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Le dernier combat

Titolo originale: Le Dernier Combat
  • 1983
  • R
  • 1h 32min
VALUTAZIONE IMDb
6,7/10
6865
LA TUA VALUTAZIONE
Le dernier combat (1983)
Fantascienza distopicaFantascienza

In un futuro post-apocalittico in cui nessuno è in grado di parlare, i pochi umani rimasti combattono per le risorse per sopravvivere.In un futuro post-apocalittico in cui nessuno è in grado di parlare, i pochi umani rimasti combattono per le risorse per sopravvivere.In un futuro post-apocalittico in cui nessuno è in grado di parlare, i pochi umani rimasti combattono per le risorse per sopravvivere.

  • Regia
    • Luc Besson
  • Sceneggiatura
    • Luc Besson
    • Pierre Jolivet
  • Star
    • Pierre Jolivet
    • Jean Bouise
    • Jean Reno
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    6865
    LA TUA VALUTAZIONE
    • Regia
      • Luc Besson
    • Sceneggiatura
      • Luc Besson
      • Pierre Jolivet
    • Star
      • Pierre Jolivet
      • Jean Bouise
      • Jean Reno
    • 40Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 4 candidature totali

    Foto130

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    Interpreti principali13

    Modifica
    Pierre Jolivet
    Pierre Jolivet
    • The Man
    Jean Bouise
    Jean Bouise
    • The Doctor
    Jean Reno
    Jean Reno
    • The Brute
    Fritz Wepper
    Fritz Wepper
    • Captain
    Christiane Krüger
    Christiane Krüger
    • Captain's Concubine
    Maurice Lamy
    Maurice Lamy
    • Dwarf
    Pierre Carrive
    • Captain's Man
    Jean-Michel Castanié
    • Captain's Man
    Michel Doset
    • Captain's Man
    Bernard Havet
    • Captain's Man
    Marcel Berthomier
    • Captain's Man
    Petra Müller
    • Woman in the Cell
    Garry Jode
    • Captain's Man
    • Regia
      • Luc Besson
    • Sceneggiatura
      • Luc Besson
      • Pierre Jolivet
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti40

    6,76.8K
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    Recensioni in evidenza

    8xsfanning

    Fantastic film!

    I thought Besson's film managed to do without words what few films have been able to do with them; Capture true human emotions. The main character's struggles, triumphs, set backs, hopes and desires are all so honestly shown that you wonder if he is acting at all. The film has a low budget and is obviously made without the glitz and glamour afforded to most Hollywood productions but that minimalism is what allows this film to transcend the stereotypical Sci-Fi labeling and become a true drama. However calling this film solely a drama would take away from the fantastic post-apocalyptic plot. True this type of movie has been done been before but I think this one captures the joys and sorrows of that type of world possibly better than any other one does.
    Baroque

    A French "Mad Max"?

    Not exactly. This is a most unusual film. Shot in widescreen and black and white, with Dolby stereo and only one whispered bit of dialogue. The world is in ruins, and our main character (credited as "The Man"), makes his escape from a band of looters by stealing their prized possession, a fully charged automobile battery, and uses it to power his ultra-light plane out of the ruins of the city.

    In his travels, he comes across a doctor, with whom he communicates non-verbally (apparently, the atmosphere is so polluted, the human race is rendered mute), and confronts another man, a clumsy, self-styled "barbarian of the wastelands" who wields a sword as if it were a broom.

    One of Luc Besson's early works, it is as original as it is imaginative. I had the fortune of seeing it on a wide motion picture screen in New York City. I still haven't forgotten it. Yes, I know that the end of the world makes for a strange concept for an art film from France, but Besson makes this unlikely premise work to perfection.

    Highly recommended.
    roky-erickson

    great post-apocalypse story

    no way it would get greenlighted in hollywood today oh my gosh a movie that doesn't use it's dialogue to explain the plot?? great story everyone has lost their ability to speak. the hero is a man trying to survive in post war europe. he escapes a gang in a homemade plane and finds a doctor hiding a "secret" then he helps him fight off a "brute" played well by jean reno. the movie even has raining fish. how could you not like that ? this movie gives us a peek at luc besson's talent. before la femme nikita, and leon watch this with an open mind I would like to see someone pitch this idea to hollywood and see what would happen today
    6Yaaatoob

    A flawed, but innovative take on the post-apocalypse.

    Shot entirely in black and white and set in a barely inhabited post- apocalyptic world where the atmosphere has rendered humanity mute, Luc Besson's feature length début was nothing short of ambitious. The plot ostensibly follows The Man as he scavenges for parts to keep his light aircraft in repair - venturing out into the wasteland he stumbles across a hospital where he meets The Doctor, a man living in fear of The Brute (played by Jean Reno) who is attempting to gain entry to the hospital and kill the Doctor. Through non-verbal communication, The Man and The Doctor come to help each other in an attempt to survive and keep The Brute at bay. Despite the innovative premise and stark, stylish beauty of Besson's direction, the film moves at an odd pace whereby it's more confusion and intrigue that keeps the viewer watching, rather than for any substance of character or story. The daring decision to have next to no intelligible dialogue throughout doesn't help matters, as the viewer is left to piece together the characters motives without explanation, but it's the score (the epitome of awful 80's synth soundtracks) more than anything else that dates the film and hindered this viewers enjoyment. While still worth checking out for any fans of Besson, the post-apocalyptic genre and cinema in general, it's not the easiest of films to watch, but one that rewards the viewer in spades through Besson's fantastic direction.
    8Dockelektro

    The embryo of a genius

    I still can't describe what to feel when I received this by the fnac site. Such a rare movie, so little spoken and known, is difficult to find, even to fans, but the contrast betwen past and present is devastating: now I hold a DVD of the movie, with the finest quality possible. As I did in Atlantis, the other rare Besson movie I bought by the internet, I saw this one at home, with all the lights of my dvd and tv turned off, and marveled at the experience. I didn't know what to expect. Wickedly, I always searched some kind of disappointment when I saw a film by Luc Besson I never had seen before. But it never came. This movie was no exception. From the start, I understood that the person who makes a film like this as a first feature is destined to be big in the future. And so it happened. This won several prizes (including the highest prize in a film festival of my country, which makes me proud) and it shows that this movie is preparating many bigger things. This may be the most original after-the-war movie I have ever seen, beating Mad Max in originality and artistic feel. There is not a problem with this movie: its cinematography is genius, as well the perfomances of the actors. I am also proud to say that finally I saw all the movies of my favorite director, and have a copy of almost all of them (Joan of Arc is still waiting for me to buy the DVD). This movie is most of all a work of style and dedication, which makes clear why Luc Besson is a director of my choice: good taste, beautiful framing, excellent use of music (I also marveled at Eric Serra's first feature-length score) and the promise of great achievements. Gaumont did well to bet in its boy-genius, the man who would later change the face of France's and Europe's relation between movies and their public. Let's hope Besson starts working in a new directorial project. I will be the first to cheer it. Until then, I recommend this movie to anyone who need to learn a lesson of how good movies are made with little money. I loved the atmosphere of the movie, which, by its black and white cinematography, suggests us an even more depressed view of the world after the holocaust. This movie works by the sheer magic of movies: showing in pictures what we can't explain by words. And I'm with all the people who wrote comments to this movie and liked it: good choice! A great hug to everyone who sees this and feels that a little of their lives were changed.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Only two words are spoken during this film.
    • Citazioni

      [the film's only line of dialogue]

      The Doctor: [whispering] Bon... jour...

      The Man: [whispering] Bon... jour...

    • Connessioni
      Featured in Cento e una notte (1995)
    • Colonne sonore
      Parking
      Written by Éric Serra

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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 6 aprile 1983 (Francia)
    • Paese di origine
      • Francia
    • Lingue
      • Francese
      • Nessuna
    • Celebre anche come
      • The Last Battle
    • Luoghi delle riprese
      • Dune du Pyla, Pyla-sur-Mer, Gironde, Francia
    • Azienda produttrice
      • Les Films du Loup
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 17.000.000 FRF (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 32min(92 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 2.35 : 1

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