Il vizietto II

I am not purposely skipped the first installment, just by coincidence, I could only found the sequel right now, soothingly enough, the omission itself does not spoil the fun of this French slapstick comedy made more than 30 years ago.

How many times one could laugh out loud watching a gay/transvestite film from beginning till the very end? What's more precious is without being tainted by vulgar gags sand abominable antics (especially immune of sex-relating perversions or individual sex- orientation humiliations).

Plot-wise, although devoid of certain logistics, everything serves up to the middle-age crisis in this gay-relationship, particularly the deterioration of Zaza Napoli's self-confidence (a remarkable performance from the late Michel Serrault), which wisely puts audience into a heartfelt milieu whereas the entire "mini-film case" merely functions as a backdrop, there is no worries about our protagonists' personal security, the only gory murder is underplayed by a poison-dart.

The odd-couple route stews in a series of set pieces which strive on the verge of platitude, yet the acting, literally Michel Serrault, does single-handedly overturns the unfavorable condition, also who could forget Benny Luke's transvestite black servant (who changes his dresses in each scene), whilst in the latter returning-to-Italy part, the contradiction is pure simple but effective, which leavens the situation into a more culturally universal understanding. Enrico Morricone's score also is a big selling-point for the film

Overall, this super-optimistic farce (I suppose it includes the entire series, there are three films in all) could easily outshines among myriads of melodramatic-sentimental gay genre films even they were made several dozens of years ahead.

I love this movie, the scenery, the music etc... But old foreign movie critic friend of mine back in the early '80s suggested to me that Michel playing the haggard Italian lady was a salute to Ana Magnani. I've seena few movies of her. And Michel really did a great job.

I'm from Avellino Italy and I came over in 1956. So. In our Italian American villages we didn't have running water so we had to pump the drinking water and have rain barrels around our houses to save it for washing clothes. It was great for your hair too.

My Italian grandmother and mother would act like him when they were toiling with their chores.

This movie is worth a look, even though it lacks the same spark as its supremely hilarious predecessor.

(N.B., Michel Serrault who plays Albin in the La Cage movies plays the equally fey hairdresser in "The King of Hearts" starring Alan Bates)

"La Cage Aux Folles II" is not as good as the first part. It does score some points for not being a carbon copy of the original: it does try out some new things, like the classic espionage MacGuffin of the microfilm that various secret agencies are after, or a trip to Italy in seek of refuge. Ugo Tognazzi is still the perfect straight man (so to speak....), and Michel Serrault is possibly even better this time - he develops the character further, giving him a touch of melancholy. But the film is too sluggish and sprawling - it definitely feels longer than it is (99 minutes). Still worth seeing but not a "must". **1/2 out of 4.

Gay couple Albin (Michael Serrault) and Renato (Ugo Tognazzi) get involved with the police and gangsters when Albin gets some stolen microfilm. They flee to Italy and try to hide out.

This isn't as good as the original (which was ground breaking) but it's a hundred times better than part 3 (which was dreadful). The plot is silly but when Albin and Renato are on screen who cares? The two actors are great in their roles. There's plenty of funny sequences especially when all the policemen dress up in drag! So it's worth seeing but don't expect it to be as good as the original. BTW--ignore the R rating. It's PG-13 all the way.