Hellraiser

Julia is forced to kill for her brother in law Larry, who's dabbled with powerful, but malign forces and been turned into a decayed, monstrous like creature. Larry is trying to regain his physical being in order to escape the creatures, The Cenobites.

Hellraiser is definitely one of those wonderful 1980's video nasties, I'm not a hundred percent sure I'd put it in the same category as Halloween or Nightmare on Elm Street, but I'm not sure if that's because of this film, or some of the atrocious followups.

Special effects that would have been quite advanced for the time, there's lots of blood and gore, and that scene where Frank initially appears is quite something.

At times it's really quite sadistic and nasty, the kind of film that you'd sneak on as a youngster, and have a few sleepless nights over. At times it's menacing, sickening and just downright twisted, yes it may look a little dated in parts, but I think it holds up well.

Great music throughout, it's so dramatic, it perfectly fits the tone of the film. The makeup is terrific, especially The Cenobites.

Clare Higgins steals it for me, I think she's great, definitely something of the femme fatale.

What is so interesting, is just how little Pin Head actually appears, even if people don't know the film.or the story, he's quite well known, he's hardly in it though.

The story holds up pretty well, I'd say it's perfect for an update, but I'm not sure that the followups have offered much.

7/10.

You can't be a horror fan and not be familiar with Clive Barker's "Hellraiser" movies. And as a horror fan chances are that you will enjoy them - the first few movies at the very least.

The core of the story of the "Hellraiser" franchise revolves around a mysterious artifact - an intricate puzzle box - which is said to be able to grant people what they desire the most. But it comes with a price, a terrible, terrible price. And it is guarded by the vile Cenobites.

The warped mind of Clive Barker really came up with something wonderfully morbid and disturbing when "Hellraiser" was first unleashed upon the world. Especially the Cenobites, they are grotesque but interesting at the same time.

In the first movie Larry and his wife Julia moves into Larry's old family house. The very same house where his brother Frank tried to unlock the puzzle box and was sent to Hell. An accident causes Larry's blood to be spilled on the floor, bringing back Frank from the dead. But in his flayed and fleshless state of being, Frank needs the blood and flesh of the living in order to regenerate his own body. But no one escapes Hell that easily.

For a 1987 movie, I will say that the effects still hold their own today, having withstood the test of time. Especially the rebirth of Frank and his transformation back to fully human. And the Cenobites, lets not forget the Cenobites; they were just amazing.

With this now classic horror movie the World saw the likes of Doug Bradley like never before and he instantly became a horror legend, just as Pinhead became a horror icon.

I grew up with these horror movies along with other horror franchises, and I love them even today and make frequent visits back to them. If you are not familiar with "Hellraiser", shame on you. Then I would strongly recommend that you sit down and watch it, perhaps even do a movie marathon of the series.

Adapted by Clive Barker from his own story "The Hellbound Heart" this has long been a favorite among horror-film devotees. Clive Barker is an outstanding writer. In terms of literary style light years ahead of Stephen King. His awesomely unhinged imagination is given free rein in this tale of the darker side of the human psyche.

Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!

Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.

Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!

Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.

Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!

You want horror? you want originality? you like blood on tap? you need HELLRAISER!

For all the above though, Barker's CANDYMAN was still better!

Hellraiser was a bloody good film but part of me wishes I hadn't seen it because it made the hairs on the back of my neck stand up. I remember renting it out on video along with A Nightmare On Elm Street back in the late 1980's. I thought Freddy Krueggar was bad but those cenobites scared the you know what out of me.

The acting is good throughout the film and praise must go to everyone. The characters were very interesting characters from the humans right up to the cenobites.

There was a lot of gore in this movie and it was quite sick at times-not a film to watch if you're eating.

The storyline of the film is a very intriguing one and very original indeed.

But those cenobites didn't half scare me particularly when that pinhead said, "We will tear your soul apart!" Then again, that is what a good horror is all about-scaring the you know what out of it's audience.

If you're looking for a quality horror movie of the 80's then check this one out. Just don't be surprised if it sends you hair grey.

Finally got around to watching this one. I was not into horror as a kid but as I approach middle age, it has been fun to visit these types of films for the first time.

The basic plot of Hellraiser is straight out of a1930s horror or suspense anthology radio program. This is a morality play and quite similar to those on those old-time programs like "Suspense" or "The Mysterious Traveler" people listened to up through the 1950s. However, the hellish images, nasty depictions of torment, and gross, practical gore effects give a nice coat of fresh paint to this type of story.

The direction is OK but certainly has a B-movie quality at times, much like the rest of the production. Claire Higgins is great, though. Ashley Laurence is not a great actress here but is strikingly beautiful. You could make this movie today with almost the same script and make it much scarier or even nastier if you wanted. But I think it's nice to keep it a bit cartoony, keep it fun, not nasty.

The practical gore effects still hold up for the most part. Some of the skin looks excessively rubbery but still very wince-inducing in a few scenes (especially the famous "nail on the wall" scene). Does it look real? No, but you can appreciate the work and lack of dated CGI.

No jump scares here. The movie's horror relies more on the nasty gore and hellish depictions of torture and torment.

Anyway, this is a fun movie I think. Not a great one. Mediocre acting, a very genre script and OK direction. However, it delivers fun, oldschool thrills, not far from what your grandparents heard on the radio.

I'm not sure whether to give this a 7 or an 8. I think it may deserve an 8 just based on fun factor.