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5,8/10
1416
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.
David Allen Brooks
- Paul Fox
- (as David Brooks)
Lolita Lesheim
- Brenda Bohle
- (as Lolita Lorre)
Antonio Cantafora
- Man at Motel
- (as Michael Corby)
Marlene Marques
- Librarian
- (as Marlene Marcus)
Recensioni in evidenza
i thought this was a pretty good movie for its time. Its about a girl who knows her step father is trying to kill her and her mother for their money but no one will believe her and finally the step father holds them hostage in their house. Its a pretty good movie the ending makes up for the slow beginning.
If anyone is familiar with filmmaker Michael Winner's work, then "Scream for Help" shouldn't come as a surprise. Made smack in the middle of "Death Wish II" & "Death Wish 3". Those easily offended should steer clear. But then again, this ruthlessly trashy picture does catch you off guard numerous times. You could play a drinking game. Get the shot glasses ready, whenever you hear the word "kill". This is a lot. Yeah, as you can see, it's not one to take too seriously, even though it feels like the entire cast is giving their dramatic all.
Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.
The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.
One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!
Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.
The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.
One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!
This is fantastic trash from one of the most accomplished trash directors, Michael Winner . It is "The Girl Who Cried Wolf" and that wolf is her stepdaddy (David Brooks). Like most of Winner's work, it is loud, as subtle as a sledgehammer, full of nasty expletives and downright mean-spirited. If that's not a hard enough sell for you, it's also filled with sleazy sex and there's a sexual assault.
Say what you want about the man, but Winner does deliver. He attacks his genre work with enthusiasm and a healthy dollop of offensiveness. He's not afraid to alienate more sensitive viewers and he never goes for suggestion when a lurid close-up will do.
The idea of showing everything from the perspective of a young girl is a good one and it's novel to watch little Rachael Kelly, as Christie Cromwell, riding around on her bike as she pokes her nose into her stepdaddy's sordid affairs.
The film's final half hour is a rocket ride of sleaze, violence and brutality and testament to Winner's blazing talent for garish overstatement.
You'll be a better human being if you miss this, but a lesser trash monger.
Say what you want about the man, but Winner does deliver. He attacks his genre work with enthusiasm and a healthy dollop of offensiveness. He's not afraid to alienate more sensitive viewers and he never goes for suggestion when a lurid close-up will do.
The idea of showing everything from the perspective of a young girl is a good one and it's novel to watch little Rachael Kelly, as Christie Cromwell, riding around on her bike as she pokes her nose into her stepdaddy's sordid affairs.
The film's final half hour is a rocket ride of sleaze, violence and brutality and testament to Winner's blazing talent for garish overstatement.
You'll be a better human being if you miss this, but a lesser trash monger.
From the hit & run on Janie and on you you this is 100% pure cheese. I loved it though. This was a different step in the slasher filled horror movies of the 80s. "Scream" for help. Hmmp. Overall the acting is terrible by everyone. Story is alright. Rachel Kelly is a hottie. She is scream for help. Sort of a 80s version of Neve Campbell. Rentable.(6/10)
Let's see, we got veteran UK filmmaker, Michael Winner, at the helm. A soundtrack by Led Zeppelin's John Paul Jones featuring Jimmy Page and Jon Anderson from Yes, and a script from noted Hollywood fear-meister Tom Holland. What could go wrong? Pretty much everything and gloriously so! I love watching this film because I can never tell if it was made to be a melodramatic satire or just a melodramatic failure. I'm leaning toward failed art. The bad acting is spread across the board but led by the entirely incapable Rachael Kelly, sporting around the screen in a variety of unflattering '80s era outfits. Ms. Kelly never once allows the viewer to lose themselves in the proceedings with her near constant histrionics. No wonder her step-father is trying to kill her! The absurd soundtrack is so over-the-top and out of place that I'm convinced that the producers threw out Jones' original score and substituted cheesy stock tracks instead. There is nothing but camp and unintentional guffawing to be had here...and that's ok. Sometimes you need a movie to riff on with your buddies like MST3K, and Scream for Help (which never received a proper release in the US) is there to help. Nice to see a new blu-ray edition on the market.
Lo sapevi?
- QuizThis movie was to have been the third collaboration between writer Tom Holland and director Richard Franklin (following Psycho II (1983) and La finestra sul delitto (1984)). With his career on the rise, Franklin ultimately decided it would be unwise to helm such a low-budget film.
- BlooperThe Chrysler is traveling over 60 mph with the accelerator stuck and non-operable brakes when it goes through the Church's Chicken parking lot appears to be going much slower then speeds up when it gets back into the road.
- Citazioni
Christie Cromwell: [to Karen] Fine, don't believe me, just wait until he kills you.
- ConnessioniFeatured in 31 Horror Movies in 31 Days: Scream for Help (1984) (2012)
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
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