The Specialist

After his best corporate client switches to another attorney named "Jerry Bounds" (Adam West), a powerful lawyer by the name of "Pike Smith" (John Anderson) seeks out a private detective named "Alec Sharkey" (Howard Avedis) for help in this matter. To that effect, not only does Sharkey agree to monitor his rival's movements, but he also suggests that they hire a beautiful female named "Londa Wyeth" (Ahna Capri) to lure Jerry into a compromising position to subsequently destroy his law practice. For his part, Jerry does everything he can to stay faithful to his wife "Elizabeth Bounds" (Marlene Schmidt) but Londa is a professional and she knows how to seduce a man. Now, rather than reveal any more, I will just say that at first, I thought this movie was a light-hearted action film, but things changed rather abruptly around the midpoint, and everything became quite serious after that. It didn't flow together very well at all. Throw in a an extremely weak script and the final product wasn't that good and I have rated it accordingly. Below average.

This was really a surprise for me. Knowing this was made by Crown International in the 70's, I expected a fun, sleazy good time. Instead I found this to be a stiff, talky courtroom piece, with little going for it other than Adam West uttering a couple of vulgarities and a fun title tune by Lou Rawls. I'd really like to see how this film was sold to audiences at the time, as it plays like an R-rated episode of MATLOCK. How did Crown International get theaters who were used to their mix of vans, cheerleaders and beach babes, to show a semi-serious drama about jury tampering? Beware....

The Specialist is another release from B-movie producers Crown International Pictures. It's about the unethical relationship a lawyer develops with a female juror assigned to a case he is working on. Unbeknownst to him, she is a plant who has been hired to have an affair with him under the instructions of the opposing lawyer in the case. She is the specialist of the title, a professional seductress / femme fatale.

This one features Adam West, the TV Batman, in the central role. It's a film with considerably more promise than delivery. As while the basic set-up is quite good, the execution is very underwhelming. It's sort of part courtroom drama, part thriller and part comedy, without ever really focusing on any particular genre enough to do it justice. It's probably a bit too talky for its own good too and, overall, it doesn't ultimately deliver very much. It does however have an unexpectedly decent funky soundtrack which wouldn't have sounded out of place in a Blaxploitation flick and it also features an unexpectedly nihilistic ending which some people seem to hate but which I though was the best, and most distinctive, individual aspect pertaining to the movie overall.

This movie......it tries to be an intriguing thriller regarding local politics but it mostly is sitting around and waiting for the plot to get going which it seems to never do. The story isn't interesting enough on its own to have so little action keeping the viewer engaged and there is very little action. I know they show production stills of Adam West in character pointing a gun but I can't remember much besides vague footage shot in a planned suburban community and a court.

Frankly, the only scene I remember clearly since last seeing this is a slow-motion shot of a window being broken. That's about it. It's lousy and best not remembered much more clearly than I am remembering it now. This came out shortly after Chinatown was a big hit. At its heart that was a story about corruption in local politics like this movie but they have nothing else in common.

This Crown International Picture is unusual in that unlike most of its drive in movies, this effort takes itself much more seriously than usual. Oh, there are a few humorous moments (unintentional as well as intentional), and the movie does deliver a few scenes that display T and A, but otherwise the movie is surprisingly sober. I don't immediately object to the fact the filmmakers took this project more seriously, but I object to the way they depicted this serious story. The main problem is that the movie moves much too slow for its own good; a little jolt would have liven things up considerably. Also, Adam West gives a pretty poor performance, and his character gets much of the focus. The Lou Rawles-sung title song is great, and the movie has an unexpected ending, but more likely than not you'll drift to sleep long before the end credits start unfolding.