La storia dell'ultimo imperatore della Cina.La storia dell'ultimo imperatore della Cina.La storia dell'ultimo imperatore della Cina.
- Regia
- Sceneggiatura
- Star
- Vincitore di 9 Oscar
- 58 vittorie e 20 candidature totali
Ruocheng Ying
- The Governor
- (as Ying Ruocheng)
Cary-Hiroyuki Tagawa
- Chang
- (as Cary Hiroyuki Tagawa)
Tsou Tijger
- Pu Yi (8 years)
- (as Tijger Tsou)
Tao Wu
- Pu Yi (15 years)
- (as Wu Tao)
Guang Fan
- Pu Chieh (Adult)
- (as Fan Guang)
Recensioni in evidenza
This to me was a very powerful movie, I loved the story, and the final outcome was how it should be. Somehow we believe that Kings, Queens, Emperors etc are entitled to their power, that somehow they deserve it. This is how this emperor saw himself, he believed he was better, and above the average person, his sense of entitlement and view of reality was so perverted, that he did everything possible to retain and regain his position in life. However from the day he entered the palace he was a pawn, powerless to act, yet he never sees this. Maybe we don't all understand his re-education, but this is what makes the ending so great. There is a fantastic moral to this story. A beautiful story, sad, moving, and somehow, strangely uplifting. Highly recommended. 9/10
'The Last Emperor' tells the story of Pu Yi, as an adult played by John Lone, the last emperor of China. He was three years old when he first sat down on the Dragon Throne. He didn't know anything. The movie tells his story from that moment in flashbacks. We also get to see Pu Yi when the Chinese Communists have the power and he is imprisoned. Because people have taken care of him the rest of his life, from three years old to the moments inside the prison, it still feels he knows nothing.
To tell you about the life of Pu Yi would be a mistake. You have to see this movie to learn more about it. The strange thing is that Pu Yi can not do and decide much for himself. He is a hero of a movie where he is controlled by rules and other people. That is one of the reasons not many real things happen. We see the emperor grow up, we see him take an empress and a concubine, and then he has to leave the Forbidden City because the enemy is at the gate.
The impressive thing here are the locations and the costumes. Everything looks fabulous and it is not a surprise to find out that the movie was shot on location. With all the extras in those beautiful costumes there are a lot of very impressive scenes. May be the movie is a bit too long for some, it didn't really bother me. Director Bernardo Bertolucci has made a terrific movie.
To tell you about the life of Pu Yi would be a mistake. You have to see this movie to learn more about it. The strange thing is that Pu Yi can not do and decide much for himself. He is a hero of a movie where he is controlled by rules and other people. That is one of the reasons not many real things happen. We see the emperor grow up, we see him take an empress and a concubine, and then he has to leave the Forbidden City because the enemy is at the gate.
The impressive thing here are the locations and the costumes. Everything looks fabulous and it is not a surprise to find out that the movie was shot on location. With all the extras in those beautiful costumes there are a lot of very impressive scenes. May be the movie is a bit too long for some, it didn't really bother me. Director Bernardo Bertolucci has made a terrific movie.
Bernardo Bertolucci left a remarkable impression on the Academy with The Last Emperor, taking away nine oscars including one for best film and best director. This film will leave a lasting impression on those who view it as well. Last Emperor provides a strong message through its main character Pu-Yi. Although the film bases its story on the true life accounts of the last emperor of China, Last Emperor shows that life can deal one undesirable circumstances and the way one reacts and handles these circumstances determine one's place in history. Bertolucci's powerful method of storytelling also further enhances the greatness of Last Emperor. The motif of pursuing a forbidden love that remains out of reach presents a tearful message. Who cannot get misty eyed seeing an eight year old Pu-Yi chasing after his beloved nanny or an almost exact similar scene when a much older Pu-Yi chases his insane first wife? Last Emperor will move even the most adamant viewer. "To his majesty, the emperor... Ten thousand years!"
Best movie about the East I've ever seen.
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
8emm
I guess I'm the only one who watched this from a worn out-of-print VHS copy. No matter what the quality, THE LAST EMPEROR is arguably among the best of the foreign pictures. The sights and sounds of The Forbidden City are sharp and beautifully screened right on with the provocative events that unfold the coming-of-age life of Pu Yi. It has plentiful moments including his romantic affairs with concubines and how he learns the way of the world as a child. His chronicle of a young emperor boy paints a colorful picture for the first half, only leading to more conflicting matters later, which is the most exciting part. Don't expect to see heads getting chopped off, like I thought would happen (unless you have the longer DVD version), but the intensity of the talk surrounding it sounds horrifying and true. Nevertheless, the dialogue is clearly mystical. Every minute is a feel-good breeze through crafty cinematic art, but it ends too fast, and the narration from Pu Yi in his prison term could use a lot more detailing. Maybe I'll stick around longer and wait to see the Director's Cut which has more. Definitely a winning treat not to be missed for foreign movie lovers and collectors of premium filmfare.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Lo sapevi?
- QuizThe first Western film made in and about the country to be produced with full Chinese government cooperation since 1949.
- BlooperThe Emperor was not in the Forbidden City to witness the expulsion of the eunuchs. This action was carefully planned with few people knowing, since the Emperor could trust very few of his intimates. The order to remove the eunuchs was received in the Forbidden City while the Emperor was visiting at a friend's home. Also, not all of the eunuchs were dismissed, as the Empress Dowager begged Pu Yi to allow a few of her personal servants to remain.
- Citazioni
Reginald Fleming 'R.J.' Johnston: Words are important.
Pu Yi, at 15: Why are words important?
Reginald Fleming 'R.J.' Johnston: If you cannot say what you mean, Your Majesty, you will never mean what you say and a gentleman should always mean what he says.
- Versioni alternativeThe theatrical version runs 163 minutes. A 218 minute version was released in the US in 1998 under the mistaken title of the "Director's Cut". It was known by this erroneous title until the 2008 Criterion DVD and Blu-ray Disc came out. Bertolucci and DP Vittorio Storaro made it clear while working on the DVD and BD that the shorter theatrical version is without doubt the director's cut. The 218 minute version was an early cut meant only to be aired as a four-part television mini-series by the Italian television network that funded the film.
- Colonne sonoreKaiser Walzer (Emperor Waltz) op. 437
Written by Johann Strauss (as Johann Strauss)
Performed by Berliner Philharmoniker (as The Berlin Philharmonic Orchestra)
Conducted by Herbert von Karajan
with kind permission of Polydor International GmbH
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El último emperador
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 23.000.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 43.984.230 USD
- Fine settimana di apertura Stati Uniti e Canada
- 149.460 USD
- 22 nov 1987
- Lordo in tutto il mondo
- 44.043.654 USD
- Tempo di esecuzione
- 2h 43min(163 min)
- Colore
- Proporzioni
- 2.39 : 1
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