Cataclysm

What can be said about THE NIGHTMARE NEVER ENDS? Well, it's NOT a quality film. Everything about it is bad: acting, dialogue, script, cast, cinematography, etc, are all way below average. It's a truly wretched film of cataclysmic proportions. For instance, take the dialogue: Cameron Mitchell says at one point, "I see swastikas swimming in my oatmeal!' which had me rolling on the floor. It's my new all time favorite line of dialogue. In another scene, a vigilante sorts named Papini wants the Nazi war criminal killed. He's been stalking a doctor (played by Faith Clift) and wants her to kill the criminal. One day, Papini storms in her office without her permission and asks her why she didn't kill him when she had the chance. So how does she answer? "I'm a doctor, I cannot kill." That's it. No anger or anything. It's priceless. Faith Clift is the worst actress of all time.

With that being said, the film is totally unforgettable, not just because it's so wonderfully bad but because there are some truly effective moments in it. Yes, even with its staggeringly inept quality there are several moments that elicit real horror or shock. More so than any horror film made these days. The state of horror films today is truly sad when a disaster like this is more effective than 90% of all horrors films made today.

The effective moments come out of nowhere: when someone takes his shoe off...didn't expect that! A nightmare inducing scene; the nightmare sequences are so bizarre and weirdly shot that they're oddly effective; the discotheque is...eh, weird. It makes me more uncomfortable than anything else in the film; the actor who plays the Nazi war criminal is just weird; and last but not least the ending which has to be seen to be believed. My jaw was on the floor.

Needless to say even with those effective moments the film is still crap. Well worth watching if you're a fan of obscure horror flicks or "so bad it's good" movies. Everyone else should abstain.

An aging Jewish man calls upon a detective to investigate the mystery of an unscrupulous Dorian Gray-style scoundrel who, despite his youthful appearance, may be a notorious Nazi war criminal.

In addressing this film, I must begin by saying that it will not be well received by most viewers. If, however, you possess a willingness to extend impunity to poverty-row cinema, then you might find a blink or two of mildly amusing frippery in this dicey little three-dollar-bill.

That this flick was committed to cheap, ashen filmstock is an immediate indicator that this was an empty-pockets production. Quite simply stated, there's a discernable messiness to the entire mechanical wheel of the film, yet it does manages to catalyze a shadowy, spectral veneer, and inject a few moments of trashy David Lynchian surrealism.

A page ripped straight from the manual on how to quash a perfectly good prospect. 4/10.

First off, don't watch this film alone! Don't make the same mistake I did, and be sure to watch "Cataclysm" in the company of at least one good buddy, or preferably a whole group of friends. Not because the film is so petrifying, obviously, but for the complete opposite reason. "Cataclysm" is so dumb, so incoherent and generally "so-bad-it's-good", that it'll make guaranteed entertainment for a bunch of like-minded horror lovers! All the necessary ingredients are there, trust me: horribly bad acting performances, totally absurd storylines and plot twists, cheesy early 80s make-up effects, a washed-up Cameron Mitchell, nonsensical dialogues ("I've been staring at these walls so much that I begin to see swastikas in my oatmeal"), Nazi-orgy flashbacks, wooden disco-dancing moves, and the reincarnation of Satan himself in the shape of an Udo Kier look-alike with a very gay haircut. I had seen bits and pieces of "Cataclysm" before, as they got edited into "Night Train to Terror" for some reason, but the full-length version is definitely worth seeking out. Oh, and it's available on YouTube! What are you waiting for? WhatsApp your friends!

Cataclysm ranks among those weird el cheapo horror movies that boomed during the 70s and 80s when independent film-making had became common due to lower prices in movie equipments. Often with interesting stories these small movie productions tried to create cinematic moments which their small budget's barely could handle without leaving a bad taste afterwards. But, if you can look beyond the cheap impressions of these movies and understand their intentions and what they tried to achieve with a very small budget, you can appreciate the result anyway. As I use to say, as long as there is an honest intention, thought and an interesting story, movies like this one can be appreciated. It's easy to laugh about though, but one must know that these filmmakers often experimented with ideas that would probably not have seen the light if it was produced by Hollywood.

Anyhow, back to this movie. The story is quite simple actually. An old man hunts a young man who seems to have been in all kind of wars many years back in time, but this guy hasn't aged a bit since. We learn that this man is Satan or at least is a very powerful evil spirit. The old man lost his whole family in the WW2 where this evil fellow was a nazi commander. A policeman gets involved in the drama and continues the hunt after the old man dies mysteriously trying to attack the evil dude. The movie ends with the evil fellow escaping the hospital where he's been brought by a Christian woman who tries to kill him. It's pretty logical because only God can kill Satan and the evil will continue as long as God accepts this. What's more illogical is that these people tries to kill this evil man, albeit he's impossible to kill, failing one by one.

The movie itself offers a lot of wooden acting and only a few scares which actually isn't that scary. You rarely see any gruesome scenes and much of the horror is more like indications of horror. For example you see the evil man's goat leg which will have you to believe that he really is a demon or Satan himself. Things like that occurs all through the movie and it's probably because the budget was so low. So, would I recommend this rarely seen movie to anyone? Heck yeah! If you like strange horror movies, obscure occult stuff that isn't too over the top but makes you think a bit, then yeah look this one up. This review refers to the VHS release. I've seen this movie released on DVD under the name 'The Nightmare Never Ends'.

Add this one to you horror collection, in the obscure section that is!

"The investigation into the mysterious death of an aging Nazi war criminal hunter brings a surprising revelation to the cop working on the case. It appears the old man was actually following an individual with ties to the Nazis, who seems to have not aged in appearance in spite of the passage of over 30 (sic) years. The policeman and some other individuals decide to track down the mysterious individual to find out his horrifying secret," according to the DVD sleeve's synopsis.

The appropriately named Faith Clift (as Dr. Claire Hansen) and atheist writer husband Richard "Charles" Moll (as James Hanson) go to sinful Las Vegas to see the shows and promote Mr. Moll's book "God Is Dead". Ms. Clift is troubled by nightmarish dreams about Nazis. Meanwhile, Marc Lawrence (as Abraham Weiss), a blathering Jew, has traced Nazi war criminal Robert Bristol (as Mr. Olivier) to Vegas; and, he reports the finding to police lieutenant Cameron Mitchell (as Sterne). At first, Mr. Mitchell won't believe old Mr. Lawrence, because young Mr. Bristol hasn't aged in 35 years.

"Cataclysm" (aka "Satan's Supper" aka "The Nightmare Never Ends") is a classic "so-bad-it's-good" film. Although others try, nobody in the cast can best Clift's supremely awful performance; her effort is astonishing. Also, watch Mitchell ("High Chaparral") defeat Moll ("Night Court") for best artificial hair. Bristol is delightfully devilish; it's too bad he, Maurice Grandmaison (as Papini), Klint Stevenson (as Jim), and Christie Wagner (as Ann) have so few screen credits; their characterizations are perfect.

Films like this hardly ever have good endings; admittedly, it's truly difficult to appropriately end a story as bad as this one -- but writer Philip Yordan and company come up with a real winner; it may make you want to click your heels… or hooves, as the case may be. See it with an open heart, or liver