I missili di ottobre

I find this movie now on DVD one of the most compelling works of art it has ever been my pleasure to behold. This movie is from the less is more school. No high tech camera angles and silly special effects get in your way here. No stupid insipid love story tangles its way through the plot where some couple must give you today's obligatory R Rated steamy love scene at some point when you just wished the action would go on. This movie is just cold hearts, raw nerves, hardened steal will's of both sides exposed in abundance as the world of the early 1960's creeped toward thermonuclear oblivion in the Cuban Missile Crisis.

Brinksmanship and a world tittering on the brink of a testosterone cliff a fall from which guranteed no return to life as it existed before is what this movie was about. Missiles of October is told in a play format. The sets are obviously sets so you do not waste your time on the decorations of the people or the places. You simply are given a reference of where you are by the set. The real action is the dialogue the intrique in the tangled the goings on. This movie works on a level of raw emotion. The missiles of October is a movie stripped bare of the heavy syrup and confectionary sugar laden movies of today. The Missiles of October does not spoon feed the audience each moment of their movie experience till only one rather inexcapable formulalic conclusion offered by the screen writer can be reached.

The Cuban Missile Crisis was a series of mis-steps wrong judgement calls and finally at the 11th hour some common sense where. In this movie both sides The Soviet Union and the United States had to get off their high horses and admit we together do not want to end human kinds existence as a species on this earth and take almost every other living thing with us as we exit. The fact that the set's look deliberately cheesy and the acting is done as a play just makes the truly superior acting stand out and grab you all that much more. Oh to say I was pleased with The Missiles of October is to dabble in understatement up past your neck for I in all ways loved it such that I can not be without two copies of this in my home. One to watch and one to keep in a safe fire resistant place. The Missile's of October blew me away because it is true, this happened in real life. I was just a baby at the time but I lived through this time. This movie in play format is awesome because the acting was first rate and people this was high drama life or death stakes would have affected all of us had it gone wrong because it was all real life baby and no movie gets any better than that in my humble opinion.

Oh and its like way educational too so buy this one its one of the WOLF's major must haves like number one on my serious subjects list.

This is the best docudrama, and quite possibly the best drama, ever made. Forget the blatant revisionism of the Kennedies that's come in vogue, The Missilies of October is the real story of how Jack Kennedy and Nikita Khruschev faced down their generals and conservative wings and pulled the world back from the brink of Armageddon.

Just before the missile crisis breaks, Kennedy read The Guns of October – an historical work about how the great powers simply stumbled into World War I. It wasn't inevitable; it could have been avoided, but no country would give another room to back down without appearing to capitulate.

Bobby Kennedy plays the whip to bring the powerful and contentious men who make up JFK's cabinet, political allies and military leadership into an uneasy consensus around a blockade of Cuba, instead of an invasion. JFK gives Khruschev room to maneuver at every turn, and Khruschev is smart enough to see these openings and take them. Neither side gets what it wants; both sides get what they can live with.

Ralph Bellamy, Nehemiah Persoff, John Dehner, Andrew Duggan, Peter Donat, Dana Elcar, Stewart Moss, Harris Yulin and more give excellent performances. William DeVane as JFK, Martin Sheen as RFK and Howard DaSilva as Khruschev are absolutely brilliant. The script and direction are equal to the fine performances of the cast.

Watch this movie and ponder where we'd be if the Bush cabinet had learned these lessons before they started playing power politics.

Superseded in recent years by the Hollywood production "Thirteen Days" starring Kevin Costner, this 1974 made-for-TV movie was for years the best available dramatization of the 1962 Cuban Missile Crisis. A compelling presentation, it has the feel of watching live theater. Although we know more of the historical facts now regarding this particular event in history, this film should still be watched. What I like best about the film, however, is this: In my opinion, William Devane does a better job portraying President John F. Kennedy than any other actor I've ever seen. He's simply excellent! I would like to have seen him do JFK in a bigger production. Interestingly, Martin Sheen, who plays Robert F. Kennedy in this film, later played JFK in a TV miniseries that came out on the 20th anniversary of the assassination (1983). Now, of course, Sheen plays the fictional President Bartlet in the popular TV series "West Wing". Overall, Devane is much better in this film and, compared with Sheen's later work, Devane is a much more convincing JFK.

Some have berated the "The Missiles of October" for being over-long. Nonsense! (One genius who complained did, however, like the performance of "Marin Short". Sounds like a 12 year-old. Hey, maybe he is!) It would have been over-long if it were a boring story with boring performances. But "The Missiles of October" is neither. The story is, of course, riveting, whether you were around during the early sixties or not. And the performances - the guy who cast the three main characters, JFK (William Devane), RFK (Martin Sheen) and Khrushchev (Howard Da Silva), should have got an Emmy. Martin Sheen may have over-done Bobby Kennedy a bit, but it should be noted, that RFK's "Kennedy accent" was much thicker than JFK's, almost to the point of self-caricature.

Nor is the film "dated," as another reviewer would have it. The TV claustrophobic atmosphere is in perfect keeping with the tight, closed, suffocating tension which actually existed in the real situation. The crisis did not occur out of doors, or in halls - it occurred in a few rooms.

"The Missiles of October" possesses the hallmark of classic drama: though you may know how it ends, you want to watch it again and again.

This is probably the best filmed analysis ever of the events of October, 1962; as both a dramatic story and filmed history, it rises far above the recent Kenvin Costner movie "Thirteen Days", which was about the same cataclysmic event.

Significant in this version of the Cuban Missile Crisis is the portrayal of Nikita Khrushchev and his advisors, showing us some (though obviously not all) of the high level discussions on the Soviet side of the fence. The late Howard Da Silva is remarkably expressive as Khrushchev and Nehemiah Persoff excellent as Andrei Gromyko, his foreign minister.

Other cast standouts include the late John Dehner as Dean Acheson; Martin Sheen as Robert F. Kennedy; Andrew Duggan as JCS Chairman Maxwell Taylor; Ralph Bellamy as Adlai Stevenson; and, in a performance unmatched elsewhere by anyone, William Devane as John F. Kennedy.

Although anyone viewing this movie should be warned that this is docudrama and that the real history of the Cuban Missile Crisis is far more complex than even this movie shows us, it is one of, if not the, best historical recreation TV has ever given us. A definite must-see for anyone truly interested in cold-war politics.