Non desiderare la donna d'altri

I invite viewers of this film to compare it with the short version (Dekalog 6) and the script. All three differ from one another. They have different endings and lead to different interpretations.

In this film, the feature length version, Kieslowski portrays human love poetically, authentically, and powerfully. I consider Tomek as a lover by the form of incarnation. He takes into different forms (post worker, milkman, voyeur) in order to show his love towards Magda. It is important to notice that Tomek sheds his blood when Magda has sex with others. There is a scene in which Magda spills a bottle of milk and cries. Tomek sees her from his telescope. Only he is present for Magda. Overall, Tomek's love is both sacrificial and redemptive.

After Tomek's hospitalization, Magda dresses more conservatively. She does not engage in sexual affairs with any man. In this sense, Tomek's love redeems the lustful Magda. The commandment (Thou Shalt Not Commit Adultery) functions in the background. We normally perceive a voyeur as being adulterous. But in Tomek's situation, he peeps into Magda not as an adulterous voyeur. He loves Magda by peeping her as an incarnate. He expresses sacrificial, and redemptive love in a humane and authentic manner.

I was not sure what to expect from this film as it is the only the second Polish film of Kieslowski's I have seen. Now it is one of my favorite foreign films and probably my second favorite Kieslowski film, under Red. I was so glued to the television while watching this because I was truly interested in the characters. I saw the 85 minute version and I can say it went very fast because I was completely wrapped up in the story. The passion that these two characters showed is something rarely seen in film. The fact that it was such a simple film with simple characters is quite important as well because it added to the feel of the film. I recommend anyone who can find this film see it.

sorry about the summary title, but i hate pithiness. this is, of course, more than just a film i like. it's beautiful. the scene when the woman fantasizes about what might have been with the boy is heartrending, and you don't have to have lived in communist East Europe to understand her sense of loneliness. others think that "A Short Film about Killing" was the stand out from the Dekalog, but to me this is the director's finest achievement, and the harshest and boldest treatment of love that you could see on celluloid. The most important film of my life.

I have watched this movie 10 years ago when I was feeling that love was an impossible happiness to achieve and it always accompanied disappointments.

Now that I am a happy man and I am not so pessimistic about love and life. However, this movie still fills my soul with wonder: How can love, disappointments and life be described so beautiful, like a poem, stylish and touching...

I will remember it as long as I believe in love.

A short film about love is truly the work of a master,although it was released as part of The Dekalog (all excellent) it stands out above the rest for it's detailed characterization.the film is so well cast,you almost forget your watching a film with actors,but feel your witnessing a human tragedy unfold before you eyes,the performances are so convincing and the setting so real its like watching a documentary on the human condition,and the message is a clear one,not all love has an happy ending,indeed there is a very painful side to feeling love and never as the cinema explored it so poignantly as Krzysztof Kieslowski