Orizzonte perduto

There are two groups of people in the world: those who love this 1973 remake of "Lost Horizon" and those who are lucky to escape with their lives if caught in a theater with a majority from the first group. There is no in between. Either you accept polar bears rumbling about the Himalayas and designer caps propped jauntily aside the head during treks at the Roof of the World, or you don't.

The classic "Lost Horizon" asked the viewer to suspend belief in the hope of something better. This "Lost Horizon" makes the viewer appreciate what he's already got... no clubfooted school teachers snaking about with obnoxious children; no litter-lugging sherpas chanting "living together, loving together" to a couple undoubtedly more anxious to get on with the latter than the former; and no English lords moonlighting as high lamas.

Do not let anyone persuade you not to see this movie. Like wearing purple and eating more ice cream than beans, it is a required rite of passage before leaving this veil of tears. Which, I guarantee you will have in abundance, no matter into which of the two groups you fall.

I have a confession to make.....in August 1974 I re-opened an old cinema and this was the premiere attraction. The sound gargled away from behind the flabby screen and the invited audience sat on the lumpy seats. I looked like Top Cat in a tuxedo, and this film unfolded across the joins on our cinemascope presentation. What a night! Unforgettable in its mangy charm and an intro into the glamorous world of second rate showbiz to which I am still magnetized today. As a result I have a special place in my heart for this gloriously awful musical. All I can say was that the opening night crowd fled into the darkness after the last reel flapped off the projector. Some even promised to return and asked what was on next week: "MAME ...with Lucy" I grinned as I locked the door. Somehow the business survived and I even got to showcase AT LONG LAST LOVE the next year. LOST HORIZON was quite successful in Australia and was first released in Sydney as presented in 70mm for 13 weeks.... families liked it and for a while it was considered the sort of Brady Bunch family sort of musical. I just wanted to open my crummy seaside cinema with something nice. So I did and thank Neptune the locals forgave me. I deliciously look forward to the DVD release with the infamous deleted scenes, especially the legendary diaper dance with the guys swinging teapots and extended versions of Bobby Van leaping about with Liv Ullman. Am I correct in believing this was Ross Hunter's last production?

This movie is one on the forgotten musicals. The Burt Bacharach-Hal David music alone is worth the price of the film. Almost all reviewers say it is a bomb, but after seeing it three times it grows on you. The music is TERIFFIC!

While the songs and dance numbers, in general, aren't as strong as many would have them be, the film's storyline and message are still there and ring out loudly above the simple 70s-style musical numbers.

Keeping in mind that this film was made after the Hollywood Musical had nearly died out (with few exceptions being rock musicals), the audiences that went to see it new didn't appreciate the fact that it was a brave attempt at something that hadn't been done to date. Audiences that see it today will tend to judge it against the films and musicals of today and, perhaps, the huge all-star casts of musicals gone past. But to do that to this film, or any for that matter, is an injustice to the film itself.

There are some good musical moments in the film. The first is that of Bobby Van. Mr. Van took his role of Harry Lovett just after closing a 2 year Tony nominated (for best actor) run of the Broadway revival, "No, No, Nanette." He is a song-and-dance-man from way back and, honestly, the only one in the cast that was truly talented and experienced for musicals. He never misses a step in his "Question Me An Answer" and rightly so ... he was totally at home as Harry. Other pleasant numbers are done by Olivia Hussey when she welcomes the new visitors and while the lyrics are weak, James Shigeta shows his strong voice in the "Family" song, as well as a nicely done staging of the full piece.

View the film for what it is ... a fantasy about a place where you never grow old, hidden in the ice and snow covered mountains of Tibet, found by a group of unsuspecting modern-day people wrapped up in the strife of any modern culture. Take this and compare it to reality and you get a film that falls short of a goal. But ... take this film for the message of love and peace and tranquility and brotherly love and you get a warm and refreshing message and a positive one at that.

To some this film may seem corny to others a welcomed release from the hectic pace of reality. To the first, try to not judge and just enjoy the message. To the second, you have discovered the secret of Shangri-La!

The musical remake of 'Lost Horizon' has been almost uniformly panned over the years and has long been unavailable on home video. So is it really that bad? Comparisons with the 1937 Ronald Colman classic aside, this Bacharach-David musical starts as an adventure story and only moves into song and dance fantasy about 45 minutes into the film, when the mixed bag of plane crash survivors (Peter Finch, Michael York, Sally Kellerman, George Kennedy, Bobby Van) discover Shangri-La, led by Oxford graduate Chang (John Gielgud) and the High Lama (Charles Boyer).

So the cast looks strong - and in Shangri-La is boosted by wimpy Olivia Hussey and pouty Liv Ullmann. But aside from Van there's no one with experience of musicals. More of that later.

The songs are not that memorable, aside from the melody which first introduces the fantasy village up in the mountains. The staging of musical numbers, by Fred Astaire's associate Hermes Pan, aren't that fascinating. However, there is still enough here to keep you watching: but whether it is from the impulse to watch a real turkey unfolding or from a need to watch the story to the end, I'm not sure.

I wouldn't really class this as a musical; there are too few songs. And Finch in particular is wasted in this although he plays his part dead straight.

The remake of Lost Horizon is a misfire, but not completely awful. Some criticisms of this film are justified, but by no means all. Give it a go and make up your own mind.