Surgical Spirit

Seldom do you see a TV show prepared not to dumb down the comedy, and keep it so very cutting as is found in Surgical Spirit.

I was hooked from the very first episode when the show first aired in 1989 and I find the humour as fresh today as ever.

The characters are rich and the casting places very talented artists in roles where they can make the most of a carefully constructed script, that delivers some of the most memorable lines I've ever heard.

It has the guts to tackle such fundamental questions like the nature of the dying process, with intelligence, sensitivity and great humour, without trivialising or dodging the realities.

Surgical Spirit clearly won't be to everyone's taste, but it has a huge amount to offer anyone who likes their wit sharp, their delivery punchy and their comedy not at all watered down.

Most hospital dramas are about situations of life and death. "Surgical Spirit" deals with the equally dramatic issues of ruptures and piles.

The heroine, Dr. Sheila Sabatini (Nicola McAuliffe), is a consultant surgeon. In addition to dealing with the everyday crises of the wards, she has also to deal with a slightly wayward son, an Italian husband whom she is divorcing, an anaesthetist boyfriend who is slightly in awe of her and a scatterbrained administrator.

Most of the humour arises from the relations between Sabatini and her fellow-doctors, who are pretentious, idle or callow. Her suitor, Dr. Haslam, earnestly rushes in where angels fear to tread and provides a natural foil to Sabatini's irascibility.

As one might expect from a character in McAuliffe's high-powered role, the dialog is very sharp and naturally delivered. Think of Sir Lancelot Sprat in drag. Awkward, mumbling explanations to her about embarrassing medical conditions are cut short with almost an Australian relish for bluntness.

Very few lines are delivered with obvious intentional humour, a process made easier by most scenes being shot with all the characters wearing surgical masks. Extracting humour from the mundane is a difficult feat, and this series probably succeeded better than most.

Surgical Spirit is one of those long forgotten British sitcoms that existed on a Friday night during the 80's and 90's. It has classical music for its theme music and score, and its about a surgeon. Like the American comedy Frasier it has an air of classicism about it. Its all very posh and that seems to be its main appeal. Because the central character isn't very likable. She is an aggressive gobby woman who only seems to have a primary setting, which is sarcasm. Although it does seem to veer into total aggression at some points. Its unlikely she would be working in the NHS as long as it has a functional HR department. There is a long running "will they wont they" workplace romance theme with one of her male colleagues. The other source of narrative tensions coming from her relationship with her son and what seems like her only friend in the building. This show is mainly for posh people who think only classical music should exist and women who enjoy watching other women verbally abuse men without consequences. Sure some of it is funny in a farcical kind of way however its the sort of jokes you can see coming a mile off. Its unlikely this show would have mass appeal today, simply because the main character is so caustic. Would a working class woman get away behaving like this? Or is being rude at work only acceptable for the chattering classes?

I had completely forgotten about Surgical Spirit, bought the box set and binge watched it, it's a terrific show, great humour, cutting wit, wonderful characters, and some awesome performances. A few moments of slapstick fun, but apart from a few episodes it doesn't get silly. My favourite episodes are Wanderlust and Sammy Eldridge, both are brilliant.

The casting was perfect, Nicola McAuliffe is dazzling as Sheila Sabatini, she's caustic, cutting, but compassionate and great at her job, Duncan Preston is the perfect balance to her, great also, he's mild mannered and genuine. Everyone is great, Marji Campi often makes it as nosy unit manager Joyce, her scenes with Sister are a scream.

Series four is my favourite, but there never comes a point where it dips in quality, although the show is littered with classic episodes. It's a shame it ended.

I would definitely recommend it. 9/10

I remember watching this when it was first aired back in 1989, and I loved it. It was British comedy at is absolute best.

I forgot about after it finished, and now ITV 3 are running re-runs and its like I am falling in love all over again. And although 15 years or so have gone since it first started the sublime jokes still remain side-splitting and the characters stay identifiable.

The only bad thing I can say about it is the sets, looking at them you can really tell its been 15 years!

Actually I lied I thought of another bad thing, it finished!!!

Overall this show is a show that will remain a T.V Classic Gem for decades to come.

*****/*****