Broken Vows

This worthless movie was obviously created by someone who doesn't know enough about the priesthood to condemn it as much as they do. Falling back on every cliche about the priesthood they could muster, all the people who made this movie do is succeed in irritating and preaching with a type of blind passion that they condemn in the Church. I wish I never would have paid the $2.50 to rent it.

In a dubious neighborhood in Manhattan, a Catholic priest (Jones) starts to question his occupation after talking with a dying man (David Strathairn) and meeting the woman in whom the victim was once involved (Annette). M. Emmet Walsh is on hand as a know-it-all detective.

I guess "Broken Vows" (1987) is technically a television production helmed by a proven TV director (Jud Taylor) and this can be observed in the wooden delivery of the characters' dialogues (like they just learned their lines the night before). Once you get past that issue, however, this ranks with Tommy Lee's best movies, just don't expect the action thrills of "The Fugitive." Rather, it has 'thrills' in the sense of real-life drama, which can be more compelling than overkill action if done effectively, at least for the mature-minded.

Annette was still in her prime at 34 years-old during shooting and so was Frances Fisher, who has a smaller part as Maureen. Meanwhile Jones was 40.

I also appreciated the unexpected depiction of artists and their studios in the big city. I had a couple of friends in this uncertain line of work; one was my best friend at the time and his studio looked very similar to Stuart Chase's in the movie, aka Amil.

The film works on three fronts: There's the murder mystery, there's McMahon's struggles with the usefulness of his profession and the Catholic sect in general, and, lastly, the relationship of the two protagonists. As my title blurb suggests, the flick commendably addresses the good, the bad and the ugly of life's blessings & curses and everything in between.

The lowkey route is taken and the movie's the better for it. For instance, we sense what's going on underneath the surface, but it's not spelled out. Lesser flicks require a passionate sex scene to 'wow' the viewer whereas this one opts for a revelatory statement or the simple clasping & kissing of hands.

It runs 1 hour, 35 minutes, and was shot in Montréal, Québec.

GRADE: B+

this is one of the most charming movies I've seen, but also with moments of drama, comedy and just all round good feeling. Tommy Lee Jones is excellent as always, and Annette O'Toole is wonderful as the girlfriend of the murder victim, and also Mr Jones's character's subsequent love interest. It is genuinely warm and moving without being too sweet or sickly as some love stories are. Mr Jones is a wonderful actor and this gives him yet another chance to shine as a priest torn between his duty to his calling and the woman he has come to love. Well worth a watch.

The roll of a rather naïve young priest, with plenty of shy, sex appeal gives Tommy lee Jones an opportunity to flex his acting chops in this made for TV film.

When he comes upon a dying young man, a man who professes his devotion to the church, rather than name his killer, Father Joseph McMahon (Jones) takes upon himself a quest to learn more about the man, and the circumstances surrounding his murder.

This quest opens the priest to a whole new world outside the sheltered existence of his parish. When he meets the slain man's girlfriend (Annette O'Toole), they begin an emotional intertwine.

Fine fare with above average performances and a good cast including David Strathairn, a striking Frances Fisher, M. Emmet Walsh, and Milo O'Shea.

Good, solid, emotional drama.

usual TV fare really, and made in 1986 it has an awful array of big shouldered clothes that poor annette o'toole had to wear (that red coat is absolutely dire and the poor actress who played maureen has probably tried to burn every copy of the film in existence. not that i'm shallow of course... ). it was watchable because tommy lee jones is always watchable and the growing spark between him and annette o'toole's character was charismatic. the other actors were OK too but not a film i will keep to watch again because though it tries hard to be interesting something about it is irredeemably naff and lacking in any real style or substance