Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.
- Premi
- 1 vittoria e 4 candidature
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Trama
Lo sapevi?
- QuizDirector Dario Argento's original idea was that the ballet school would accommodate young girls no older than 12 years. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 years but did not rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads so they would have to raise their arms in order to open the doors, just like children.
- BlooperDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Citazioni
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Curiosità sui creditiYou have been watching "SUSPIRIA"
- Versioni alternativeThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- ConnessioniFeatured in Ling ye (1981)
- Colonne sonoreMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
Recensione in evidenza
Suspiria is a stunning visual and musical experience.
The entire film is caked in this vibrant neon color that accents the amazing set design. Very unconventional color choices are used throughout its entirety, even down to the costuming. There is a sense of unpredictability that comes with the choices, which adds to the mysticism of the film. These pretty colors also add contrast to the ugliness of the horrific moments in the film, making them feel much more abrasive.
Progressive rock band Goblin does a great job on this soundtrack, further adding a distinct sense of mysticism to the film. It shares similarities to some of John William's moments in the Harry Potter soundtrack, while of course offering a more thrilling side to cinematic composition. At times I felt the soundtrack was the element driving the horror, with the cinematography playing the role of the visual vehicle for the suspense.
The one hangup I had with the film is that although it had a lot to show, and a lot to listen to, it didn't have a lot to say. The narrative is very loosely strung together with acting performances that left more to be desired. I didn't feel much for any of the characters besides the lead act. The strange attempt at having a romantic interest was really awkward and they didn't do much with that either.
Luckily by the climax of the film things start to come together nicely and we are left on a high note. Suspiria is a piece of art, but best appreciated when ignoring its failings.
The entire film is caked in this vibrant neon color that accents the amazing set design. Very unconventional color choices are used throughout its entirety, even down to the costuming. There is a sense of unpredictability that comes with the choices, which adds to the mysticism of the film. These pretty colors also add contrast to the ugliness of the horrific moments in the film, making them feel much more abrasive.
Progressive rock band Goblin does a great job on this soundtrack, further adding a distinct sense of mysticism to the film. It shares similarities to some of John William's moments in the Harry Potter soundtrack, while of course offering a more thrilling side to cinematic composition. At times I felt the soundtrack was the element driving the horror, with the cinematography playing the role of the visual vehicle for the suspense.
The one hangup I had with the film is that although it had a lot to show, and a lot to listen to, it didn't have a lot to say. The narrative is very loosely strung together with acting performances that left more to be desired. I didn't feel much for any of the characters besides the lead act. The strange attempt at having a romantic interest was really awkward and they didn't do much with that either.
Luckily by the climax of the film things start to come together nicely and we are left on a high note. Suspiria is a piece of art, but best appreciated when ignoring its failings.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Suspiria?Powered by Alexa
Dettagli
Botteghino
- Lordo in tutto il mondo
- 47.000 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti