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Zanjeer review :

"Jab tak baithne ko na kaha jaye, sharaafat se khade raho. Yeh Police station hai, tumhare BAAP ka ghar nahi"

When Pran Saahab's Sher Khan had to eat humble pie to a lanky police officer whose eyes spoke volumes, a super star was born.

Prakash Mehra's Zanjeer gave India its first angry young man. Playing an upright cop who is battling his troubled childhood memory, Amitabh Bachchan was just the kind of the hero the aam junta of that time was looking to celebrate. After all, he epitomised their frustrations and angst against the system.

Salim Javed's script may seem tailor made for Bachchan today but Zanjeer was a film rejected by many reigning superstars from Rajkumar to Dev Anand before landing in Amitabh's lap.

Ajit played the sophisticated Teja whose Mona darling jokes are still popular. I am particularly fond of the restaurant scene where Amitabh goes to meet Teja and Mona (Bindu) having their dinner.

"Khana khate waqt cigarette peena bahut buri baat hai"

Punchy dialogues, perfect plot and an angry Amitabh. Thats the immortal Zanjeer!!

Regards, Sumeet Nadkarni.

This is a unique movie (well, until every director started to copy the theme).

I don't think I need to comment on the story, it's good though. This is Amitabh's first hit, and he's been on top of the movie industry since then, and did an excellent job as usual. Everyone played their roles very well, and acting wise nothing is wrong. The only thing is if you're like me, you'll think there's a little bit too much violence. Actually, Amitabh got hurt during the shooting and when he was asked he acted like nothing had happened. But later Prakash Mehra felt his head and there was a large bump on it...AB is very dedicated obviously.

But excellent songs! KA are wonderful music directors! An entertaining movie, a must see, and you just have to listen to the superbly composed title music.

Unbelieveable!

Zanjeer (The Chain) is the film where Amitabh Bachchan made the breakthrough from being an established actor to superstardom, and where the trend was set towards the revenge film in Indian cinema. Amitabh's Angry Young Man character was born in this film in his brilliant portrayal of the brooding, temperamental Vijay who is haunted by a recurrent nightmare. Indeed, his performance as a disturbed, vengeful young man propelled him to new heights, such that he was at the top of many directors' wanted list for at least a decade afterwards. Interestingly, the role was rejected by several stars of the early 70s before being offered to Amitabh, illustrating how luck can play a part in a career's success or failure. Who knows what different turns Bachchan's career would have taken had he not had the chance to play Vijay, the young man with chips on both shoulders. Surely his talent would have found an outlet somewhere, but would he have made such a ground breaking impact in any other role?

Zanjeer is certainly not all about one actor, and a strong cast showcase their talents to the full. The greatest character actor of all time in Indian cinema, Pran, gives a very enjoyable performance as Vijay's loyal friend, Sher Khan. As ever, Pran's attention to detail and willingness to 'live the character' is immediately obvious and doubtless he will have researched the Pathan dialects to deliver a richly authentic performance. Jaya Badhuri cleverly plays the sassy knife sharpener with great depth and sensitivity. Ajit is no conventional villain: not the hothead that is seen in so many Indian movies; instead he is cold and cruel but nevertheless, quintessentially evil. Even Iftekhar's cameo as Vijay's boss, the Police Commissioner is worthy of praise.

This classic thriller is tightly scripted by Javed Akhtar, and never loses its pace thanks to Salim Khan's screenplay and Prakash Mehra's clever direction and the richly talented cast. It has a high octane tension which is sustained throughout. An example of this is in Vijay's visit to the party when the gangster's moll (played by Bindu) seeks to seduce Vijay in the raunchy number Dil Jalon Ka. The posturing of the unimpressed Vijay and Teja (Ajit), the cool, calculating tycoon and his cronies with the backdrop of the gyrating Bindu and superb musical score are captured expertly by a circling camera team. Mehra achieves all this without being overly melodramatic, something that might not be said of one of his other big hits, Muqaddar Ka Sikander, and that is very much to Zanjeer's benefit.

There are several haunting, dark moments in this film which last long in the memory. The initial murder scene against the backdrop of the firecrackers of the Diwali celebrations, as well as Vijay's nightmare of the black hooded rider atop a galloping white horse are enduring images which immediately spring to mind. The film is essentially dark in mood and many of the images - the inner city back streets and railway sidings give it a real gritty feel - and yet in contrast, many of the scenes are shot in bright daylight. Mehra's attention to detail influences all aspects of the film, giving it a rich texture, quite literally in some cases! Vijay's costumes are very early 70s Western chic, without going over the top, and the Pathan, Sher Khan (Pran), wears authentic cultural dress.

The enjoyment of this film is slightly detracted from in a couple of scenes, as the cropping of the edges of the film mean that facial expressions of the leading characters are missed. This does not detract from the fact that Zanjeer is pure, carefully crafted art and that this seminal film is essential viewing for anyone with an interest in Indian cinema.

As a kid, little Vijay, while hiding in a wardrobe, witnessed his parents' assassination by Teja, a man who was a member of a mafia group Vijay's father was a part of and retired. Vijay was adopted by a police officer and as he grew up, he himself became a hot-blooded policeman. Vijay does not remember Teja. He only vaguely remembers the murderer's golden chain with a white horse hanging on it.

That's the story of Prakash Mehra's Zanjeer, an action-packed drama and one of the first films which shot the leading actor Amitabh Bachchan to fame. Zanjeer is an entertaining movie, and the story is interesting and well told. The direction is also pretty good. The characters are well-written. Bachchan's character is that of a very serious and uncompromising young man who takes crime as a personal affront and is thus often put in trouble with his superiors.

The film has several actors supporting Bachchan, including Jaya Bhaduri, his real-life future-wife, who plays the sassy and lovely Mala. The chemistry between the two is wonderful as always. Pran, also an actor who frequently collaborated with Bachchan, plays Sher Khan, a kind-hearted, brave and smart man who befriends Vijay in some unusual circumstances and supports him in every step throughout the film. Om Prakash also appears in a small but important role of a drunkard who is also Vijay's informant.

Bachchan is excellent as Vijay. It's easy to see why this was a star-turning performance for this towering actor. He is restrained and inhibited and brilliantly displays his character's internal turmoil and fear. Jaya Bhaduri is absolutely charming and natural as Mala, and it's nice to see her transform so convincingly from a vivacious girl to a mature and supportive wife. Pran is brilliant in his rather unusual role. Om Prakash is good in his role of a traumatised man. Bindu makes her usual vamp act, and Ajit is okay as Teja.

Zanjeer is an enjoyable and well-made film. It is at times a bit unsettling and disturbing but it is generally well-executed, well-narrated and well-acted. The film's music is also very nice, though the cabaret number was a bit annoying. I liked it that no songs were given to Bachchan. It only contributed to his serious image in the film. In its favour it can also be said that the film is devoid of too much melodrama, though it is not very realistic in the last portions. Anyway, this is a good, classic Hindi movie, I recommend you to watch it.

My dad made me see this when i was a kid. Obviously it is outdated but some of the 70's era clothes n hairstyles are hilarious. The zoom shots to an actor's face is funny and the editing is lousy. It is slow at times but hang in there. Bachan is excellent. His angry n serious facial expressions, dialogue delivery n above all his screen presence is awesome. Bachan displayed the character's internal turmoil very well. The action choreography is again lousy. Also noteworthy is Pran, another magnificent character actor. He was solid as the fearless Pathan n his song about friendship is memorable. The villain, Ajith was good too.