Cimitero vivente

Pet Sematary is a late-eighties adaptation of Stephen King's horror novel, and King himself wrote the screenplay for the film. The film follows the Creed family, recently moved from Chicago to a small town called Ludlow, Maine. The main plot concerns an ancient Micmac Indian burial ground close by, which has the power to make the dead living again, albeit as horrible zombies.

In my opinion, Stephen King movies usually works very well as mini-series because the characters are more fleshed out and their inner lives are explored more thoroughly. There's no time for this here though, so the characters feels a bit hollow and we don't get to know them all that well.

Relative unknown Dale Midkiff and Denise Crosby lead the pretty anonymous cast, the best acting performance of the movie is Fred Gwynne as old-timer Jud Crandall.

Overall, this plays pretty much like a standard horror flick, more or less, with average acting but with a better-than-average script and it builds tension well. Top marks to the makeup department though, for making the zombies look pretty good.

Supernatural terror for a curse caused by a cemetery against a happy family. The Creed family formed by the father , a successful doctor named Louis Creed (Dale Midkiff) , mother (Denise Crosby) and two sons has moved to a little community, at Maine place , but shortly after they move , their son is murdered by a great truck that thunder pass near his newly purchased rural home . The father learns by a neighbor (Fred Gwynne) that there is a graveyard where you can bury your loved ones , and then he plans come back to life his kid ; as he attempts to revive his three-years-old little boy with the magical resurrecting qualities of an Indian burial ground . He takes his son to this location, and he is brought back to life . It seems all is well again, until the son kills a person. Now, he has to find out a manner to stop his child before he murders other people . Louis is shocked to discover that danger and horror lurks .

The big success at box-office ¨Pet Sematary¨ was written by Stephen King , who sometimes writes under pseudonym Richard Bachman and based on horror master bestselling novel of the same title . The Paramount Pictures took the production with interesting script by Stephen King. Casting is frankly decent, Dale Midkiff as grief-stricken daddy , Denise Crosby as affecting mummy , but the honor acting goes to Fred Gwynne as untrusted neighbor . And of course , brief performance of Stephen King , an usual cameo , as church minister . The film displays adequate musical score fitting to terror and suspense by Elliot Goldenthal . The motion picture is professionally directed by Mary Lambert though seem doesn't improve in the transition from page to screen and fails the visualising of complex narrative plot by means of confuse flashbacks . She also realized the following (1992) , much worse than original, with Edward Furlong , Anthony Edwards and Clancy Brown , causing similar terror and same kind of gore as the previous movie . The result is better than previous Stephen King adaptation, the mediocre, Running man . King movies rendition are converting as prolific as his novels, from ¨Creepshow¨ along with ¨Cats's eye¨, ¨Silver bullet¨,¨Maximum overdrive¨ unique directed by King and various TV take on as ¨Rose red, The storm of the century,The stand,Golden years and Langoliers¨ have been numerous his adaptations. Rating : Passable and acceptable ,well worth watching for Stephen King fonds.

A doctor (Dale Midkiff) and his family move to a new home, dangerously close to a busy highway. After the death of the family cat, the doctor's neighbor lets him in on a secret: there is a sacred Indian burial ground where buried pets come back to life. The obvious question is: does it work on people?

Not to say this is a bad film (it's not), but the thing about this one is that its reputation and cultural impact have overshadowed the film itself. We all know that burying things in the sacred ground will bring them back to life, and that's without even having to see this film.

There is much good to say about this one: an amazing talent in Gage Creed, the little boy. Some nice violence and gore (including an Achilles tendon slice). One of the most painful things I've seen on film, when the doctor falls out of bed (I admit I winced a bit).

Mike Mayo points out that this is something of a variation on "The Monkey's Paw", and we agree it's a praiseworthy version. He says the film "lasts 30 seconds too long", and I see his point, but cannot comment on that here. Howard Maxford is considerably more critical (as usual -- he is the most negative horror critic I know) and says it is "over-extended" and could have made a good half hour of television.

Stephen King has made some good films and some bad ones (how much this is his fault or the fault of the directors is debatable). This falls firmly in the good category. Not among his very best ("Shawshank Redemption" is number one), but still worth a few watches.

In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)

As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.

In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.

The acting is terrible in this movie. The dad and little girl are just painful to watch because they are so wooden. The story is great and has some great scares. The sets are wonderful. Maine is really exhibited well as a setting.

The beginning is really cheesy but gets better as the movie goes on. The little boy as a villain is ridiculous. I liked when Denise Crosby becomes a zombie. She is fairly effective.

I recommend this one.