Rikky and Pete

Hollywood has never known what to do with Asian actresses. It took an Australian woman director to bring out the full potential of the lovely Tetchie Agbayani as Pete's girlfriend in this gentle Aussie comedy. The scene where she is negotiating to get a rise out of her boss (double entendre intended) shows her to be a highly talented comic actress.

I actually saw the film because of Tetchie's participation in it, and was pleasantly surprised by the movie as a whole. It delivers quiet chuckles rather than belly laughs, but leaves you feeling good. It deserves to be more widely appreciated.

A sister and her younger brother from a rich family in Melbourne flee to the Outback for a much-needed break. Ricky is a minstrel with a geologist degree while Pete is a subdued mechanical genius and inventor, albeit penniless. They find sanctuary in a desert mining town.

This decent Australian production from 1988 is not a comedy as touted; it's a semi-offbeat drama with some amusing touches. It's reminiscent of flicks like "Joyride" (1977) with Anne Lockhart & Melanie Griffith about youths fleeing the big city and their misadventures trying out a new life in the vast wilderness (not to be confused with the 2001 road rage flick "Joy Ride").

Nina Landis comes across as a plain Jane at first, but grows more alluring as the movie proceeds, particularly when she's in tight jeans later in the story (just kidding, not really). Tetchie Agbayani is also on hand on the feminine front, a kinda cute Asian. The guy who plays Pete looks like an Aussie version of Charlie Sheen.

At the end of the day, "Rikky and Pete" may not be great, but it ain't bad either, particularly if you're in the mood for a quirky misadventure flick like "Joyride" (1977).

The movie runs 1 hour, 42 minutes and was shot in Australia (New South Wales, Victoria and Queensland).

GRADE: B-/C+

Two wealthy Australian siblings — one an attractive geologist, artist, and country-western songwriter, and the other an unmotivated mechanical whiz kid in trouble with the law — borrow their crippled mother's Bentley and leave their uptown Melbourne mansion to 'go outback', enjoying several adventures along the way, none of which amounts to much. The same writer/director team tries to repeat the luck they had with their 1986 feature 'Malcolm', but the results this time around are too relaxed and unfocused, to say the least. The travelers stop to perform some music (with support from ex-members of the Down Under pop group Split Enz), try their luck at gold mining, and build several clever mechanical toys, but like the outback itself the script ranges all over the map without arriving anywhere. The film isn't exactly pointless, but it's not exactly brimming with purpose either. There's a token crisis involving a vengeful backwoods sheriff, but with no real conflict there's no need for resolution, and the film disappears from memory almost as soon as the end credits finish rolling.

"Rikky and Pete" are thirtyish Aussie sibs who leave Melbourne to escape a dictatorial patriarch and Pete's problems with a local copper and to seek their fortune in the outback where they take up with silver mining and a bunch of quirky characters. "R&P" is a fun little Aussie comedy romp which wanders without clear purpose through it's marginal plot conjuring up moments droll, offbeat, and awkward humor and little else. Worth a look for those into Aussie flix.

Nothing much happens in Rikki and Pete, but this is not really a criticism. It's a character comedy and the time spent with the titular oddball brother and sister pair is not time wasted. Rikki is a bored researcher who wants to be a country music star and tries a few wacky stunts to get her second career going. Pete is a rather anti-social, housebound type with a real genius for creating fascinatingly useless, Rube Goldberg style devices. Watching these weird toys work is one of the genuine pleasures of this little movie. The style is intimate, with a lot of close shots of one of both of the sibs, and the setting is effectively littered and cluttered, as any world would be that had a mad little builder like Pete in it. There are few bright colors and no big message here as their odd little story lines play out, just a quite appealing portrait of a functional sibling relationship in a somewhat dysfunctional and frustrating life situation. Worth a look.