La ballata della sedia elettrica

This was the oldest movie so far that I have seen of Tommy Lee Jones and it surpassed all my expectations. Here I was thinking that he got better with age, but he really was that good all along! He plays this role exceptionally well and I have even more respect for him as an actor now. Rosanna Arquette was very good indeed. I always thought her to play in brainless Hollywood movies, but this film was a good decision on her part. This film is another example of an unempowered woman who is alone and desperate for any attention that she can get. Unluckily for Nicole(Rosanna) this attention comes in the form of Gary (Tommy Lee), who is a very disturbed young man who sees human life as something that can be discarded of easily and without any hesitation on his part. Be it for money, or simply because he felt like it, Gary kills people without blinking. At the end of the movie Gary changes somewhat and it is welcome in an absurd kind of way? He makes peace with his lot and with himself and only then you feel sorry for him. If you are a Tommy Lee fan like me, then you definitely have to see this one. Hasta luego

For a long "television film," I thought this story moved along well, even with the main characters being so sleazy the story gets a little unappealing at times. Of course, when has Rosanna Arquette ever played anything else in her younger days? Also, when did she not show off her big breasts? However, I usually find her playing interesting characters and she looked young and pretty in this early career (for her) TV-movie.

As for Tommy Lee Jones, who plays the main character "Gary Gilmore," I've always found him interesting, too. In this, Jones plays the famous real-life killer while Arquette is "Nicole Baker," his teenage girlfriend. Jones does a nice job showing how mentally messed up Gilmore was back then.

I surprised at the language in here for a television movie, but then again, I saw the "European version" of this movie. The longer American version, I assume, cut out some that language and perhaps some of Arquette's "skin."

I rarely comment about anybody else's review but I recommend reading the comments by "noelani" here since this woman lived in Gilmore's backyard, so to speak, during this period and has some interesting things to say.

you may also be interested in the Mikhal Gilmore biography about his brother, Gary, and how they grew up in Oregon, being brutally abused by their father. Apparently, Gary Gilmore spent more time in juvenile detention homes than could be counted, and these institutions promoted the violent and hostile behavior which came to be seen by Gilmore as normal, even acceptable.

This film is primarily a documentary; look for Eli Wallach as Gilmore's Uncle Vern, trying to help his nephew function in the world. In Salt Lake City, Utah, where most of the film takes place, there is a cold unforgiving environment, similar to the environment Gilmore grew up in. As he grew up during the depression, options were scarce. Hostility, anger and frustration led to physical abuse, acting out, and eventually, murder. Rosanna Arquette is believable as the long-suffering girlfriend of Gilmore, who refuses to face reality.

This is an excellent film, due for a remake; perhaps Mikhal Gilmore could translate his book version into film. In real life, Gilmore's mother was devastated and traumatized, living in a trailer, mourning the horrible life her son had endured, a child who had no options, who grew up as an armed robber, and who finally demanded the state of Utah execute him in Draconian fashion. 9/10.

"The Executioner's Song" from 1982 was a TV movie, and on Netflix, I believe they send out the director's cut. It has lots of Roseanna Arquette's breasts and other body parts.

Based on the book by Norman Mailer (who also wrote the screenplay), this is the story of Gary Gilmore, who became famous by demanding that the state of Utah go ahead with his execution. It was the first execution in the US since the 1960s and the first since 1972 when the Supreme Court ruled that death sentences prior to that date were unconstitutional, which is why the Manson group was not executed.

Gilmore, who requested to face a firing squad, became kind of a cause celebre. As a hero of some sort, I suppose he fits in well with today's idea of a celebrity. He was basically a loser who always chose the easy way out. When he was released on parole for robbery, he had the help and support of his cousin (Christine Lahti) and his uncle (Eli Wallach), but he was unable to hold down a job and became obsessed with a 19-year-old (Arquette) with two children.

He then returned to the robbery business and for no good reason shot and killed two people after he robbed them.

I believe this was a TV movie in two parts, so what I saw was shortened. As a result, to make way for Arquette's body, there was quite a bit cut, making it jerky.

My main problem was getting any sympathy going for Gilmore or Arquette. Tommy Lee Jones did a terrific job, but even though Gary's family loved him and just hated the things he did, I as an audience member didn't share their feelings. As far as I'm concerned, he wanted to die because he didn't want to stay in prison. He robbed so he could pay for a truck and didn't have to work. Same old story - the easy way out.

This story was described as "tragic." The tragedy is that the Arquette character had two children. She was a whack job who tried to commit suicide so that she and Gary could continue their affair in heaven. It said at the end of the movie that she moved and started over. I hope for the sake of her kids that she made it. I have no doubt with her figure she met somebody. Let's hope it wasn't another loser.

Norman Mailer's book about Gary Gilmore was compelling in the first half, but the second half was a limp, uphill struggle. There's no such problem in the TV adaptation, which is tighter and absorbing all the way through, with both Tommy Lee Jones and Rosanna Arquette giving two of the best performances of their careers... you now know why it's easy for us to forgive him for "Batman Forever" and her for "Off The Wall" (which she made the following year, and oh dear me that was BAD).

This is available in both miniseries form and a shortened cable/theatrical version (to quote Buffy Summers, "We're talking violence, strong language, adult themes..."), but I actually prefer the TV version because while you get more nudity - female AND male - and more graphic scenes in the cable cut (not to mention lines like Rosanna's "Yeah, you and seven other motherf***ers"), it's at the expense of a little story coherence; you lose some seaminess in the miniseries version, but the tale is ultimately stronger, clearer and not so rushed. But either version is a must.