Nel 1960, sette preadolescenti emarginati combattono un demone malvagio che si spaccia per un pagliaccio assassino di bambini. Trent'anni dopo, si riuniscono per fermare il demone una volta ... Leggi tuttoNel 1960, sette preadolescenti emarginati combattono un demone malvagio che si spaccia per un pagliaccio assassino di bambini. Trent'anni dopo, si riuniscono per fermare il demone una volta per tutte quando ritorna nella loro città natale.Nel 1960, sette preadolescenti emarginati combattono un demone malvagio che si spaccia per un pagliaccio assassino di bambini. Trent'anni dopo, si riuniscono per fermare il demone una volta per tutte quando ritorna nella loro città natale.
- Vincitore di 1 Primetime Emmy
- 4 vittorie e 2 candidature totali
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Recensioni in evidenza
It's Creepy, it's Eerie, it's Funny, it's Goofy, it's Intriguing, it's Nostalgic - 1990 It
**Light Spoilers On A Couple Scenes, Nothing Too Big to Mark As Spoiler - I Won't Elaborate On the Scenes As Is**
Stephen King's It. It (2017) is a film I'm not too keen on, but if we're talking about the two-part miniseries film from 1990, boy it's great. The enjoyment I get out of this is what I had hoped in the newer one. Tim Curry gives an exceptionally good performance as Pennywise. The other actors give pretty good performances, too. There are far more creepy scenes in this than there are in the newer films I feel. Everything from the beginning, They All Float Down Here, and just the sheer presence of Pennywise to the disturbing "Don't Cha Want It?" scene, the Dog-head scene and the old zombie grandmother scene. This terrified me when I was 10 years old. Nearly fifteen years later, it still gets me. The pacing is great, it has laughs, it has chilling moments, it's just brilliant all-round. Wonderfully executed, good camaraderie and dialogue, and consistently strong acts, especially the first and second for me, I could go on. Make sure you see this if you're a fan of the 2017 one. And if you're not, I recommend this even more.
memories (re-reviewed in 2015)
If you are of the King generation (lotsa books, bookstores, drugstores with books, tobacco stores with books, no computers or personal devices) then you probably have your own views on his place in the creative continuum.
My view is that his "early" works (including IT, THE STAND, SHINING) were his best. Wonderfully warped. And great fun to read.
That was the good news. The bad news is that, with rare exception (eg - SHINING) the B-grade studios that made easy money doing "tv movies" (you had to be there, otherwise you would not understand) generally snapped up his stuff and then did cheap, low-talent adaptations.
Wotta waste.
IT was one of King's more interesting works and this is one of the less awful adaptations. For insiders, most of the fun is in the first few scenes where one of the "characters" himself a writer explains that he has a job adapting his own work: "If anyone is going to mess it up, it may as well be me." The inside joke is that King himself was brought in as co-writer here because so many of the earlier TV adaptations were a disaster.
Again, one of the better ones. Lots of interesting faces here and there, including Ritter (an unappreciated dramatic talent) and Otoole looking radiant.
My view is that his "early" works (including IT, THE STAND, SHINING) were his best. Wonderfully warped. And great fun to read.
That was the good news. The bad news is that, with rare exception (eg - SHINING) the B-grade studios that made easy money doing "tv movies" (you had to be there, otherwise you would not understand) generally snapped up his stuff and then did cheap, low-talent adaptations.
Wotta waste.
IT was one of King's more interesting works and this is one of the less awful adaptations. For insiders, most of the fun is in the first few scenes where one of the "characters" himself a writer explains that he has a job adapting his own work: "If anyone is going to mess it up, it may as well be me." The inside joke is that King himself was brought in as co-writer here because so many of the earlier TV adaptations were a disaster.
Again, one of the better ones. Lots of interesting faces here and there, including Ritter (an unappreciated dramatic talent) and Otoole looking radiant.
Extremely long but worthwhile horror yarn.
Many critics have complained that Stephen King's It is an overlong film. However, considering that the book upon which it is based takes over 1,000 pages to tell its story, it is hardly surprising that the film version needs so much running time to cram in all the twists and turns. Besides, the three hour running time goes by quickly because the film is briskly paced and full of engaging incidents. Also, the depth of the story allows to us to really get into the minds of the characters, which is a rare thing indeed in a horror film, since usually the characters are hilariously shallow.
The story unfolds like a two part mini-series (which is, I believe, what the film was originally meangt to be). In the first half, a bunch of seven kids in a small town realise that recent child killings are not the work of a murderer, but are attributable to a monster which awakes every thirty years. They track it down and very nearly kill it, but it just manages to escape. Thirty years later, the seven are all grown up, but they re-unite to seek out the monster when it once more awakens for its regular killing spree.
The acting is very goood, especially John Ritter as a successful architect and Tim Curry as the terrifying Pennywise the Clown. There are some spooky moments, but nothing that I would describe as absolutely horrifying. This is an unusually deep and detailed horror film, well worth seeing.
The story unfolds like a two part mini-series (which is, I believe, what the film was originally meangt to be). In the first half, a bunch of seven kids in a small town realise that recent child killings are not the work of a murderer, but are attributable to a monster which awakes every thirty years. They track it down and very nearly kill it, but it just manages to escape. Thirty years later, the seven are all grown up, but they re-unite to seek out the monster when it once more awakens for its regular killing spree.
The acting is very goood, especially John Ritter as a successful architect and Tim Curry as the terrifying Pennywise the Clown. There are some spooky moments, but nothing that I would describe as absolutely horrifying. This is an unusually deep and detailed horror film, well worth seeing.
Tim Curry is Pennywise and Pennywise is Tim Curry, a legendary performance.
When I see the reviews for this miniseries/TV movie, I think, "How can it have such a low rating?" It's true, it has many flaws from its conception: low budget, script cuts, deleted scenes, etc. But it's also true that it has a great heart from beginning to end and performances that became iconic, especially that of Tim Curry as Pennywise.
Stephen King wasn't directly involved in the production after his disagreements with Kubrick on "The Shining," but over the years he became one of the miniseries' biggest supporters.
For those of us who are fans of "It," our first on-screen encounter with Pennywise and his fight against the Losers' Club, or the Lucky 7 as it was adapted, was this one.
Far from being perfect, it presents a coherent, captivating story with many horror overtones without the need to resort to CGI as has been the case with films in recent years. It has such a murky atmosphere that it always generated a bad feeling. However, it's Tim Curry's performance that elevates this product.
At no point does it drag, and it's clear that there are scenes and concepts that couldn't be handled on TV at that time. Scenes like the one we saw with Georgie in "It Part 1" were impossible to imagine.
Its ending is perhaps the most disappointing, for obvious reasons. The main one was not having a budget to pull it all off. The other was having a production company more interested in creating a family-friendly product than a telepathic battle with an ancient entity and a mystical turtle... you get the picture, right?
For my part, I will always have a special affection for this miniseries that caused so much trauma to children and adults alike... Stephen King is surely happy.
Stephen King wasn't directly involved in the production after his disagreements with Kubrick on "The Shining," but over the years he became one of the miniseries' biggest supporters.
For those of us who are fans of "It," our first on-screen encounter with Pennywise and his fight against the Losers' Club, or the Lucky 7 as it was adapted, was this one.
Far from being perfect, it presents a coherent, captivating story with many horror overtones without the need to resort to CGI as has been the case with films in recent years. It has such a murky atmosphere that it always generated a bad feeling. However, it's Tim Curry's performance that elevates this product.
At no point does it drag, and it's clear that there are scenes and concepts that couldn't be handled on TV at that time. Scenes like the one we saw with Georgie in "It Part 1" were impossible to imagine.
Its ending is perhaps the most disappointing, for obvious reasons. The main one was not having a budget to pull it all off. The other was having a production company more interested in creating a family-friendly product than a telepathic battle with an ancient entity and a mystical turtle... you get the picture, right?
For my part, I will always have a special affection for this miniseries that caused so much trauma to children and adults alike... Stephen King is surely happy.
First Half Good - Second Half Bad
That's what most of the other commentators say, and I can't disagree. Part 1 (or the first half, depending on which format you're seeing it in) is great: pitting some excellent child actors (including future star Seth Green of Buffy the Vampire Slayer) portraying some in-depth characters fighting against a demonic clown. The second half seems more like a "gee-wow - look who we got" self-indulgence at casting Anderson, Thomas, Reid and Ritter, with very little to make us care about these folks. The ending is also an incredible dumbed-down letdown, although in all fairness I don't think they could pull off King's ending, and most of the audience wouldn't understand it if they had tried. There are a few touching moments in the last half, and Tim Curry couldn't screw up no matter how bad the writing is, but generally the two mismatched halves make for a mediocre film when it could have been so much more.
Lo sapevi?
- BlooperIt seems as if Mike was the last to join the seven back in the 1960s. The day Mike joins them was apparently several days after the other kids had encountered It. Out of the discussion about It, which takes place the day of the Rock Battle, we learn that every single kid in the gang has already seen It somewhere. However, later in the movie, Bev tells a story about the blood in her bathroom, and in the flashback, we see all of the 7 kids entering Bev's bathroom to clean the mess up, the day right after the blood had come out of the washbasin.
- Curiosità sui creditiDuring the opening credits, we see pictures of the "Lucky Seven" from their childhood like in a photo album. The final photo of the Paramount cinema segues into the actual one in Derry. The camera pulls back from the title IT, and it turns from white to red. In Pt 2, the final photo of a hotel segues into the one the "Lucky Seven" are staying at. At the end of both parts, Pennywise's laugh is heard.
- Versioni alternativeAlthough released on VHS and Laserdisc in the original two-part miniseries format, the DVD and Blu-ray releases from Warner Bros. are an edited Home Video Version which removes the end of Part 1 and the beginning of Part 2 in order to turn it into one long film. Here is what has been removed at timestamp 1:34:00 (the chapter 28 mark on the Blu-ray):
- THE END OF PART 1: Stan's wife finds that he has slit his wrist in the bathtub and starts to scream, the scream is cut off abruptly and therefore also the final showing of "IT" written in the blood on the bathroom wall, accompanied by Pennywise laughing and "to be continued" along with the end credits.
- THE BEGINNING OF PART 2: Starts with Bill arriving at the Derry cemetery. This completely cuts out his arrival at the hotel, the conversation with the woman at the desk, a short scene in his hotel room, the full ride in a taxi to the cemetery along with the opening credits.
- ConnessioniEdited into The Nostalgia Critic: Garfield: A Tail of Two Kitties (2017)
- Colonne sonoreItsy Bitsy Spider
(uncredited)
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