Assassin

A veteran FBI agent (Robert Conrad) is recalled from retirement to eliminate a rampaging killer cyborg (Richard Young) that has gone murderously rogue. This fun TV Sci-actioner remains more than watchable fare, enhanced by a fine cast of familiar genre faces, and I've always got room for one more Man Vs Cybermaniac B-thriller! Assassin certainly isn't a neglected cult classic, but it is competently made, with decent action, and I've always admired the quality character work of gifted Thespians Len Birman and Jonathan Banks! Perhaps, those weaned on a high fiber optic diet of Six Million Dollar Man, and Reb Brown's roustabout Captain America might get more of a cybernetically enhanced kick out of Sandor Stern's 'Assassin' than others.

Ex-government agent, Henry Stanton (Robert Conrad) is brought out of retirement to track down a rogue agent named Golem (Richard Young). Golem is on a murderous rampage, killing with his bare hands and collecting secret data.

Stanton soon discovers that he's not up against a mere man.

Sort of a made-for-TV version of THE TERMINATOR, Conrad is really good in his intrepid role. Young's Golem is fantastic in all of his / its bulletproof, fireproof, virtually-unstoppable glory!

Highly entertaining...

An ex-CIA operative is convinced by his old boss to return to action one last time to help track down a rogue agent who is going around killing people connected with the Agency. The only trouble is that the said agent is seemingly a lethally designed cyborg.

This is a mid-80's TV movie, so it's probably fair to say that expectations should be lowered accordingly. Seeing as it was released in 1986, it's only fair to surmise that it derives much of its influence from the recent smash hit film The Terminator. Obviously, it's a very poor man's Terminator though. But its combination of sci-fi with paranoid political intrigue was not such a bad concoction to be fair. It's delivered with just enough effort to ensure it's watchable. But it's best to accept in advance that the thrills on offer in this one are of the bargain basement variety.

Dou you already heard that old story of an US's agency calls back those former collaborators when some situation running out of control??, How about Schwarzenegger's COMMANDO or even Lambert's FORTRESS 2: RE-ENTRY also RAMBO III just name a few, it's happened with Robert Conrad to be back with full power to stop a hitman that going mad after many killings, they just don't aware him that in fact he is dealing with a powerful Cyborg, what a double-crossing.

I thought that he'd returned just by the gorgeous Scientist Karen Austin working as supporting high tech computer, the top-secret Cyborg's developing was under oversight of Robert Webber, now they ought stop the hybrid-human when he has to be recharging his plutonium batteries for a thirty minutes only, meanwhile it is impossible to break, (why they figure out a dynamite for instance or a bazooka, certainly not it will destroy the whole concept). Well it should be asking too much.

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Resume:

First watch: 1987 / How many: 2 / Source: TV-Youtube / Rating: 5.

Story: 1.25/2 - Direction & Pace: 1.25 & 1.25/4 - Performance: 1.25/2 - Entertainment: 1.25/2

Total - 6.25/10

"Assassin," a precious relic from the golden age of TV movies, brings forth a heady concoction of spy intrigue and sci-fi zing, akin to the diplomatic clash of two distinct genres at a quirky drive-in cinema. Picture yourself in the mid-eighties: A lovely time when lustrous hair was big, and TV effects were typically somewhat more modest.

Our fantastic tale unfurls in a world where assassins, red tape, and cyborgs collide in a whirlwind of procedural pandemonium. A shadowy figure, not your average assassin, roams the agency's halls and government chambers, wreaking havoc like a bull in a china shop, albeit a cybernetic one. The crème de la crème of retired operatives is recalled to action, much like a reunion of veteran heroes pulled back for one last tango in the espionage dance. But hold your horses; this cyborg isn't one to be pigeonholed by mere programming.

The ingenious plot, a labyrinthine maze of deft twists and violent turns, carefully unfolds like a skilled magician's reveal, teasing revelations one breadcrumb at a time. Moreover, it's like a favourite old card trick; you admire the sleight of hand, even if you've witnessed it before. However, the beauty lies in the execution, mirroring the precision of the cyborg's window-jumping antics - sharp, effective, and depositing you on the edge of your seat.

Directorial finesse elevates this TV movie beyond its small-screen limitations, graciously offering a unique spectacle that bellows "big budget" with every well-choreographed leap. Sure, the effects might typically draw a chuckle from modern audiences accustomed to CGI wonders, but remember, this was the classic era of VHS and neon leg warmers.

The ensemble cast shines a constellation of talent without a solitary star outshining the rest. This humility serves the story well, focusing on the riveting narrative where intrigue reigns supreme.

"Assassin" is the perfect Sunday night caper or a rainy afternoon escapade, a rare blend of creative intellect and chuckles wrapped in a cyborg's enigmatic cloak. While its ending might not raise eyebrows, its journey is a rollercoaster of realism and astute wit. Take a seat, prepare for an '80s throwback and embrace this thrilling ride - an overlooked gem well worth unearthing from the annals of television lore.