Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.
- Candidato a 2 Oscar
- 9 vittorie e 6 candidature totali
Trama
Lo sapevi?
- QuizTerry Gilliam was asked to do a film class during the filming of this movie at the University of Southern California. Terry agreed, and took advantage of the situation by preparing to bring an "audio visual aid", which was his cut of the movie, which would have been allowed. Unfortunately, two days before the event, students advertised a free screening of the movie. When he arrived, it was announced that Universal Pictures would not allow him to show it. During his speech to the class, he was interrupted by studio executives' phone calls. They eventually allowed him to show a clip. He showed the entire movie, and repeated the screenings for over two weeks. It was during one of these screenings, that Los Angeles, California movie critics saw it, and awarded it the Best Picture of the Year award, which was responsible for getting it released the way Gilliam wanted it.
- BlooperWhen Harry Tuttle escapes from Sam Lowry's flat, he is wearing a hood covering his head. When Harry starts to zip-line off the precipice, he is replaced by a stunt double wearing a baseball cap.
- Citazioni
Jill Layton: Care for a little necrophilia? Hmmm?
- Curiosità sui creditiThe only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format.
- Versioni alternativeThere are at least three different versions of Brazil. The original 142 minutes European release, a shorter 132-minutes prepared by Gilliam for the American release and another different version, nicknamed the Sheinberg Edit or 'Love Conquers All' version, from Universal's then boss Sid Sheinberg, against whom Terry Gilliam had to fight to have his version released.
- ConnessioniFeatured in What Is Brazil? (1985)
- Colonne sonoreHava Nagila
(played after the restaurant bombing)
Recensione in evidenza
Sam Lowry works within the huge ministry of information in a near-future world of bureaucracy. A simple administration error leads to the death of an innocent man. Lowry finds himself drawn into a world where he is forced to go against the admin world that he works in with devastating results.
This is one of Gilliam's best films (the other being 12 Monkeys). His nightmare vision is complete with wonderful visual touches - some inspired, some very unnerving in their originality. This satire on the world of bureaucracy gone mad has some wonderful elements that don't seem too farfetched - tiny offices, never-ending paperwork, a government so keen to cut costs that people who are arrested are forced to fund their own defence etc. The dream scenes and the romance don't sit too easily beside this element but they help add to the hallucinatory effect of the whole film.
The feeling of paranoia runs wild through the film. Everything in it symbolises the uselessness of trying to work against a unbeatable system and the pointlessness of individual effort - witness Tuttle eventually overcome by the "paperwork" he once resisted. The only problem with the film is that the plot is mostly rubbish, at first it's hidden but in the middle section and the end the holes become obvious.
The cast is mostly excellent despite forced to work with very weird characters. Pryce is brilliant as the quiet bureaucrat pushed into a nightmare by his dreams, although Kim Greist is dull as the focus of his dreams, Jill. The rest of the cast consists of a range of extended cameos including Ian Holm, Michael Palin, Bob Hoskins and an excellent Robert De Niro as a guerrilla heating engineer.
The studio bosses wanted an upbeat happy ending to help sales - basically the final 45 seconds had to go. However Gilliam stuck by his guns and produced a film that is visually inspiring whilst being depressingly based in the real world - right up till the final credit has rolled. "Has anyone seen Lowry?" - everyone should.
This is one of Gilliam's best films (the other being 12 Monkeys). His nightmare vision is complete with wonderful visual touches - some inspired, some very unnerving in their originality. This satire on the world of bureaucracy gone mad has some wonderful elements that don't seem too farfetched - tiny offices, never-ending paperwork, a government so keen to cut costs that people who are arrested are forced to fund their own defence etc. The dream scenes and the romance don't sit too easily beside this element but they help add to the hallucinatory effect of the whole film.
The feeling of paranoia runs wild through the film. Everything in it symbolises the uselessness of trying to work against a unbeatable system and the pointlessness of individual effort - witness Tuttle eventually overcome by the "paperwork" he once resisted. The only problem with the film is that the plot is mostly rubbish, at first it's hidden but in the middle section and the end the holes become obvious.
The cast is mostly excellent despite forced to work with very weird characters. Pryce is brilliant as the quiet bureaucrat pushed into a nightmare by his dreams, although Kim Greist is dull as the focus of his dreams, Jill. The rest of the cast consists of a range of extended cameos including Ian Holm, Michael Palin, Bob Hoskins and an excellent Robert De Niro as a guerrilla heating engineer.
The studio bosses wanted an upbeat happy ending to help sales - basically the final 45 seconds had to go. However Gilliam stuck by his guns and produced a film that is visually inspiring whilst being depressingly based in the real world - right up till the final credit has rolled. "Has anyone seen Lowry?" - everyone should.
- bob the moo
- 3 dic 2001
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Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.929.135 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.099 USD
- 22 dic 1985
- Lordo in tutto il mondo
- 9.949.953 USD
- Tempo di esecuzione2 ore 12 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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