Una ragazza ebrea si traveste da uomo per accedere a una scuola religiosa.Una ragazza ebrea si traveste da uomo per accedere a una scuola religiosa.Una ragazza ebrea si traveste da uomo per accedere a una scuola religiosa.
- Vincitore di 1 Oscar
- 6 vittorie e 17 candidature totali
- Peshe
- (as Lynda Barron)
Trama
Lo sapevi?
- QuizBarbra Streisand hand-picked Mandy Patinkin for this movie, and he politely declined several times because he did not like the script. He was eventually invited to Streisand's house where they could discuss the parts he wanted to change. He then agreed to be in the film.
- BlooperThe final scene (on the ship to America) begins with a Jewish child supposedly reading a book, while following his reading with a finger on the lines of text. The book is visibly in Hebrew, language were reading is done from right to left. Yet, the child's finger goes from left to right.
- Citazioni
Yentl: Why is it that every book I buy, every bookseller has the same old argument?
Yentl's Father: You know why.
Yentl: I envy them.
Yentl's Father: The booksellers?
Yentl: No, not the booksellers, the students. Talking about life, the mysteries of the universe and I'm learning how to tell a herring from a carp.
Yentl's Father: Yentl, for the thousandth time, men and women..."
Yentl: [cuts him off] have different obligations, I know, but...
Yentl's Father: [cuts her off] and don't ask why.
Yentl's Father: [sees her disappointment] Go on, get the book.
Yentl: Thank you, papa!
Yentl's Father: The shutters, darling.
Yentl: We don't have to hide my studying from God, then why the neighbors?
Yentl's Father: Why? Because I trust God will understand. I'm not so sure about the neighbors.
- Curiosità sui creditiAt the very end of the closing credits: This film is dedicated to my father... and to all our fathers.
- ConnessioniEdited into Barbra Streisand: Papa Can You Hear Me (1984)
- Colonne sonoreWhere Is It Written?
(uncredited)
Music by Michel Legrand
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Barbra Streisand
"Yentl" marks the beginning of a woman blazing a new trail as a director, singer, composer, her hands in the screenplay, and production. She's spoken in a segment on "The Directors," about how various cultures have treated her as a result of her deliberate transcendence of Hollywood's gender-biased boundaries. One of her most interesting points reveals how well she was treated in England by the British filming crew. Since gender-bias against women is not even comparable to gender bias in the US, because England is so far advanced beyond gender discrimination because one is a woman, Streisand remarks how much easier it was for her to accomplish her goals on the set because the British film crew treated her without gender-bias, and with the respect she is certainly due.
"Yentl" royally upset the AFI in the US because Streisand entered into no woman's land when she had a hand in nearly every aspect of the motion picture. "Yentl" has some of the most memorable, touching, humanely familiar music and lyrics, yet it received no Academy Award. The direction was brilliant--no Academy Award. The screenplay was one that was serious, hilarious, religious, spiritual, and even addressed the issues of gender-bias head on--no Academy Award. Streisand's and Amy Irving's acting was stupendous--no Academy Award.
Streisand paved the way and took the non-recognition by the Film Academy without stopping. This musical motional picture pales many that are classics. The story is an extra interesting one, the likes of which have not been reproduced with anything close to as much skill and class.
I'll give this classic about six Academy Awards, including several that go to Streisand alone.
- BetteDavis08-89
- 20 ago 2007
- Permalink
I più visti
Dettagli
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 40.218.899 USD
- Lordo in tutto il mondo
- 40.219.251 USD
- Tempo di esecuzione2 ore 13 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1