Il plenilunio delle vergini

Unlike the only other reviewer of this title, I thought this was quite terrific. Actually I was amazed at how good it is.

My overall impression was of a film that had a Hammer vibe, with a couple twists - the twists being more blood (though there's not a tremendous amount), and more overt nudity (several topless shots).

Other than that it is as good - and silly - as Hammer vampire flicks of the day. Sure the plot is a bit daft, the whole thing turns on possession of an ancient ring, but what do you expect from a vampire film of this era? It didn't matter to me at all.

The copy I saw was from tape, so the quality wasn't great. Never mind though, seeing it was better than missing out.

As for the previously mentioned "lesbian" sequences, they're tame, and along the lines of the classic Hammer film "The Vampire Lovers".

So, if you're a Hammer fan who doesn't mind a slight Euro influence on the ambiance, then this is a film you simply must seek out. I think it's terrific and would buy a remastered edition in a heart beat.

There are roughly 18,262 days in a 50-year period. Thus, I would have to say that the odds of twin brothers Karl and Franz Schiller, in the 1978 Eurosleaze horror flick "The Devil's Wedding Night," arriving at the castle of Countess Dolingen de Vries in Transylvania on the one night in 50 years when village virgins are sacrificed is, well, 18,262 to 1. Still, the viewer can well imagine on which night they DO arrive: that's right, the Night of the Virgin Moon! In their quest for Wagner's legendary Ring of the Nibelungen, which gives its owner almost limitless powers, the brothers (well played, I suppose, by Mark Damon) run afoul of not only the beautiful vampiric countess, but her castleful of zombie retainers, as well. In the role of the countess we have the perfect 10 Eurobabe Rosalba Neri (here called Sara Bay, for some reason), an actress who I only recently became enamored of after admiring her performance as the doomed nymphomaniac in 1971's "Slaughter Hotel." Rosalba, though a talented thespian (and, in this film, lesbian) and much more than just a gorgeous face, nonetheless still looks incredible here, especially when streaked with blood and rising out of a steaming vat. She easily flaps away with the film. But there are still other, modest pleasures to be had here, in a film that ultimately comes off as sleazy shlock. Like another Italian film that I recently saw, 1960's "Mill of the Stone Women," "The Devil's Wedding Night" features a disorienting, drug-induced, psychedelic freakout sequence that comes roughly halfway in. Director Luigi Batzella and composer Vasili Kojucharov's contributions do create a film with some creepy atmosphere, and for all you hound dogs out there, the five virgins that are called to the castle, stripped and butchered are quite a toothsome lot. In all, certainly not a classic or even very good film, but still fun. Unfortunately, this DVD from Shout Factory showcases a very damaged-looking print that is only just barely watchable, and with no extras to speak of other than some snide comments from Elvira. Even this sleazy piece of Eurohorror deserves a better treatment!

Two brothers searching in Transylvania for the legendary 'Ring of Nibelungen' fall under the spell of the sexy and evil Countess De Vries(Rosalba Neri)who uses the ring to attract the local virgins to her foreboding castle where they fall victim to her bloody rituals.This soft core piece of Italian erotica offers plenty of sleaze and nudity.Rosalba Neri is the convincing bloodsucker that spends much of the film in an advanced state of undress.In one memorable scene the Countess writhes around in a coffin in the pink while the faithful maid slowly pours a pitcher of fresh virgin blood over her naked body.Unfortunately the action is quite dull and there is almost no suspense.Still if you like lesbian vampire movies you can give it a look.7 out of 10.

This movie has as much life as the Countess's zombie housekeeper. Even Rosalba Neri's hot body couldn't get things exciting. But. then the housekeeper (Rosalba Neri) bathes the Countess in hot blood, and it gets a little steamier.

But, the real deal in this Italian classic is Dracula's ring. With it, the Countess summons young maidens from the village to fulfill her needs. She is a real hero to me in that she doesn't seek power or glory or riches, just young maidens to frolic with before she drinks and bathes in their blood. Bwa ha ha ha. And it's not just a single serving for the Countess, she orders in a five-pack, then does the funky chicken, and, voilà, 10 perfect breasts, extra spicy Italian-style. Yum.

Now, she must just avoid the evil Herr Schiller (Mark Damon), who wants to take her hand for his own purposes.

They don't make them like this anymore.

Some bright red gore, the naked charms of several sexy women, including star Rosalba Neri, and a few unintentional laughs are the main attractions of this otherwise rather tedious vampiric potboiler. Appearing opposite a bland Mark Damon, Neri plays bride of Dracula La Contessa Dolingen de Vries, who uses the fabled ring of the Nibelungen to lure virgins to her castle. Damon plays dual roles (when he isn't really up to just the one), that of archaeologist Franz Schiller, who goes to the castle in search of the ring, and of his twin brother Karl, who follows, too late to save his sibling but not too late to end the Contessa's reign of terror.

As is often the case in such Gothic Euro horror, there's an awful lot of wandering around the castle, with an obligatory storm raging overhead, all of which is fairly mundane, but at least director Luigi Batzella sees fit to punctuate the boredom with the occasional spot of sleaze: the Contessa has sex with Franz, giving the viewer a good eyeful of Neri's bod; Neri also gets naked whilst taking a blood bath, the red stuff poured all over her chest by faithful housemaid Lara (Esmeralda Barros); the Contessa and Lara have a lesbian romp; and five virgins are stripped naked before being stabbed in the neck, their blood gushing over their bare breasts. All good stuff.

Also reasonably fun: the fight between Karl and a bald hunchbacked vampire; the trippy laughing scene (I haven't a clue what that was all about); Karl hacking off the Contessa's hand; the Contessa turning into a huge bat to attack comely innkeeper's daughter Tanya (Francesca Romana Davila); and the silly surprise ending.

5.5 out of 10, rounded up to 6 for the hilarious moment when the Contessa holds up the magical ring to Karl and he starts to do Tai Chi. At least that's what it looked like to me.