Le cose cambiano

Shoe-shiner Gino (Don Ameche) is hired to take the rap for a mafia murder. Two-bit gangster Jerry (Joe Mantegna) watches over Gino and gives him a weekend to remember.

"Things Change" was Mamet's directorial follow-up to "House of Games" and also takes place in the world of crime. The two films share many cast members, including Joe Mantegna, Ricky Jay, Mike Nussbaum, William H. Macy, and J. T. Walsh, as well as many production staff members. I love how Mamet seems to have his own "stock company" with Mantegna, Jay and Macy. There is something about an ensemble working together again and again that I enjoy.

This film was great and I appreciate that Mamet went more towards comedy. I love his dense language, but sometimes a little humor is good. And mob humor? The best. I have only recently come to appreciate Don Ameche, and this has to be one of his better, later roles.

A comedy by David Mamet - it seems like a contradiction in terms... This sparkling film bristles with life. There is absolutely nothing in common with other dialog-oriented films by writer-directors that quickly become talkathons. This film presents its "message" from the beginning and its pace doesn't let up until the end. It's funny all right - not explosive, rolling-on-the-floor humor but humor of a much gentler kind - and everything is wonderfully written and realized. If I had to use a word to describe it, "balletic" comes to mind. The timing and the movements are in perfect synchronization. What a delightful surprise!

Curtis Stotlar

Don Ameche plays a wonderful portrayal of an Italian Shoe repair man thrown into a world of mobsters. Somehow this has very little effect on his spirit or mood, and at the same time driving his caretaker(Joe Mantegna)absolutely insane. By the end of it's whirlwind tour you realize that the old man is very wise in taking it all in stride.It's especially good if you are a fan of Mafia movies like The Godfather and such because it shows a lot of really typical mob types to keep you interested.

This movie is a very laid back comedy that would entertain people from many different walks of life. I just told someone the other day that it's the best movie I know of that no one has heard of. If you get a chance see it!

An elderly man who makes money shining shoes has been summoned to a meeting with a mob boss. It seems that the elderly guy (Don Ameche) bears a close resemblance to a mobster being held for murder. So, they want the old guy to take the rap...and they, in turn, will pay him well for the time he spends in prison for the killing he actually didn't commit. Gino agrees to the arrangement...and as a way of rewarding him, one of the lower level mobsters, Jerry (Joe Montegna), takes him for a great weekend in Reno...after which Gino is supposed to turn himself in to the law for the murder.

When the pair arrive in Reno, they are mistaken for VERY big fish. Suddenly, the resort casino offers them the best room, the best service....anything they want. It's obvious they have mistaken the pair for some other folks...well-placed mobsters who must be treated with the best of care.

The day after their arrival, two messengers of a local mobster arrive. They want Gino and Jerry to accompany them for a meeting with their boss, Don Giuseppe. Despite Gino being a simple man, he and Giuseppe (Robert Prosky) hit it off very well...and soon Gino is asked to stay for a meeting with the boss' friends....who are all VERY high-ranking mobsters from across the country. Gino agrees...but Jerry is losing his mind at this point! He just wants to end their weekend and go home. What's next? See the film.

The best thing about this film is Don Ameche's gentle and understated performance. It's really lovely to watch...especially if you are a fan of classic Hollywood, as he was quite the matinee idol in the 1930s-40s. It also didn't hurt that the film was written by David Mamet AND, Shel Silverstein, of all people! Overall, a very nice slice of life film...one that is pleasant and sweet.

Mamet is intrinsically the classical playwright. Things may change in life but the classical playwright begins the story with a shoe shine setting up his corner in the cobbler's shop and ends the story with a shoe shine. Even the mid-point of the film, when the 3 day dream is about to end, there is the short lecture on how to shine shoes.

Though all the actors provide commendable performances, the flow of the story is absorbing. There is a layer of human values and honesty that permeates the world of murders and mafia thugs. Mamet is able to use such contradictions to great effect--threats stated with considerable politeness, women who are apparently in charge (the woman overseeing the arrangements for the meal at the house, the mafia wife/moll in blue) and yet play no significant role, teasing the viewer as it were, use of hats and newspapers to cover faces that seem ridiculous as the story unfolds..

The epilogue makes you wonder if things do change. Change for one may not be change for another. Change for one may come in economic terms, for another in friendship.

Early Mamet's work seems to neglect women characters. I wonder why this is so evident.