VALUTAZIONE IMDb
7,3/10
16.205
LA TUA VALUTAZIONE
Nella Parigi occupata, un'attrice sposata con un proprietario di un teatro ebreo deve tenerlo nascosto dai nazisti mentre svolge entrambi i loro lavori.Nella Parigi occupata, un'attrice sposata con un proprietario di un teatro ebreo deve tenerlo nascosto dai nazisti mentre svolge entrambi i loro lavori.Nella Parigi occupata, un'attrice sposata con un proprietario di un teatro ebreo deve tenerlo nascosto dai nazisti mentre svolge entrambi i loro lavori.
- Candidato a 1 Oscar
- 13 vittorie e 7 candidature totali
René Dupré
- Valentin - Writer in Hotel Lobby
- (as Rene Dupre)
Rose Thiéry
- Mme. Thierry - Jacquôt's Mother
- (as Rose Thierry)
Trama
Lo sapevi?
- QuizIn his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows." Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout." The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end.
- BlooperIn one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar.
- Citazioni
Marion Steiner: It takes two to love, as it takes two to hate. And I will keep loving you, in spite of yourself. My heart beats faster when I think of you. Nothing else matters.
- Colonne sonoreBei mir Bist du Schön
(Vous êtes plus Belle que le Jour)
Music by Sholom Secunda
Lyrics by Jacob Jacobs
English lyrics by Cahn-Chaplin
French lyrics by Jacques Larue
Recensione in evidenza
An almost banal story about normal people which by its naturalness attains a truly remarkable human greatness. Against the background of nazi occupation of Paris with its whole train of treasons, pusillanimities, courage, resistance, collusions and collaboration with the enemy, indignities and oppression, a theatrical company staged underground by its director who is secretly hidden because he's Jewish, puts on the stage a play about love also repressed, a play however which resounds as a freedom although smothered shout in the darkness enveloping France and Europe by then. The acting performance of Depardieu and Deneuve is brilliant as usual although very simple and natural. Besides that, Deneuve is indeed one of the most beautiful movie stars we have ever seen. This movie is also a hymn to the theatre as free expression since ancient Greece, living through the love of those who devote themselves to it, very often with abnegation and in adverse conditions. It must by all means be seen because, in spite of all, it makes us believe in human virtues which keep pace here with the theatrical actors' talent.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Last Metro
- Luoghi delle riprese
- Clichy, Hauts-de-Seine, Francia(sets, former chocolate factory)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.007.945 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.206 USD
- 25 apr 1999
- Lordo in tutto il mondo
- 3.007.945 USD
- Tempo di esecuzione2 ore 12 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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By what name was L'ultimo metrò (1980) officially released in India in English?
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