Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
IMDbPro

The Secret Policeman's Ball

  • Film per la TV
  • 1979
  • Not Rated
  • 1h 34min
VALUTAZIONE IMDb
6,8/10
466
LA TUA VALUTAZIONE
The Secret Policeman's Ball (1979)
Trailer for the boxed set of these comedy concerts
Riproduci trailer1: 07
1 video
4 foto
CommediaSatiraSketch Comedy

Aggiungi una trama nella tua linguaA series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several ... Leggi tuttoA series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.A series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.

  • Regia
    • Roger Graef
  • Sceneggiatura
    • Billy Connolly
  • Star
    • Paul Abrahams
    • Rowan Atkinson
    • Chris Beetles
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    466
    LA TUA VALUTAZIONE
    • Regia
      • Roger Graef
    • Sceneggiatura
      • Billy Connolly
    • Star
      • Paul Abrahams
      • Rowan Atkinson
      • Chris Beetles
    • 6Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Secret Policeman's Balls
    Trailer 1:07
    The Secret Policeman's Balls

    Foto3

    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali22

    Modifica
    Paul Abrahams
    • Self (Piano Player)
    Rowan Atkinson
    Rowan Atkinson
    • Various Roles
    Chris Beetles
    Chris Beetles
    • Beetles and Buckman
    Mike Brearley
    • Self
    Eleanor Bron
    Eleanor Bron
    • Various Roles
    Rob Buckman
    • Beetles and Buckman
    Ken Campbell
    • Self
    Suzanne Church
    • Self
    John Cleese
    John Cleese
    • Self…
    Billy Connolly
    Billy Connolly
    • Self
    Peter Cook
    Peter Cook
    • Various Roles
    Anna Ford
    • Self
    Clive James
    • Self
    Clive Jenkins
    • Self
    Sylvester McCoy
    Sylvester McCoy
    • Syveste McCoy
    • (as Sylveste McCoy)
    Michael Palin
    Michael Palin
    • Various
    David Rappaport
    David Rappaport
    • Self…
    Tom Robinson
    Tom Robinson
    • Self
    • Regia
      • Roger Graef
    • Sceneggiatura
      • Billy Connolly
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    6,8466
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    8tonygillan

    Still funny all these years later

    The best bits of this show are still excellent, particularly the Cleese, Cook, Palin and Billy Connolly contributions. There is some fine music too from Pete Townshend and Tom Robinson.

    Peter Cook's judge sketch is a notable highlight, although some of it may be lost on people unfamiliar with the Jeremy Thorpe trial (Thorpe was a British politician who was acquitted of murder after the judge had led the jury to an outrageous degree in his summing up. 'Now go and consider your verdict....of not guilty').

    The 'Interesting Facts' sketch with Cook and Cleese is an all time classic, up there with anything by Monty Python, Harry Enfield, Marty Feldman, Saturday Night Live or anyone.

    One note of caution. I bought the DVD box set and both of Billy Connolly's routines have been excluded. I have no idea why, but it is a pity as he is in top form on this show.
    10fieldofhats

    One of Cook's Brightest Moments...and Atkinson's First

    Out of all the Secret Policeman's Balls, this one is the most entertaining and funniest. This is usually the one I watch because it has my favorite comedians all together in top form. Eleanor Bron is great in the "Dear God" sketch, with her rambling dialog being very entertaining. "Cheese Shop" wasn't as good as the Python version, but you can't really expect that....they pull it off very nicely, though. The "Pregnancy" sketch is a nice short one. That Eleanor Bron is really good.

    Notable praise goes to Rowan Atkinson, though. Considering that this was even before "Not the Nine O'Clock News" first being broadcast, this must have been a real important night for him. His "Schoolmaster" sketch is a delight. Also, him in Dudley Moore's shoes for the "End of the World" sketch makes it take off. For once, someone other than Peter Cook is the funniest part of a sketch! He also handled the "Four Yorkshiremen" sketch very well with other Pythons. Kudos for Rowan Atkinson; this is his breakthrough moment in comedy.

    But you can't watch this and say that Peter Cook didn't steal the show because he quite simply steals every show! The "Interesting Facts" sketch really blew the whole thing open at the beginning. Cleese never laughs during a sketch, but Cook gets him to. Cook always leaves them in stitches. But, the real shining moment of the night is the "Entirely a Matter For You" sketch lampooning the Jeremy Thorpe case. If you don't know about the case before watching it, do the research. It'll actually make it funny. It's actually one of the funniest sketches ever made. It's sooooo perfect and Peter Cook is in top form during this. Just another reason of a million why Peter Cook was such a genius. You really don't know comedy if you don't know about Peter Cook.

    Such a fantastic DVD that I watch constantly. It's brilliant, just brilliant!!!
    9hgallon

    Deserves to be carved in stone

    It is perhaps a shame that Britain does not have something like the American Congress's official list of historically significant works of art. If there were, this show deserves framing as an iconic series of performances.

    "The Secret Policeman's Ball" was the second benefit performance for the charity, Amnesty International. It followed the earlier "Pleasure at her Majesty's" in 1976. The Ball featured a most effective mix of old and new blood; from the old stable, several of the Pythons, Peter Cook at the height of his comic and satirical powers; from the new stable, Billy Connolly and Rowan Atkinson.

    There were some old favourites among the acts (the "Four Yorkshiremen" and Python's "Cheese Shop"), but some of the new acts and sketches were inspired. In particular, Rowan Atkinson's sardonic "Schoolmaster", and Peter Cook's "Entirely a Matter for you", written specially for the occasion.

    There is a minor musical landmark, with Pete Townsend (of the Who) reportedly forced to play acoustic rather than amplified for the first time in his life, alongside classical guitarist John Williams.

    In later years, the subsequent Policeman's Balls were seen as a showcase for new talent with the result that several acts became over-the-top and hammed.
    8owen-watts

    The Foundational Ball

    Amnesty finally found their feet with their third benefit show in '79. Much more tonally consistent and with some rivetingly atmospheric music dotted throughout the inaugural Ball has a palpably anarchic and politically charged atmosphere - with Tom Robinson's still shockingly acerbic Glad to Be Gay and the lengthy scathing parody of the Jeremy Thorpe verdict from Peter Cook (used to great affect in the recent dramatization of the affair). The comedy sketches are pretty much all great and the very brilliant and the presence of a very young Rowan Atkinson acts as a semi-intentional baton-passing into the next decade of comedy. The only off point really seems to be the omission of the only-non-Oxbridge comedian, Billy Connolly, from the footage. Where's that gone?
    7planktonrules

    Uneven but funny...

    This film is on the same disk as PLEASURE AT HER MAJESTY'S--and both are benefit performances by various British comics on behalf of Amnesty International. Unlike PLEASURE, however, THE SECRET POLICEMAN'S BALL has the addition of a few musical performances--which, in my opinion, detract from the comedy--though I am sure some will love seeing and hearing them. Like PLEASURE, this film is of rather grainy quality and does not have any captioning of any sort--a definite minus for non-Brits and those who are hard of hearing (and I was screwed because I fall in both categories). Seeing a restored and captioned version would be wonderful, but as far as I know is not possible--especially since this DVD is part of a set that was just released.

    As far as the comedy goes, it's a mixed bag. Some of the skits (particularly the ones written by the Pythons) were great and I did enjoy some of Peter Cooke's bits as well. New to the show was Rowan Atkinson, and sadly, his bits were among the worst on the show. However, he was still quite young and the more recent Amnesty International performances have been fantastic. Plus, he was excellent in filling in for Eric Idle in "The Old Codger Skit"--the best thing in the show. Other great Python bits that were recycled include the Cheese Shop and a Python-like skit that opened the show with Cooke and Cleese. But, for every very good bit, there seemed to be a flat one. Perhaps some of this is because Americans like myself are less familiar with the other comics and I had less of an emotional investment in their acts. Part of this also was because some things just weren't funny or the dialog was so hard to follow (without captions) that it was futile--particularly the long and deliberately rapid Shakespeare bit (which, to me, was the worst thing in the show--very tedious indeed). Still, for fans of British comedy, this is an excellent little stroll down memory lane--and worth seeing despite my reservations. And, it's a great deal better than the first film--especially since this film concentrated solely on the performances and not the unnecessary backstage action.

    Altri elementi simili

    The Secret Policeman's Other Ball
    6,6
    The Secret Policeman's Other Ball
    The Secret Policeman's Third Ball
    6,1
    The Secret Policeman's Third Ball
    Dead on Time
    6,3
    Dead on Time
    Canned Laughter
    6,4
    Canned Laughter
    Mr. Kershaw's Dream System
    Mr. Kershaw's Dream System
    The Secret Policeman's Ball
    6,9
    The Secret Policeman's Ball
    The Secret Policeman's Biggest Ball
    6,7
    The Secret Policeman's Biggest Ball
    The Secret Policeman's Ball
    5,7
    The Secret Policeman's Ball
    Not the Nine O'Clock News
    7,9
    Not the Nine O'Clock News
    2 metri di allergia
    6,2
    2 metri di allergia
    Pranzo reale
    6,5
    Pranzo reale
    Peter Cook & Co.
    7,9
    Peter Cook & Co.

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film's opening credits declare that the stage production was slightly directed by John Cleese. When Cleese agreed to direct the show, he asked that his billing read "slightly directed by John Cleese".
    • Citazioni

      [aside]

      Judge: I hope you brought a toothbrush.

      Judge: [aloud] Ladies and gentlemen of the jury, it is now my duty to advise you on how you should vote when you retire from this court. In the last few weeks we have all heard some pretty extraordinary allegations being made about one of the prettiest, about one of the most distinguished politicians ever to rise to high office in this country - or not, as you may think. We have heard, for example, from Mr Bex Bissell - a man who by his own admission is a liar, a humbug, a hypocrite, a vagabond, a loathsome spotted reptile and a self-confessed chicken strangler. You may choose, if you wish, to believe the transparent tissue of odious lies which streamed on and on from his disgusting, greedy, slavering lips. That is entirely a matter for you. Then we have been forced to listen to the pitiful whining of Mr Norma St.John Scott - a scrounger, parasite, pervert, a worm, a self-confessed player of the pink oboe; a man, or woman who by his, or her, own admission chews pillows! It would be hard to imagine, ladies and gentlemen of the jury, a more discredited and embittered man, a more unreliable witness upon whose testimony to convict a man who you may rightly think should have become Prime Minister of his country or President of the world. You may on the other hand choose to believe the evidence of Mrs Scott - in which case I can only say that you need psychiatric help of the type provided by the excellent Dr Gleadle. On the evidence of the so-called "hit man", Mr Olivia Newton-John, I would prefer to draw a discreet veil. He is, as we know, a man with a criminal past, but I like to think - ho, ho, ho - no criminal future. He is a piece of slimy refuse, unable to carry out the simplest murder plot without cocking it up, to the distress of many. On the other hand, you may think Mr Newton-John is one of the most intelligent, profound, sensitive and saintly personalities of our time. That is entirely a matter for you. I now turn to the evidence about the money and Mr Jack Haywire and Mr Nadir Rickshaw, neither of whom, as far as I can make out, are complete and utter crooks, though the latter in incontestably foreign and, you may well think, the very type to boil up foul-smelling biryanis at all hours of the night and keep you awake with his pagan limbo dancing. It is not contested by the defence that enormous sums of money flowed towards them in unusual ways. What happened to that money, we shall never know. But I put it to you, ladies and gentlemen of the jury, that there are a number of totally innocent ways in which that £20,000 could have been spent: on two tickets for Evita, a centre court seat at Wimbledon, or Mr Thrope may have decided simply to blow it all on a flutter on the Derby. That is his affair and it is not for us to pry. It will be a sad day for this country when a leading politician cannot spend his election expenses in any way he sees fit. One further point - you will probably have noticed that three of the defendants have very wisely chosen to exercise their inalienable right not to go into the witness box to answer a lot of impertinent questions. I will merely say that you are not to infer from this anything other than that they consider the evidence against them so flimsy that it was scarcely worth their while to rise from their seats and waste their breath denying these ludicrous charges. In closing, I would like to pay tribute to Mr Thrope's husband, Miriam, who has stood by him throughout this long and unnecessary ordeal. I know you will join me in wishing them well for a long and happy future. And now, being mindful of the fact that the Prudential Cup begins on Saturday, putting all such thoughts from your mind, you are now to retire - as indeed should I - you are now to retire, carefully to consider your verdict of "Not Guilty".

    • Connessioni
      Edited into The Secret Policeman's Other Ball (1982)
    • Colonne sonore
      Won't get Fooled Again
      Written by Pete Townshend

      Solo accoustic version Performed by Pete Townshend (as Pete Townsend)

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Dettagli

    Modifica
    • Data di uscita
      • giugno 1980 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Världens knasigaste kväll
    • Luoghi delle riprese
      • Her Majesty's Theatre, Haymarket, St. James's, Londra, Inghilterra, Regno Unito
    • Azienda produttrice
      • Amnesty International
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 34 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.