Il bacio del terrore

The Kiss (1988) - It's no wonder that Joanna Pacula was irritated at Meredith Salenger from almost start to finish in this movie.

She wasn't used to being the second-most attractive one in the room.

Ha ha... just kidding. They were equally attractive. But I can say without question that Joanna was the ugliest one in another way.

I'm talking evil personified.

This is a pretty intense horror story about curses, fatal kisses, endangered daughters and one of the dumbest dads in history.

In brief... Pacula plays Felice Dunbar, who as a child in the Belgian Congo is separated from her sister Hilary. She is victimized by an aunt who is into voodoo rituals involving a cursed talisman.

Auntie seals her niece's fate with a fatal and bloody kiss, killing herself and turning Felice into an undead kind of creature.

Many years alter, Felice, a successful (but still undead) model, tracks down her sister Hilary in New York. What she's really after is Hilary's daughter Amy (Meredith Salenger) and her husband Jack (Nicholas Kilbertus).

After Felice engineers the accidental (and gruesome) death of Hilary, she worms her way into Jack and Amy's life, with the intention of eventually planting a fatal kiss on Amy and sucking out her life essence.

Amy smells a rat almost from the get-go. But dad... hmmm...what an idiot. He falls for Felice hook, line, and sinker.

So who can save Amy? There are a few candidates, but Felice does a good job of eliminating them in voodoo-influenced and violent ways.

Pacula put in a performance worthy of Barbara Steele. That's a HIGH compliment, because no female actress (in my opinion) did evil better than Babs. Pacula's cold eyes, the snarl on her lips when she was angry with Amy, the devious passion with which she seduced brainless Jack, and the devilish delight when she was caressing the cursed talisman... just the perfect temptress.

Salenger was excellent as well. This kid has her wig on straight, and isn't afraid to face off with Felice - and her dad - in her valiant attempt to survive.

A very honorable mention should go to Mimi Kuzyk as Jack and Amy's neighbor Brenda. She is loving and caring and a fierce defender of Amy.

Finally? There's this black cat from hades that pops up from time to time and attacks people. It's so silly-looking... but I'd still feed it some Friskies.

Pucker up and get ready to die. Teenager Amy (Meredith Salenger) just lost her mom to a freak accident. Her long lost Aunt Felice shows up five months after the death to help out. At First Amy is excited to meet Felice (Joanna Pacula) because she is a fashion model and seems hip. Then things get weird when strange accidents happen. There is a great escalator scene when Amy's friend Heather gets hurt.Amy and her dad start to fight over Felice's presence. Doesn't help that Amy's dad is sleeping with Felice. Amy tries to tell her dad and her neighbor Brenda(Mimi Kuzyk)but no one believes her that Felice had anything to do with the strange accidents. They think Amy just misses her mom. But Amy knows Felice has a secret. This is a fun film! Has a lot of gory scenes and a great cast. Mimi Kuzyk is great as Brenda who tries to help Amy.Watch it late at night with popcorn! It is sort of a supernatural reverse version of the Stepfather. I liked the soundtrack. It set the mood. death scenes are great. watch out for the worst puppet cat to ever grace the movies!

After her mother dies in a terrible accident, pretty teenager Amy (the lovely Meredith Salenger) finally gets to meet her mysterious Aunt Felice (Joanna Pacula) but soon twigs that her mom's globe-trotting younger sister isn't as perfect as she makes out to be. Using the power of sex and voodoo, Felice controls the fates of Amy's loved ones, before attempting to pass on a very unusual 'heirloom' to her unwilling niece.

For a film about an ancient African parasite that is transmitted between female members of the same family by a kiss, this is quite the disappointment, a rather charmless movie with generic direction from Pen Densham, surprisingly poor effects by makeup wiz Chris Walas (Gremlins, The Fly), and flat performances from all except Pacula, who makes up for the other actors' seeming disinterest by really hamming it up.

Densham desperately tries to spice things up proceedings with a little gore and sex towards the end (Pacula going topless to seduce Amy's father), and randomly throws a hilariously naff zombie cat hand-puppet creature into the mix, but to no avail. This one could have done with a lot more gore and general outrageousness throughout in order to do the silly premise justice.

5.5 out of 10, rounded down to 5 for not going all the way with the 'necklace in the escalator' scene and for failing to get Salenger to take a shower (although, to be fair, she looks pretty great in that white swimsuit).

"The Kiss" is actually just a rudimentary & simplistic witchcraft story about supernatural powers getting passed through the female members of the same bloodline, but director Densham neatly polishes up the concept with impressively explicit make-up effects (courtesy of Chris Walas' company), adequate supportive character drawings and atmospheric building up towards the death scenes. The story opens in the early 60's in the Belgian Congo, where two sisters become separated at the train station. The youngest one, Felice, is seriously ill but her aunt miraculously cures her by passing an alien-like creature into her body through a kiss. 25 years later the other sister tragically dies in a car accident, leaving behind a husband and a stunningly beautiful adolescent daughter named Amy. Aunt Felice shows up again (in the ravishingly matured version of Joanna Pacula) and quickly works her way into the family by seducing her widowed brother-in-law. Auntie Felice is clearly just interested in Amy's body as the host for the inheritable creature, and she won't hesitate to use violent voodoo tricks against anyone that stands between her and the young girl. "The Kiss" is one modest class above the majority of 80's witchcraft-movies, because it features a little more directorial flair and style. There's a continuously pleasing level of suspense and film is suitably gruesome, including images of people burning alive, losing body parts underneath trucks and getting strangled on escalators. Felice has an OTT grotesque wild cat assisting her to kill people and there's a bizarre (but macabre) montage showing Amy menstruating in class whilst her father makes love to the sinister aunt. That was quite an awkward moment, and I'm not entirely sure about the symbolic significance/importance of that sequence. In fact, there's quite a lot of sexual innuendo that appears to be a bit lost in the wholesome of the story. Anyway, the story grows increasingly sillier near the end, resulting in a highly implausible and chuckles-inducing finale. Meredith Salenger was truly adorable girl in the late 80's (and still a gorgeous woman today) and I severely regret the fact her career didn't skyrocketed after this film. Recommended to watch at least once, particularly if you appreciate feminine beauty and graphic gore.

Well, I didn't go into this film expecting anything great; I was really just hoping for a decent timewaster along the same lines as Wes Craven made for TV opus 'Summer of Fear', and that's more or less what I got; though it cant be said that this film isn't as good as Craven's. The film is a mix of two very basic and very common horror themes; namely, the insider who works their way into a family unit, and of course the idea of witchcraft. After the first fifteen minutes, I feared the worst because = the way that the plot is set up is very messy; and that's never a good sign in a simple film like this one! However, it soon settles down and once I got an idea of what to expect, I found that the film became easier to enjoy. The film starts with two sisters in 1963 that get split up. One of them goes off with a relative who passes onto her a strange curse via a kiss. We then cut to twenty five years later, and the other sister has died in a car accident; leaving her husband and daughter behind. Then onto the scene comes the cursed sister, who wants her niece to bear her curse...

It has to be said that this film could have been better if have handled by someone more adept, and if it had a better focus. The plot soon becomes predictable, and there are several things about it that don't make sense, and the film often veers off on a tangent with certain things that aren't really relevant. The Kiss seems to have taken a bit of influence from The Omen with regards to the way that the death scenes are carried out; mostly excessive and random, but also quite imaginative: the death scene on an escalator is well done...though the clues preceding it spoil the surprise. None of the characters are particularly interesting, which is a shame considering that the main one is a conniving witch. However, the film never becomes too boring. The special effects aren't over-used, but what we do get is generally quite realistic; the only exception to this rule being an aggressive cat, which looks like a stuffed toy. It all boils down to an exciting and explosive finale, which also happens to be the best ten minutes of the film. Overall, I won't be going round recommending this film to people; but there's worse ways to spend ninety minutes of your life.