La formula

Exciting story about a cop involved into an international intrigue referred to high-finance, it begins from the end WWII to the present. This thriller concerns about a veteran Inspector (George C Scott), Lt. Caine LAPD, he has to investigate two murders , it leads an insidious scheme to get a formula about a secret for synthetic fuel called Genesis and he will not stop at nothing . Caine is drawn into a criminal whirlpool. He becomes unwittingly involved to Nazi plots, along with a beautiful model (Marthe Keller). Hard-noised Caine is only helped by an agent, his oriental sidekick against a mysterious organization ruled by a mean billionaire (Marlon Brando). Meanwhile suspicious start to be killed one by one. Later on, Caine gets the formula that is hidden into a safety box and is aware which the nasties know whether or no it is safe to go to pick it up.

This intriguing movie packs action, suspense ,thrills,a love story, treason, and is quite entertaining. This intense thriller holds your interest throughout, however it contains some flaws and confusion. Certainly is worth watch seeing for George C Scott's brilliant, credible performance as obstinate cop. Good secondary cast as John Gielgud , G.D. Spradlin,Marshall Thomson,Wolfgang Preiss,Richard Lynch , among others. Interesting movie but with some holes and gaps and ridiculous scenes .

The film contains adequate and atmospheric cinematography by James Crabe. Suspesnseful and long-standing score by Bill Conti, director's usual . The picture is regularly directed by John G Avildsen. He is a nice director who has mixed more karate Kid and Rocky films with such feel-good message films as ¨Power of one, or ¨ Lean on me¨. Rating : passable and acceptable, 5,5.

LAPD detective George C. Scott investigates the murder of an old friend. More and more murders happen as the investigation leads him into a conspiracy plot involving a formula for synthetic fuel created by Nazi scientists in World War II.

Overlong thriller with dull stretches. Main selling point being that it's the only movie to costar heavy hitters George C. Scott and Marlon Brando, coincidentally the only two actors to refuse their Best Actor Oscars. Brando only appears in three scenes. For some reason he insisted on making himself up to look ridiculous with fake teeth, a comb-over, and something stuck up his nose. Beside that, he does fine and so does Scott. Nothing special in the career of either man but not the stinker some make it out to be. The plot involving the formula conspiracy is interesting. It's not a terrible film. It goes on too long and the fact that everybody Scott talks to seems to be murdered almost immediately afterward is pretty funny. But it's watchable.

I give this a high rating simply because of George C. Scott and Marlon Brando, who rise above muddled material and breathe life into an otherwise clunky TV movie. The plot is basically oil/greed ripping off the nation, and if I didn't know better I'd say Brando was channelling Dick Cheney, but the music and the script and the camera work (zooms, anyone?) are so cheesy that it's hard to stay with this movie.

However. The performances are fresh and fun and strangely lively, all the actors are magnificent, and true or not- it's a nice little commentary on modern greed in America (and the world).

A fun watch if you've nothing better to do than watch great actors go head to head.

This film may have even more relevance today than in 1980, when it was released. Most in this country would love to be left to their own devices by marketing/consuming fuel based on American coal derivatives like those delineated in the "Genesis" formula instead of depending upon foreign petroleum. The parallels outlined here are close to today's, especially the popular theories these days that big oil is suppressing valid fuel alternative projects that would undercut their energy dominance, hence, their financial status.

Unlke some other reviewers, I thought the film moved along at a nicely orchestrated pace, making it, perhaps, a more analytical movie than a Hollywood flash-and-dash melodrama. The film follows a logical progression of events that lets the viewer absorb the contents in easy to swallow doses, that is, as long as he/she pays attention to the plot development.

I was impressed by mostly all the actors, especially Marthe Keller, who acquitted herself very well in her portrayal by staying well within her character and by her impeccable timing and fluid delivery. Mr. Brando's rather short stint in the film was punctuated by terse, cynical and penetrating dialog, playing the enterprising villain who continually cuts to the chase with large doses of street-wise metaphors. George C., as usual, is a no-nonsense good cop who only wants to see justice prevail, regardless of who gets burnt. Yet inside him, demons from the past lurk and can't help but surface from time to time: you can see it in the non-verbal communication that Mr. Scott so characteristically exudes.

Thanks to TCM for showing these kinds of films that are usually omitted on other movie channels.

The reviews for this movie have been rather consistently poor--both when it was released and on IMDb. For some reason, I actually liked this film--maybe I have bad taste, but I found it to be a very pleasant surprise! Maybe some of my positive regard for this is because I like George C. Scott so much and because I like paranoid and depressing movies (and this one has all these elements). In fact, I am guessing that the depressing nature of the film is much of the reason why others dislike it (there are a lot of murders in the movie). But I liked it for the odd plot--about the evil oil producers trying to suppress a secret for a cheaper fuel through murders and payoffs. But, if you do decide to watch this film, please try to remember that it's only a film. This is not a piece of non-fiction!

UPDATE--8/08. I re-watched this film (something I rarely do) and was surprised how dull I found it a second time. While I still liked the paranoid plot involving a worldwide oil conspiracy, this time I noticed that the film was a bit too talky and the plot a bit too convoluted. Plus, and I know Brando fans will hate me for saying this, but his acting seemed a tad over-done. Still, it's a decent film even if I did knock my original score from 8 to 6.