatingly gorgeous. And Giancarlo Giannini, holder of the most beautiful male green eyes ever shown on a close up, and adding to that his fantastically sensuous voice.

    We end up watching this ultra-refined European product that only a Visconti and very few other directors (Kubrick with "Barry Lindon") could have had the exquisiteness of taste to produce.

    The libretto is first rate and overwhelming in its slow development (and that makes almost unbearable the unpredictable climax) leaving us almost as devastated as its female protagonist, when she walks away while an early dawn starts defining the outline of the magnificent garden surrounding that incredibly perfect building where life had just ceased to exist.
    8PaulusLoZebra

    A beautiful, languid, intense melodrama

    Luchino Visconti's l'Innocente is a beautiful film. Magnificent details fill up the screen on every shot, as he has done so masterfully with other period films. It's also a strange, intense and erotic story set in the high society of Rome in the late 1800s. Giancarlo Gianinni is magnificent as an erratic, determined, egotistical and passionate man who alternates between arrogance and jealously, between lucidity and rage. Laura Antonelli is wonderful as his beautiful, repressed and enigmatic wife, who quietly surprises us at various points in this torrid tale. Jennifer O'Neill is very good as a mysterious and detached object of desire. This is a melodrama with some deeply disturbing themes. Occasionally, supporting characters show flashes of morality that contrast with the self-indulgent and self-destructive natures of the three protagonists. But the film does not need to have one character to provide a moral compass for the story, because the audience can see all too clearly everyone's very bad behavior.
    9colin-cooper

    Languid pace no problem.

    The languid pace of Visconti's last film is not a problem for me. He was an old man, directing from a wheelchair, and had slowed down a lot. Think of it as the long slow movement of a symphony by Mahler - whose music, you will remember, he used in Death in Venice - and it will make more sense.

    What I want to know is more about Gabriele D'Annunzio's novel. One commentator claims that the male lead is a kind of 'atheistic hero' faithful to his beliefs, and that Visconti subverts the author's intention by showing him as a rich aristocrat as selfish as he is unpleasant. Can any authority on Italian literature shed any light?

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Director Luchino Visconti intended the title roles to be played by Alain Delon and Romy Schneider. But Delon was under long-term contract and the $1,000,000 that his producers wanted to release him was considered too much, and Schneider was pregnant at the time, so Visconti had to work with Laura Antonelli and the little-known Giancarlo Giannini.
    • Citazioni

      Giuliana Hermil: It's too luxurious.

      Tullio Hermil: [Pontificating] Peasants always like to see their masters well-dressed.

    • Curiosità sui crediti
      The credits are shown over the novel "L'innocente." A man's hand is turning the pages of the book. It is actually the hand of Visconti himself.
    • Connessioni
      Featured in La femme de l'amant (1992)
    • Colonne sonore
      Berecuse
      Music by Frédéric Chopin (as Chopin)

      Performed by Franco Mannino, pianoforte

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    Dettagli

    Modifica
    • Data di uscita
      • 18 maggio 1976 (Italia)
    • Paesi di origine
      • Italia
      • Francia
    • Lingua
      • Italiano
    • Celebre anche come
      • The Innocent
    • Luoghi delle riprese
      • La Badiola, Capannori, Lucca, Tuscany, Italia(Tullio's mother's villa)
    • Aziende produttrici
      • Rizzoli Film
      • Les Films Jacques Leitienne
      • Imp.Ex.Ci.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 22.549 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7191 USD
      • 16 feb 2020
    • Lordo in tutto il mondo
      • 5.929.392 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 9 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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