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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.
Robert J. Wilke
- Deaks
- (as Robert Wilke)
Trama
Lo sapevi?
- QuizIn 1972-73, Edward Platt ("The Chief" in Get Smart - Un detective tutto da ridere (1965)) raised enough money to produce this film, which was one of the first independent color movies shot partially on videotape. It was actually the first western to use videotape on location. Platt saw the many advantages of using videotape rather than film, and his crew shot the production with portable TV cameras (Norelco PCP-70 NTSC analog television system and the Philips PC-70 studio color camera) along with the Ampex VR-3000 two-inch portable video tape recorder). Once completed, the images were transferred to 35mm film format for it's theatrical release.
- Versioni alternativeThe UK video version was cut by 4 secs to remove a horse-fall.
- Colonne sonoreJody
Music by Don Randi
Lyrics by Bob Silver & Pete Willcox
Performed by The Raiders, featuring Paul Revere & Mark Lindsay
Recensione in evidenza
Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
- bkoganbing
- 18 mar 2008
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By what name was Vivo quanto basta per ammazzarti (1973) officially released in India in English?
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