Aggiungi una trama nella tua linguaFollow the lives of Rikky, a talanted geologist, and her brother Pete, an off-the-wall mechanical genius. To find peace of mind they travel to the outbacks of Australia and meet up with a de... Leggi tuttoFollow the lives of Rikky, a talanted geologist, and her brother Pete, an off-the-wall mechanical genius. To find peace of mind they travel to the outbacks of Australia and meet up with a desert mining town full of zany individualists.Follow the lives of Rikky, a talanted geologist, and her brother Pete, an off-the-wall mechanical genius. To find peace of mind they travel to the outbacks of Australia and meet up with a desert mining town full of zany individualists.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Robert Baxter
- Truckyard Man
- (as Rob Baxter)
Recensioni in evidenza
Australian cinema has always captivated me. Their cinema is refreshing. "Rikky and Pete" would revive memories of the young rebel in one's life. As a film, you cannot compare it with great cinema of top directors--yet it is charming because it captures the non-conformist in all of us. The mechanical genius Pete invents a gadget that uses the childish paper-plane concept to deliver a newspaper. The brother sister bonding is well portrayed. The jabs at soft-headed evangelists are also well done. The anti-establishment note of the film is the refrain throughout the running time--with one realistic line "I am afraid" coming from the jailed Pete after contemplating the willfully open jail door.
While the film is about cars, inventions, inefficient cops, Eartha Kitt, loonies--the work appears disjointed and immature. Yet some of the minor characters are superb. Examples are the two ladies--the young Tetchie Agbayani as Flossie (Pete's girlfriend at the mine) and Dorothy Alison as Pete's rich mother.
The element of satire that runs through conversation and actions lifts up the product to a level of above average cinema.
While the film is about cars, inventions, inefficient cops, Eartha Kitt, loonies--the work appears disjointed and immature. Yet some of the minor characters are superb. Examples are the two ladies--the young Tetchie Agbayani as Flossie (Pete's girlfriend at the mine) and Dorothy Alison as Pete's rich mother.
The element of satire that runs through conversation and actions lifts up the product to a level of above average cinema.
After Malcolm, that did set the bar pretty high, we drop back a bit with a less successful Aussie comedy, that still manages to be bloody entertaining, where again we are reminded with familiarity to who penned this. This film's good but just not as good as Malcolm was. Sister (Landis) and brother (Kearney) team, take off to the outback, as little brother, you could say, has got himself into a bit of trouble with authorities. Pete is an immature, inventive, and causes a lot of unnecessary trouble, and has anger issues to. He makes obscene phone calls to authorities, causes chain cop car collisions, etc, with his smart arse stunts, as posing as fictional character Evil Donald. He has a newspaper business, he operates from his car, his delivery of them in the form of paper gliders has to be seen. He has trouble with his folks, where really sister, Rikki, a budding singer/guitarist, is the only one who really understands him, where this getaway, is like a last resort, one outburst I'll never forget has Rikki walking off in a huff, after spouting "F off Peter". They make new friends, in the outback, while also getting wealthy as doing a bit of prospecting. Trouble finally catches up with Pete in the form of city cop, (Bill Hunter) who really has it for him, and that's after Pete really makes an arse of himself one night in town, in some drunken and disorderly behavior, racking up quite a fine. His behavior tends to be worrying, where you really don't want to see anything happen to this problematic guy. I really liked Landis's character in this. She reminded a lot of my own sister's character, where Rikki, is a character I think is afraid, of falling in love, while Kearney is so so as Pete. There are a lot of entertaining moments in this film, though I found the movie a little dry or sagging, and as a runner up to Malcolm, you could of down far worse. For lovers of Malcolm, and others, a different and original comedy.
I saw this movie years ago, and I can still remember most of it. The newspaper delivery vehicle was great! For some reason, this movie has stuck in my memory as a movie I really enjoyed (versus the thousands of movies I've seen and either can't remember, or worse, want to and can't forget!) I hope I can catch it some time and get it on tape, as it apparently is not available at retail. In the years before the IMDb and Amazon, I can remember checking every video store I saw to see if they had a copy. Except for the non-dubbed version of "Mad Max" (which I got!), no other movie has inspired me to look for it so diligently. The Internet in this case is good and bad - good that it tells me the film is not available, and bad that it tells me the film is not available!
Nothing much happens in Rikki and Pete, but this is not really a criticism. It's a character comedy and the time spent with the titular oddball brother and sister pair is not time wasted. Rikki is a bored researcher who wants to be a country music star and tries a few wacky stunts to get her second career going. Pete is a rather anti-social, housebound type with a real genius for creating fascinatingly useless, Rube Goldberg style devices. Watching these weird toys work is one of the genuine pleasures of this little movie. The style is intimate, with a lot of close shots of one of both of the sibs, and the setting is effectively littered and cluttered, as any world would be that had a mad little builder like Pete in it. There are few bright colors and no big message here as their odd little story lines play out, just a quite appealing portrait of a functional sibling relationship in a somewhat dysfunctional and frustrating life situation. Worth a look.
I have especially enjoyed Rikki and Pete for reasons difficult to analyze. Just as a skilled writer can engross and hold an audience with what may appear to be simple prose, this film, too, with its simple and wacky story line maintains an artful and absorbing balance in its dramatic elements: a panoply of "unique", interesting characters, a comical clash of modern suburbia with desert mining town ethos, the clash of inventive slacker minds in the face of both, and a lively rhythm accented by Rikki's C&W barroom singing. What serious social messages it may contain - if any - are handled lightly. After all, nothing's new under the sun - certainly not male chauvinism or sexual abuse in the workplace or generational gaps. This film concentrates on its wacky characters and mining town setting, not on such hackneyed subjects.
A masterpiece it isn't, and I won't deny it succumbs to excess toward the end, but compared to the usual empty-headed commercial stuff hyped in papers and video rental box-backs by critics of dubious loyalty (certainly none to the purchaser or to intellectual integrity) I find it nonetheless a superior piece of entertainment - deserving perhaps a 7 out of 10. Back in the 1980s when I first saw it, I would possibly have rated it higher. Despite the years, I still carry with me visions of the dart-throwing Swede, the mining boss bargaining for "lays" he'll never get, and the wild contraption R & P construct with the help of their friends to automate the mining of their own semi-fraudulent gold claim.
A masterpiece it isn't, and I won't deny it succumbs to excess toward the end, but compared to the usual empty-headed commercial stuff hyped in papers and video rental box-backs by critics of dubious loyalty (certainly none to the purchaser or to intellectual integrity) I find it nonetheless a superior piece of entertainment - deserving perhaps a 7 out of 10. Back in the 1980s when I first saw it, I would possibly have rated it higher. Despite the years, I still carry with me visions of the dart-throwing Swede, the mining boss bargaining for "lays" he'll never get, and the wild contraption R & P construct with the help of their friends to automate the mining of their own semi-fraudulent gold claim.
Lo sapevi?
- QuizThis picture got made on the back of the critical and box office success of the Australian movie Malcolm (1986). Both films feature gadgets. 'Rikky and Pete' is also about another eccentric mechanical genius like Malcolm. Both productions were written, produced and directed by Nadia Tess and David Parker who are married filmmakers.
- Colonne sonoreFingers Crossed
Written by Philip Judd (as Philip Judd)
Sung by Wendy Matthews
Musicians: Michael Den Elzen, Philip Judd (as Philip Judd), Noel Crombie, Nigel Griggs, Doug Beach and Louis McManus
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 206.138 USD
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