A proposito di omicidi...

Neil Simon's movies always shine with his marvelous talent. The spoofs of Humphrey Bogart, his movies and other famous people/characters are priceless. My favorite scene in The Cheap Detective is where Eileen Brennen is singing in a cabaret, holding a cigarette out to the detective with her line "Well aren't you going to light my fire?" And he says (paraphrased)"well I was just checking out your kindling". Wonderful script and sharp and funny dialogue. Eileen is beautiful here. Peter Falk is very sexy in the title role. And could anyone ever compare with Madeline Kahn - they threw away the pattern on her. I think Humphrey Bogart would not only laugh at the spoofs of him but also be flattered that his persona has become so classic and so well-known and easily identifiable. There was a wonderful actor in "Dark Shadows" who early in his career did imitations of Bogie and looked a lot like him. He also played Bogie in a movie I believe. I wish there were more movies as good as Neil Simon's.

'The Cheap Detective' represents a satirical look at many of Humphrey Bogart's best movies: 'Casablanca,' 'The Maltese Falcon,' and 'The Big Sleep' most prominently. There are small bits of business spoofing several others. This movie, apparently, followed 'Murder by Death' chronologically, implying that Peter Falk's character is developed from his role in that movie. So be it, but that doesn't make this movie a sequel. 'Murder by Death was a spoof of several different mystery story writers, and their most well-known detectives. This movie is a spoof of Bogart movies, some of which are mysteries and some are romances ('Casablanca' is considered by many to be one of the greatest romances ever.) To my taste, this movie is funnier and wittier than the other, and deserves more credit. In addition, Peter Falk's character is changed quite a bit from that in 'Murder by Death,' better, and funnier.

For all those who value Bogart's movies, and for all those who value satire, this is a terrific movie.

Following close on the heels of "Murder By Death," screenwriter Neil Simon penned this, another mystery farce focusing this time on a character originally developed in "Murder By Death," Peter Falk's trenchcoat-wearing Humphrey Bogart impersonation. The result is an often funny though somewhat strained and oddly miscast production.

Falk's Lou Peckinpaugh is investigating the murder of his detective partner in Nazi-occupied San Francisco. The cops think Peckinpaugh did it, because he was having an affair with his partner's wife. Some people want him to recover some stolen diamonds disguised as Albanian eggs. Meanwhile, to add some "Casablanca" to this "Maltese" parody, Lou's old flame has arrived in San Francisco with her husband, a Resistance leader who wants to open a two-star French restaurant in Oakland - if the Gestapo doesn't get him first.

It's a kindred spirit to "Airplane," a film made two years later. This is a madcap, everything-but-the-kitchen-sink comedy that plays with movie conventions to absurd lengths. Simon's roots as a writer on TV's "Your Show Of Shows" are very clear here, not only with the presence of that show's star, Sid Caesar, in a key role, but in the way Simon creates an all-out comedy in the vein of two fellow "Show Of Shows" writers, Mel Brooks and Woody Allen. It's even more goofy than "Murder By Death." "Cheap Detective" has a lot of laugh-out-loud moments, but it's not as well-thought-out or fun as "Murder By Death." There's a dumb beginning, with underinspired opening credits and a drawn out joke about a killer who works so fast the victims haven't time to fall. The film also peters out at the conclusion, unlike "Murder By Death," where much of the charm comes with the kooky finale.

But the middle is mostly very good. Even great spoofs like "Airplane" and "Young Frankenstein" have dumb jokes. "Cheap Detective" has them, too, along with some hilarious moments. Simon throws up a ton of non sequiturs and silly puns, much in the vein of Brooks and Allen in their early, better days. Since this film doesn't have the same level of cultural recognition as the best of Brooks, Allen, or Simon, there's more chance of being pleasantly surprised by what takes place here. Peter Falk is great in his Bogie reprise, and so is Eileen Brennan playing the same Lauren Bacall character she created in "Murder By Death." Madeline Kahn is super, too, though I can't tell you the name of the character she plays and neither does she.

But there are some weird casting choices. John Houseman as fat Sydney Greenstreet? Dom DeLuise as Peter Lorre? Paul Williams? Abe Vigoda? I guess Marsha Mason had a role guaranteed in her prenup with Mr. Simon, but she's not quite right as a femme fatale. Neither is Louise Fletcher as the Ingrid Bergman character. Everyone in the film talks about her being such a knockout, but all I see is Nurse Ratched. No one is really bad, just square pegs in round holes. The weirdest is Phil Silvers, who isn't even in the film except as a meaningless half-second cameo at the end, yet he has an opening credit.

Two standouts are Nicol Williamson as the Nazi "military attache to Cincinnati" and Ann-Margret as a cleavage-flashing vamp. Whenever they are on screen, the movie is a lot funnier. Falk mostly serves the plot, but has some good lines, too: "Day by day, I erased your face from my memory, until all I had left was your right ear and three front teeth on the bottom." The film will make you laugh, and laugh again if you give it a few months to recharge between viewings. It's not a classic comedy, or even very good, but it's a fun frolic from one of filmdom's finest funnymen.

Legendary writer Neil Simons' delightful parody of hard boiled detective fiction (by the likes of Hammett and Chandler) is often quite funny. It does a good job of combining Simons' genuinely funny and witty dialogue with some occasional good visual gags. The movie is packed with big guest stars, some of whom have very little time to create a characterization, but everybody does a very amusing job of poking fun at - and paying tribute to - iconic actors of the genre.

Peter Falk does a priceless Bogart impression as private eye Lou Peckinpaugh. Lous' partner has been found murdered, and this is just the tip of the iceberg when it comes to his latest complex case. (Lou even comments on its convoluted nature.) It involves a French resistance fighter (Fernando Lamas), a Nazi official (Nicol Williamson), the theft of some supposedly invaluable "eggs", the Golden Gate Bridge, and the partners' oversexed wife (Marsha Mason).

Sort of combining the plots of "Casablanca" and "The Maltese Falcon" and referencing other classics as well, "The Cheap Detective" does lose some momentum along the way, but there is always good Simon dialogue to look forward to, and the picture is nicely shot in widescreen by John A. Alonzo. The picture takes place in WWII era San Francisco, and has a great look going for it. What's especially funny is the way that Peckinpaugh must juggle the various lovely ladies who take an interest in him.

The various guest stars are all tremendous fun, but this viewer was particularly entertained by Dom DeLuises' riotous Peter Lorre parody. In supporting roles and bits, you can see the likes of Carmine Caridi, James Cromwell, Scatman Crothers (sending up Dooley Wilson in "Casablanca"), David Ogden Stiers, Vic Tayback, and Jonathan Banks.

This begins nicely, with some atmospheric opening credits, and has a bright and funny wrap up involving Lou and his ladies.

Seven out of 10.

If Humphrey Bogart could have seen The Cheap Detective he'd have loved every minute of it. I counted satirical moments from The Maltese Falcon, Casablanca, The Big Sleep and To Have and Have Not as well as other noir classics that Neil Simon cleverly worked into a plot that makes no rational sense, but will keep you glued to the chair with laughter.

Bogey would have liked Peter Falk's spot on impersonation of the detective from the wrong side of the tracks. Falk is always a player with one amazing bag of tricks whether he's serious as in Murder, Inc., or funny as in Robin and the Seven Hoods or a bit of both as in The Brink's Job.

Not since It's A Mad Mad Mad Mad World had so many funny people gathered together for one film. Even normally serious actors like Fernando Lamas and Nicol Williamson seem to be having a ball just hamming it up. My favorite aside from Falk is Eileen Brennan as Betty DeBoop. How can you go wrong with a name like that.

You can't describe any kind of plot, the whole thing is so much wonderful nonsense. Just sit back and enjoy.