VALUTAZIONE IMDb
6,6/10
1462
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA gay bar is hit by a group of sociopaths, and all the patrons are killed except for one man who escapes and takes refuge in an apartment occupied by a group of friends, who will do anything... Leggi tuttoA gay bar is hit by a group of sociopaths, and all the patrons are killed except for one man who escapes and takes refuge in an apartment occupied by a group of friends, who will do anything they can to protect him and survive the siege.A gay bar is hit by a group of sociopaths, and all the patrons are killed except for one man who escapes and takes refuge in an apartment occupied by a group of friends, who will do anything they can to protect him and survive the siege.
- Regia
- Sceneggiatura
- Star
Daryl Haney
- Chester
- (as Darel Haeny)
Terry-David Després
- Daniel
- (as Terry-David Despres)
Richard Collins
- Rosie
- (as Rick Collins)
Allison Outhit
- Punk
- (as Alison Outhit)
Recensioni in evidenza
This was a film I'd never even heard of until Shudder put it on their lineup and what a treat it is. It's clearly low budget, but has a lot of energy and spark as it details a siege in a gay bar where the survivor runs away into the night and takes shelter with a kind couple and their friends. The gang returns and wages an all-out battle.
It has its flaws and the pacing could be tighter, but I'm surprised this one isn't very well remembered. It seems more relevant now than ever.
It has its flaws and the pacing could be tighter, but I'm surprised this one isn't very well remembered. It seems more relevant now than ever.
One helluva good time. Gritty and chock full of spine-tingling suspense. Borrows a lot from Assault on Precinct 13 but manages to conjure plenty of creativity. A stellar choice to throw into a late-night movie bingeing session.
A gritty little early-80s exploitation film from Canada, Siege captures the look and feel of similar movies of the day (Assault on Precinct 13, The Warriors, Death Wish 3), but ultimately fails to capitalise on its interesting premise.
The movie opens with news reports of a police strike in Halifax, Nova Scotia. A gang of right-wing extremists take advantage of the lack of law enforcement by launching an attack on the members of a down-town gay bar, which results in the massacre of all but one of the bar's clientèle. The sole survivor, Daniel, escapes but is pursued by the gang, until he manages to find refuge with some friendly people in a tenement block. What follows is a night of terror, as the killers attempt to break into the building and finish their job.
This low budget action thriller starts off promisingly with the brutal slayings in the bar, but, due to a handful of ridiculous plot turns and some pretty poor acting, it quickly loses any credibility it might have had. And when it is revealed that one of the good guys is a survivalist who not only has his apartment linked to his neighbours' by a handy secret passage, but also has access to a range of weaponry, the film takes a step too far into the realms of unbelievability and is unable to claw its way back.
Despite a couple of nifty scenes in which the ingenious heroes set traps for the bad guys, and one or two gruesome deaths (an arrow through the neck is the gory highlight; the silly home-made rocket launcher the most ludicrous), Siege only manages to be an average entry in the urban survivalist sub-genre.
The movie opens with news reports of a police strike in Halifax, Nova Scotia. A gang of right-wing extremists take advantage of the lack of law enforcement by launching an attack on the members of a down-town gay bar, which results in the massacre of all but one of the bar's clientèle. The sole survivor, Daniel, escapes but is pursued by the gang, until he manages to find refuge with some friendly people in a tenement block. What follows is a night of terror, as the killers attempt to break into the building and finish their job.
This low budget action thriller starts off promisingly with the brutal slayings in the bar, but, due to a handful of ridiculous plot turns and some pretty poor acting, it quickly loses any credibility it might have had. And when it is revealed that one of the good guys is a survivalist who not only has his apartment linked to his neighbours' by a handy secret passage, but also has access to a range of weaponry, the film takes a step too far into the realms of unbelievability and is unable to claw its way back.
Despite a couple of nifty scenes in which the ingenious heroes set traps for the bad guys, and one or two gruesome deaths (an arrow through the neck is the gory highlight; the silly home-made rocket launcher the most ludicrous), Siege only manages to be an average entry in the urban survivalist sub-genre.
It's hard not to see the parallels between this film and the likes of RIO BRAVO or the the above mentioned John Carpenter film. This film isn't perfect by any means but functions well as a down and dirty urban crime / action thriller with a few cute surprises sprinkled in that any fan of 60's-80's "grindhouse" would appreciate. It's pretty clear that the makers of VFW pulled a little bit of inspiration from this, especially in terms of musical score.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
One of the best Canuxploitations out there, from the very interesting Paul Donovan. After a beginning that looks more like a street gang movie, it quickly transforms into a claustrophobic siege film, clearly inspired by "Assault on Precinct 13". Made with very little money, but with a lot of talent; it's a hidden jewel that deserves to be better known.
Lo sapevi?
- QuizIt contains the only existing news footage of the actual 1981 Halifax Police strike.
- BlooperAt 1:16, boom mic visible to left of screen.
- Versioni alternativeIn German version named "New York 1991 - Nacht ohne Gesetz" events happening in New York instead Halifax. It about 10-12 minutes between opening titles and bar scene, except news broadcast, was cut.
- ConnessioniFeatured in Hagan Reviews: Siege (2014)
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Dettagli
Botteghino
- Budget
- 300.000 CA$ (previsto)
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